Pierre Finkelstein and fauxbrushes.com have collections for all techniques of decorative painting or faux finishing. We put together collections such as woodgraining, faux marble, trompe l’oeil, ornamentation, sign painting, glazing, gilding, stenciling, plaster, faux finishing and textured finishes.
We have natural and synthetic brushes made with Bristle, Nylon, Squirrel, Sable, Bluetop, Ox, Polytop, Badger, and black bristle. We have a wide array of hand-tied brushes, paints, glazes, books, and decorative painting accessories. Faux Brushes was started by Pierre Finkelstein, author of The Art of Faux who teaches decorative painting techniques at Pierre Finkelstein Institute of Decorative Painting, Inc.
5 products
5 products
Stippling Brush (Bristle) | GLZ-10
ITEM #: GLZ-10
PRICE: $43.40 Regular price Regularly: $54.25 Sale price Save $10.85/
Only 11 items in stock!
Use this for controlled, parallel veins when painting faux marble and semiprecious stone.
For painting onyx marble
Stippler
Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
3.9" / 10cm
1.8" / 45mm
8.3" / 210mm
2.8" / 70mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Handle Grip With Wrist Action, Baseball Hold
USAGE
Stippling and strie
MEDIUM
Oil or Water
FERRULE
Wood
HANDLE
Wood
Use this for controlled, parallel veins when painting faux marble and semiprecious stone.
- For painting onyx marble
- Stippler
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
|
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
| 3.9" / 10cm |
1.8" / 45mm |
8.3" / 210mm |
2.8" / 70mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Handle Grip With Wrist Action, Baseball Hold |
|
USAGE |
Stippling and strie |
|
MEDIUM |
Oil or Water |
|
FERRULE |
Wood |
|
HANDLE |
Wood |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Stippling Brush (Bristle, Nylon) | GLZ-23
ITEM #: GLZ-23
PRICE: $38.80 Regular price Regularly: $48.50 Sale price Save $9.70/
Only 35 items in stock!
Try our lightweight water stippler, a true replica of our classic Oil Stippler but specifically designed for today's water mediums. This bristle/nylon blend stippler is designed for fast and effortless stippling to save your arm. Take control of stippling with our replica of our classic. Conserve your energy, only settle for the best stippler for this widely used technique in decorative painting.
1 1/3 inches thick, 7 rows of nylon synthetic fiber w/ 50% bristle hair
Brush 'springs' into action (learn more)
Can be used to strie with glaze or heavy paint
Stipples close to the corner
Perfect brush for colorwashing/large-scale blending & softening
SIZE TRANSLATIONS
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
3.7" / 9.5cm
1.8" / 45mm
8.3" / 212mm
2.5" / 63mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle / Nylon blend
BRUSH HOLD
Handle Grip With Wrist Action, Baseball Hold
USAGE
Stippling and Strie
MEDIUM
Water or Oil
FERRULE
N/A
HANDLE
Wood
Try our lightweight water stippler, a true replica of our classic Oil Stippler but specifically designed for today's water mediums. This bristle/nylon blend stippler is designed for fast and effortless stippling to save your arm. Take control of stippling with our replica of our classic. Conserve your energy, only settle for the best stippler for this widely used technique in decorative painting.
- 1 1/3 inches thick, 7 rows of nylon synthetic fiber w/ 50% bristle hair
- Brush 'springs' into action (learn more)
- Can be used to strie with glaze or heavy paint
- Stipples close to the corner
- Perfect brush for colorwashing/large-scale blending & softening
SIZE TRANSLATIONS
| BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 3.7" / 9.5cm | 1.8" / 45mm | 8.3" / 212mm | 2.5" / 63mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
BRUSH HOLD |
Handle Grip With Wrist Action, Baseball Hold |
|
USAGE |
Stippling and Strie |
|
MEDIUM |
Water or Oil |
|
FERRULE |
N/A |
|
HANDLE |
Wood |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Codtail Blending Brush (Bristle) | GLZ-12
ITEM #: GLZ-12_Size-50
PRICE: $24.00 Regular price Regularly: $30.00 Sale price Save $6.00/
Only 26 items in stock!
Our long handle small codtail is the ultimate smoothing tool. It can be gentle as a smoother or used aggressively to efficiently blend/break up multi-tonal glazes. We also love it as a fine stippler on all hard to reach areas.
Long hair for a finer blending
1/3 inch thick, high quality bristle keeps it's shape
Can be used in water/oil when dedicated (learn more)
See Oil Softener for ultimate oil softener
Wonderful for stippling corners, relief's, & heavy textures
Great for reaching intricate surfaces like mullions, dentils & window casing, etc.
Use as a mini-flogger (WD-4)
Essential for blending clouds
Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
50
11.8" / 30cm
0.1" / 4.5mm
2" / 50mm
3.3" / 84mm
60
11.9" / 30.2cm
0.3" / 8mm
2.4" / 60mm
3.4" / 86mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Conductor's Hold, Pencil Hold
USAGE
Softening; breaking up the glaze
MEDIUM
Water or Oil
FERRULE
Copper
HANDLE
Wooden flat long
Our long handle small codtail is the ultimate smoothing tool. It can be gentle as a smoother or used aggressively to efficiently blend/break up multi-tonal glazes. We also love it as a fine stippler on all hard to reach areas.
- Long hair for a finer blending
- 1/3 inch thick, high quality bristle keeps it's shape
- Can be used in water/oil when dedicated (learn more)
- See Oil Softener for ultimate oil softener
- Wonderful for stippling corners, relief's, & heavy textures
- Great for reaching intricate surfaces like mullions, dentils & window casing, etc.
- Use as a mini-flogger (WD-4)
- Essential for blending clouds
- Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 50 | 11.8" / 30cm |
0.1" / 4.5mm |
2" / 50mm | 3.3" / 84mm |
| 60 | 11.9" / 30.2cm | 0.3" / 8mm | 2.4" / 60mm | 3.4" / 86mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Conductor's Hold, Pencil Hold |
|
USAGE |
Softening; breaking up the glaze |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden flat long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Corner Stippling Brush (Bristle) | GLZ-11
ITEM #: GLZ-11
PRICE: $36.00 Regular price Regularly: $45.00 Sale price Save $9.00/
Only 15 items in stock!
Use our small bristle stippler for all your hard to reach areas that our regular size won't reach. Also, the strong bristle hair is tough enough to apply thick texture with a stipple effect. This is a widely used brush for a variety of techniques like; small/corner stippling, smoothing, plaster application, broken texture look, or Provencal (jigouille) wall treatment.
3 rows of natural bristle hair
High quality bristle keeps it's shape
Brush 'springs' into action (learn more)
Can be used in water/oil when dedicated (learn more)
Wonderful for stippling corners, relief's, & heavy textures
Great for reaching intricate surfaces like mullions, dentils & window casing, etc.
Excellent plaster applicator
Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
4.3" / 11cm
1.2" / 31mm
4.7" / 120mm
3.1" / 80mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Handle Grip With Wrist Action, Baseball Hold
USAGE
Spattering; spattering; water marks; worm holes
MEDIUM
Oil, Water
FERRULE
N/A
HANDLE
Wood
Use our small bristle stippler for all your hard to reach areas that our regular size won't reach. Also, the strong bristle hair is tough enough to apply thick texture with a stipple effect. This is a widely used brush for a variety of techniques like; small/corner stippling, smoothing, plaster application, broken texture look, or Provencal (jigouille) wall treatment.
- 3 rows of natural bristle hair
- High quality bristle keeps it's shape
- Brush 'springs' into action (learn more)
- Can be used in water/oil when dedicated (learn more)
- Wonderful for stippling corners, relief's, & heavy textures
- Great for reaching intricate surfaces like mullions, dentils & window casing, etc.
- Excellent plaster applicator
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
|
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
| 4.3" / 11cm |
1.2" / 31mm |
4.7" / 120mm |
3.1" / 80mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Handle Grip With Wrist Action, Baseball Hold |
|
USAGE |
Spattering; spattering; water marks; worm holes |
|
MEDIUM |
Oil, Water |
|
FERRULE |
N/A |
|
HANDLE |
Wood |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Codtail Stippling Brush (Bristle) | GLZ-13
ITEM #: GLZ-13
PRICE: $38.84 Regular price Regularly: $48.55 Sale price Save $9.71/
Only 76 items in stock!
Our codtail is the ultimate smoothing tool. It can be gentle as a smoother or used aggressively to efficiently blend/break up multi-tonal glazes. 'Crush' it on the surface to create a very broken-up effect. We also love it as a fine stippler on all hard to reach areas.
Select, long hair for a finer blending
1/3 inch thick, high quality bristle keeps it's shape
Can be used in water/oil when dedicated (learn more)
See Oil Softener for ultimate oil softener
Can be used as a flogger in oil
Excellent for softening crown molding and baseboards
Perfect for faux leather, color washes, & clouds
Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
120
11" / 28cm
0.2" / 5mm
4.7" / 120mm
4.2" / 106mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Conductor's Hold, Pencil Hold
USAGE
Softening; breaking up the glaze
MEDIUM
Water or Oil
FERRULE
Copper
HANDLE
Wooden flat long
Our codtail is the ultimate smoothing tool. It can be gentle as a smoother or used aggressively to efficiently blend/break up multi-tonal glazes. 'Crush' it on the surface to create a very broken-up effect. We also love it as a fine stippler on all hard to reach areas.
- Select, long hair for a finer blending
- 1/3 inch thick, high quality bristle keeps it's shape
- Can be used in water/oil when dedicated (learn more)
- See Oil Softener for ultimate oil softener
- Can be used as a flogger in oil
- Excellent for softening crown molding and baseboards
- Perfect for faux leather, color washes, & clouds
- Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 120 | 11" / 28cm | 0.2" / 5mm | 4.7" / 120mm | 4.2" / 106mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Conductor's Hold, Pencil Hold |
|
USAGE |
Softening; breaking up the glaze |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden flat long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
