Pierre Finkelstein and fauxbrushes.com have collections for all techniques of decorative painting or faux finishing. We put together collections such as woodgraining, faux marble, trompe l’oeil, ornamentation, sign painting, glazing, gilding, stenciling, plaster, faux finishing and textured finishes.
We have natural and synthetic brushes made with Bristle, Nylon, Squirrel, Sable, Bluetop, Ox, Polytop, Badger, and black bristle. We have a wide array of hand-tied brushes, paints, glazes, books, and decorative painting accessories. Faux Brushes was started by Pierre Finkelstein, author of The Art of Faux who teaches decorative painting techniques at Pierre Finkelstein Institute of Decorative Painting, Inc.
48 products
48 products
PRO Pointed Glazing Brush (Bluetop) | GLZ-45
ITEM #: GLZ-45_Size-00000
PRICE: $13.25 Regular price Sale price/
Only 35 items in stock!
Our BLUETOP PRO SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
See also: BLUETOP ECONOMY SERIES
Bristle versions: ULTIMATE BRISTLE, PRO BRISTLE and ECONOMY BRISTLE SERIES.
The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush
Rounded for ultimate medium dispersion (learn more)
Tin ferrule with varnished long wooden handle
Brush hold: Pencil Hold, Drummer's Hold
Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
00000
10.6" / 27cm
.47 / 12mm
.47 / 12mm
2" / 50mm
000
10.8" / 27.5cm
.6" / 15mm
.6" / 15mm
2.1" / 54mm
0
10.8" / 27.5cm
.6" / 15mm
.6" / 15mm
2.2"/ 55mm
2
12.3" / 31.3cm
.83" / 21mm
.83" / 21mm
2.6" / 66mm
4
12.6" / 32.1cm
.98" / 25mm
.98" / 25mm
2.7"/ 69mm
6
13.3" / 33.7cm
1.1" / 29mm
1.1" / 29mm
3.1"/ 79mm
8
13.5" / 34.3cm
1.3" / 32mm
1.3" / 32mm
3.1"/ 78mm
BRUSH SPECIFICATIONS
HAIR TYPE
Bluetop synthetic fiber
USAGE
Application of varnish, paint, glaze medium
Our BLUETOP PRO SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
- PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
- See also: BLUETOP ECONOMY SERIES
- Bristle versions: ULTIMATE BRISTLE, PRO BRISTLE and ECONOMY BRISTLE SERIES.
- The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush
- Rounded for ultimate medium dispersion (learn more)
- Tin ferrule with varnished long wooden handle
- Brush hold: Pencil Hold, Drummer's Hold
- Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH | HAIR LENGTH |
| 00000 |
10.6" / 27cm |
.47 / 12mm | .47 / 12mm |
2" / 50mm |
| 000 |
10.8" / 27.5cm |
.6" / 15mm | .6" / 15mm | 2.1" / 54mm |
| 0 |
10.8" / 27.5cm |
.6" / 15mm | .6" / 15mm |
2.2"/ 55mm |
| 2 |
12.3" / 31.3cm |
.83" / 21mm | .83" / 21mm | 2.6" / 66mm |
| 4 | 12.6" / 32.1cm | .98" / 25mm | .98" / 25mm |
2.7"/ 69mm |
| 6 |
13.3" / 33.7cm |
1.1" / 29mm | 1.1" / 29mm |
3.1"/ 79mm |
| 8 |
13.5" / 34.3cm |
1.3" / 32mm | 1.3" / 32mm |
3.1"/ 78mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Bluetop synthetic fiber |
|
USAGE |
Application of varnish, paint, glaze medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Mixol® Universal Color Tints
ITEM #: PMX-01_B01_20ml
PRICE: $5.99 Regular price Regularly: $6.30 Sale price Save $0.31/
Only 6 items in stock!
Mixol offers the highest quality Universal Tints on the market. Produced in Germany for more than 35 years, Mixol is compatible with almost any paint and coating. The full assortment of 33 colors mixes easily with shellacs, lacquers, primers and fillers.
Mixol is known for its high concentration of pigment, sophisticated color palette, and ease of mixing. They are highly resistant to frost and heat damage. They have an indefinite shelf life, and because they are binder-free, they will not dry out or thicken.
Fifteen Mixol Oxide colors were created to meet the growing demand for adding color to fast-drying varnishes and paints. Oxide colorants can even be used with cement and mortar and are colorfast and weatherproof.
Mixol offers the highest quality Universal Tints on the market. Produced in Germany for more than 35 years, Mixol is compatible with almost any paint and coating. The full assortment of 33 colors mixes easily with shellacs, lacquers, primers and fillers.
Mixol is known for its high concentration of pigment, sophisticated color palette, and ease of mixing. They are highly resistant to frost and heat damage. They have an indefinite shelf life, and because they are binder-free, they will not dry out or thicken.
Fifteen Mixol Oxide colors were created to meet the growing demand for adding color to fast-drying varnishes and paints. Oxide colorants can even be used with cement and mortar and are colorfast and weatherproof.
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
PRO Pointed Glazing Brush (Bristle, Nylon) | GLZ-41
ITEM #: GLZ-41_Size-000
PRICE: $14.45 Regular price Sale price/
Only 40 items in stock!
Our PRO SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
See other levels: ULTIMATE and ECONOMY SERIES
and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush
Rounded for ultimate medium dispersion (learn more)
Tin ferrule with varnished long wooden handle
Brush hold: Pencil Hold, Drummer's Hold
Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
000
11.6" / 29.4cm
.4" / 11mm
.4" / 11mm
2.2" / 56mm
0
11.7" / 29.8cm
.8 / 20mm
.8 / 20mm
2.4" / 61mm
2
12.2" / 31cm
.9" / 22mm
.9" / 22mm
2.8" / 72mm
4
12.7" / 32.2cm
1" / 26mm
1" / 26mm
3" / 75mm
6
13.4" / 34cm
1.2" / 31mm
1.2" / 31mm
3.3" / 84mm
8
13.5" / 34.4cm
1.3" / 34mm
1.3" / 34mm
3.5" / 89mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle / Nylon blend
USAGE
Application of varnish, paint, glaze medium
Our PRO SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
- PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
- See other levels: ULTIMATE and ECONOMY SERIES
- and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
- The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush
- Rounded for ultimate medium dispersion (learn more)
- Tin ferrule with varnished long wooden handle
- Brush hold: Pencil Hold, Drummer's Hold
- Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH | HAIR LENGTH |
| 000 | 11.6" / 29.4cm | .4" / 11mm | .4" / 11mm | 2.2" / 56mm |
| 0 | 11.7" / 29.8cm | .8 / 20mm | .8 / 20mm | 2.4" / 61mm |
| 2 | 12.2" / 31cm | .9" / 22mm | .9" / 22mm | 2.8" / 72mm |
| 4 | 12.7" / 32.2cm | 1" / 26mm | 1" / 26mm | 3" / 75mm |
| 6 | 13.4" / 34cm | 1.2" / 31mm | 1.2" / 31mm | 3.3" / 84mm |
| 8 | 13.5" / 34.4cm | 1.3" / 34mm | 1.3" / 34mm | 3.5" / 89mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
USAGE |
Application of varnish, paint, glaze medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Stippling Brush (Bristle) | GLZ-10
ITEM #: GLZ-10
PRICE: $54.25 Regular price/
Only 13 items in stock!
Use this for controlled, parallel veins when painting faux marble and semiprecious stone.
For painting onyx marble
Stippler
Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
3.9" / 10cm
1.8" / 45mm
8.3" / 210mm
2.8" / 70mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Handle Grip With Wrist Action, Baseball Hold
USAGE
Stippling and strie
MEDIUM
Oil or Water
FERRULE
Wood
HANDLE
Wood
Use this for controlled, parallel veins when painting faux marble and semiprecious stone.
- For painting onyx marble
- Stippler
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
|
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
| 3.9" / 10cm |
1.8" / 45mm |
8.3" / 210mm |
2.8" / 70mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Handle Grip With Wrist Action, Baseball Hold |
|
USAGE |
Stippling and strie |
|
MEDIUM |
Oil or Water |
|
FERRULE |
Wood |
|
HANDLE |
Wood |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
4-in-1 Flat Spalter Brush (Bristle) | GLZ-09
ITEM #: GLZ-09
PRICE: $42.15 Regular price/
Only 22 items in stock!
Our long haired spalter is a combination of a spalter, softener, and a mini-flogger. This natural bristle brush becomes economical because of it's versatility. Our spalters are over 1/3" thick. From strie to corner stippling, smoothing to moire, this brush does it all. Keep it in your back pocket and it will get used often.
Hand-selected bristle hair, longer than a Spalter
Brush 'springs' into action (learn more)
Softens unwanted brush/roller marks
4 uses: softening, strie, stipple, & moire
A versatile brush for the price
Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
100
8.9" / 22.7cm
.16" / 4mm
4" / 100mm
2.2" / 55mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Drummer's Hold, Conductor's Hold
USAGE
Corner stippling; strie
MEDIUM
Water or Oil
FERRULE
Copper
HANDLE
Wooden flat short
Our long haired spalter is a combination of a spalter, softener, and a mini-flogger. This natural bristle brush becomes economical because of it's versatility. Our spalters are over 1/3" thick. From strie to corner stippling, smoothing to moire, this brush does it all. Keep it in your back pocket and it will get used often.
- Hand-selected bristle hair, longer than a Spalter
- Brush 'springs' into action (learn more)
- Softens unwanted brush/roller marks
- 4 uses: softening, strie, stipple, & moire
- A versatile brush for the price
- Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 100 | 8.9" / 22.7cm | .16" / 4mm | 4" / 100mm | 2.2" / 55mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Drummer's Hold, Conductor's Hold |
|
USAGE |
Corner stippling; strie |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden flat short |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Stippling Brush (Bristle, Nylon) | GLZ-23
ITEM #: GLZ-23
PRICE: $48.50 Regular price/
Only 23 items in stock!
Try our lightweight water stippler, a true replica of our classic Oil Stippler but specifically designed for today's water mediums. This bristle/nylon blend stippler is designed for fast and effortless stippling to save your arm. Take control of stippling with our replica of our classic. Conserve your energy, only settle for the best stippler for this widely used technique in decorative painting.
1 1/3 inches thick, 7 rows of nylon synthetic fiber w/ 50% bristle hair
Brush 'springs' into action (learn more)
Can be used to strie with glaze or heavy paint
Stipples close to the corner
Perfect brush for colorwashing/large-scale blending & softening
SIZE TRANSLATIONS
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
3.7" / 9.5cm
1.8" / 45mm
8.3" / 212mm
2.5" / 63mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle / Nylon blend
BRUSH HOLD
Handle Grip With Wrist Action, Baseball Hold
USAGE
Stippling and Strie
MEDIUM
Water or Oil
FERRULE
N/A
HANDLE
Wood
Try our lightweight water stippler, a true replica of our classic Oil Stippler but specifically designed for today's water mediums. This bristle/nylon blend stippler is designed for fast and effortless stippling to save your arm. Take control of stippling with our replica of our classic. Conserve your energy, only settle for the best stippler for this widely used technique in decorative painting.
- 1 1/3 inches thick, 7 rows of nylon synthetic fiber w/ 50% bristle hair
- Brush 'springs' into action (learn more)
- Can be used to strie with glaze or heavy paint
- Stipples close to the corner
- Perfect brush for colorwashing/large-scale blending & softening
SIZE TRANSLATIONS
| BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 3.7" / 9.5cm | 1.8" / 45mm | 8.3" / 212mm | 2.5" / 63mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
BRUSH HOLD |
Handle Grip With Wrist Action, Baseball Hold |
|
USAGE |
Stippling and Strie |
|
MEDIUM |
Water or Oil |
|
FERRULE |
N/A |
|
HANDLE |
Wood |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Domed Glazing Brush (Bristle, Nylon) | GLZ-01D
ITEM #: GLZ-01D_Size-04
PRICE: $15.24 Regular price Regularly: $25.40 Sale price Save $10.16/
Only 3 items in stock!
Our domed water glazer is the work horse of decorative painting. This is our highest level of quality. This is a modern replica of the classic full bristle version.
Hand-shaped with select bristle fibers
Premium stainless steel ferrule with hand-tied string
Sealed handle for longevity
Nylon synthetic fiber with 60% natural bristle
Slightly domed shape for full coverage
Rounded for ultimate medium dispersion (learn more)
Brush 'springs' into action (learn more)
Perfect for 'breaking up the glaze'
Large size can glaze an entire wall with speed
Application/Usage: applying glaze and basecoat; stippling; adding texture
Preferred Medium: Water
Brush Ferrule/Handle: Tin, wooden round long
Brush Hold: Pencil Hold, Drummer's Hold
Hair Length: 2-3" (60-72mm)
Dia./width: .5-1.25" (25-32mm)
Our domed water glazer is the work horse of decorative painting. This is our highest level of quality. This is a modern replica of the classic full bristle version.
- Hand-shaped with select bristle fibers
- Premium stainless steel ferrule with hand-tied string
- Sealed handle for longevity
- Nylon synthetic fiber with 60% natural bristle
- Slightly domed shape for full coverage
- Rounded for ultimate medium dispersion (learn more)
- Brush 'springs' into action (learn more)
- Perfect for 'breaking up the glaze'
- Large size can glaze an entire wall with speed
- Application/Usage: applying glaze and basecoat; stippling; adding texture
- Preferred Medium: Water
- Brush Ferrule/Handle: Tin, wooden round long
- Brush Hold: Pencil Hold, Drummer's Hold
- Hair Length: 2-3" (60-72mm)
- Dia./width: .5-1.25" (25-32mm)
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Ultra Thin Double-blade Japanese Trowel (Steel)
ITEM #: TWJP-14_Large
PRICE: $57.00 Regular price/
Only 16 items in stock!
High-quality, traditional Japanese trowels are
essential in the decorative painter's tool-kit. There is a range of trowels on the market,
but the Japanese version provides a versatility and ease of use that is
unmatched. Generally, Japanese trowels are meant to move
softer and smoother plasters like Venetian, clay, or other low-aggregate
textures. Our
range of products come in primarily, stainless steel or plastic; flexible or
rigid options. The thicker, more rigid
trowels are best for applying the plaster.
The thinner, more flexible, stainless steel trowels are superb for
smoothing, knocking-down, burnishing, and polishing the finishing layers.
Very delicate - less likely to scratch the surface
Easy grip (especially easy with small hands)
Gets tight into corners
Great for "knock-down" troweling
Fantastic burnisher/polishing tool
Gets sharper with use
Won't rust
Which trowel
is right for your project?
Thickness: Sizes range from .3mm (thin) to 1mm
(thick). Thinner trowels allow for a delicate,
soft touch. Thicker trowels are excellent
applicators.
Material: Stainless steel trowels come thin or thick
and are more resilient to wear. Plastic
trowels are thicker, cheaper, and less likely to nick when dropped.
Size: We love the medium to small sizes of
trowels. You'll be saying "these are so
cute!' but they are seriously essential in small spaces and corners.
Care instructions: Stainless steel trowels are subject to damage
when dropped. They get sharper with age,
but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with
the wood handle (not to be left sitting in water).
Size translations:
120mm (4.7")
150mm (5.9")
180mm (7")
210mm (8.3")
240mm (9.5")
270mm (10.6")
300mm (11.8")
Be a plaster samurai! Did you know?
When the Edo period in Japan came to a close and the samurai fought their
final battle, the production of swords was forbidden. As a result, highly
skilled sword black smiths, concentrated on making carpentry and plastering
tools. To this day, Japan is known for its exquisite carpentry and
plastering tools.
High-quality, traditional Japanese trowels are
essential in the decorative painter's tool-kit. There is a range of trowels on the market,
but the Japanese version provides a versatility and ease of use that is
unmatched. Generally, Japanese trowels are meant to move
softer and smoother plasters like Venetian, clay, or other low-aggregate
textures. Our
range of products come in primarily, stainless steel or plastic; flexible or
rigid options. The thicker, more rigid
trowels are best for applying the plaster.
The thinner, more flexible, stainless steel trowels are superb for
smoothing, knocking-down, burnishing, and polishing the finishing layers.
Be a plaster samurai! Did you know?
When the Edo period in Japan came to a close and the samurai fought their
final battle, the production of swords was forbidden. As a result, highly
skilled sword black smiths, concentrated on making carpentry and plastering
tools. To this day, Japan is known for its exquisite carpentry and
plastering tools.
- Very delicate - less likely to scratch the surface
-
Easy grip (especially easy with small hands)
- Gets tight into corners
-
Great for "knock-down" troweling
- Fantastic burnisher/polishing tool
- Gets sharper with use
- Won't rust
Which trowel is right for your project?
Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators.
Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped.
Size: We love the medium to small sizes of trowels. You'll be saying "these are so cute!' but they are seriously essential in small spaces and corners.
Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water).
Size translations:
- 120mm (4.7")
- 150mm (5.9")
- 180mm (7")
- 210mm (8.3")
- 240mm (9.5")
- 270mm (10.6")
- 300mm (11.8")
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Codtail Blending Brush (Bristle) | GLZ-12
ITEM #: GLZ-12_Size-50
PRICE: $30.00 Regular price/
Only 25 items in stock!
Our long handle small codtail is the ultimate smoothing tool. It can be gentle as a smoother or used aggressively to efficiently blend/break up multi-tonal glazes. We also love it as a fine stippler on all hard to reach areas.
Long hair for a finer blending
1/3 inch thick, high quality bristle keeps it's shape
Can be used in water/oil when dedicated (learn more)
See Oil Softener for ultimate oil softener
Wonderful for stippling corners, relief's, & heavy textures
Great for reaching intricate surfaces like mullions, dentils & window casing, etc.
Use as a mini-flogger (WD-4)
Essential for blending clouds
Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
50
11.8" / 30cm
0.1" / 4.5mm
2" / 50mm
3.3" / 84mm
60
11.9" / 30.2cm
0.3" / 8mm
2.4" / 60mm
3.4" / 86mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Conductor's Hold, Pencil Hold
USAGE
Softening; breaking up the glaze
MEDIUM
Water or Oil
FERRULE
Copper
HANDLE
Wooden flat long
Our long handle small codtail is the ultimate smoothing tool. It can be gentle as a smoother or used aggressively to efficiently blend/break up multi-tonal glazes. We also love it as a fine stippler on all hard to reach areas.
- Long hair for a finer blending
- 1/3 inch thick, high quality bristle keeps it's shape
- Can be used in water/oil when dedicated (learn more)
- See Oil Softener for ultimate oil softener
- Wonderful for stippling corners, relief's, & heavy textures
- Great for reaching intricate surfaces like mullions, dentils & window casing, etc.
- Use as a mini-flogger (WD-4)
- Essential for blending clouds
- Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 50 | 11.8" / 30cm |
0.1" / 4.5mm |
2" / 50mm | 3.3" / 84mm |
| 60 | 11.9" / 30.2cm | 0.3" / 8mm | 2.4" / 60mm | 3.4" / 86mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Conductor's Hold, Pencil Hold |
|
USAGE |
Softening; breaking up the glaze |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden flat long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Rubber Spatula (Red)
ITEM #: TWJP-15_Large
PRICE: $17.11 Regular price/
Only 10 items in stock!
Japanese Rubber Spatula for all your application needs!
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
1mm Pointed Tip Japanese Trowel (Clear Plastic)
ITEM #: TWJP-09_Size-150
PRICE: $34.62 Regular price/
Only 6 items in stock!
High-quality, traditional Japanese trowels are
essential in the decorative painter's tool-kit. There is a range of trowels on the market,
but the Japanese version provides a versatility and ease of use that is
unmatched. Generally, Japanese trowels are meant to move
softer and smoother plasters like Venetian, clay, or other low-aggregate
textures. Our
range of products come in primarily, stainless steel or plastic; flexible or
rigid options. The thicker, more rigid
trowels are best for applying the plaster.
The thinner, more flexible, stainless steel trowels are superb for
smoothing, knocking-down, burnishing, and polishing the finishing layers.
Very delicate - less likely to scratch the surface
Easy grip (especially easy with small hands)
Gets tight into corners
Great for "knock-down" troweling
Fantastic burnisher/polishing tool
Gets sharper with use
Won't rust
Which trowel
is right for your project?
Thickness: Sizes range from .3mm (thin) to 1mm
(thick). Thinner trowels allow for a delicate,
soft touch. Thicker trowels are excellent
applicators.
Material: Stainless steel trowels come thin or thick
and are more resilient to wear. Plastic
trowels are thicker, cheaper, and less likely to nick when dropped.
Size: We love the medium to small sizes of
trowels. You'll be saying "these are so
cute!" but they are seriously essential in small spaces and corners.
Care instructions: Stainless steel trowels are subject to damage
when dropped. They get sharper with age,
but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with
the wood handle (not to be left sitting in water).
Size translations:
120mm (4.7")
150mm (5.9")
180mm (7")
210mm (8.3")
240mm (9.5")
270mm (10.6")
300mm (11.8")
Be a plaster samurai! Did you know?
When the Edo period in Japan came to a close and the samurai fought their
final battle, the production of swords was forbidden. As a result, highly
skilled sword blacksmiths, concentrated on making carpentry and plastering
tools. To this day, Japan is known for its exquisite carpentry and
plastering tools.
High-quality, traditional Japanese trowels are
essential in the decorative painter's tool-kit. There is a range of trowels on the market,
but the Japanese version provides a versatility and ease of use that is
unmatched. Generally, Japanese trowels are meant to move
softer and smoother plasters like Venetian, clay, or other low-aggregate
textures. Our
range of products come in primarily, stainless steel or plastic; flexible or
rigid options. The thicker, more rigid
trowels are best for applying the plaster.
The thinner, more flexible, stainless steel trowels are superb for
smoothing, knocking-down, burnishing, and polishing the finishing layers.
Be a plaster samurai! Did you know?
When the Edo period in Japan came to a close and the samurai fought their
final battle, the production of swords was forbidden. As a result, highly
skilled sword blacksmiths, concentrated on making carpentry and plastering
tools. To this day, Japan is known for its exquisite carpentry and
plastering tools.
- Very delicate - less likely to scratch the surface
-
Easy grip (especially easy with small hands)
- Gets tight into corners
-
Great for "knock-down" troweling
- Fantastic burnisher/polishing tool
- Gets sharper with use
- Won't rust
Which trowel is right for your project?
Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators.
Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped.
Size: We love the medium to small sizes of trowels. You'll be saying "these are so cute!" but they are seriously essential in small spaces and corners.
Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water).
Size translations:
- 120mm (4.7")
- 150mm (5.9")
- 180mm (7")
- 210mm (8.3")
- 240mm (9.5")
- 270mm (10.6")
- 300mm (11.8")
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
.3mm Pointed Tip Japanese Trowel (Steel)
ITEM #: TWJP-03_Size-120
PRICE: $49.54 Regular price/
Only 14 items in stock!
High-quality, traditional Japanese trowels are
essential in the decorative painter's tool-kit. There is a range of trowels on the market,
but the Japanese version provides a versatility and ease of use that is
unmatched. Generally, Japanese trowels are meant to move
softer and smoother plasters like Venetian, clay, or other low-aggregate
textures. Our
range of products come in primarily, stainless steel or plastic; flexible or
rigid options. The thicker, more rigid
trowels are best for applying the plaster.
The thinner, more flexible, stainless steel trowels are superb for
smoothing, knocking-down, burnishing, and polishing the finishing layers.
Very delicate - less likely to scratch the surface
Easy grip (especially easy with small hands)
Gets tight into corners
Great for "knock-down" troweling
Fantastic burnisher/polishing tool
Gets sharper with use
Won't rust
Which trowel
is right for your project?
Thickness: Sizes range from .3mm (thin) to 1mm
(thick). Thinner trowels allow for a delicate,
soft touch. Thicker trowels are excellent
applicators.
Material: Stainless steel trowels come thin or thick
and are more resilient to wear. Plastic
trowels are thicker, cheaper, and less likely to nick when dropped.
Size: We love the medium to small sizes of
trowels. You'll be saying "these are so
cute!" but they are seriously essential in small spaces and corners.
Care instructions: Stainless steel trowels are subject to damage
when dropped. They get sharper with age,
but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with
the wood handle (not to be left sitting in water).
Size translations:
120mm (4.7")
150mm (5.9")
180mm (7")
210mm (8.3")
240mm (9.5")
270mm (10.6")
300mm (11.8")
Be a plaster samurai! Did you know?
When the Edo period in Japan came to a close and the samurai fought their
final battle, the production of swords was forbidden. As a result, highly
skilled sword blacksmiths, concentrated on making carpentry and plastering
tools. To this day, Japan is known for its exquisite carpentry and
plastering tools.
High-quality, traditional Japanese trowels are
essential in the decorative painter's tool-kit. There is a range of trowels on the market,
but the Japanese version provides a versatility and ease of use that is
unmatched. Generally, Japanese trowels are meant to move
softer and smoother plasters like Venetian, clay, or other low-aggregate
textures. Our
range of products come in primarily, stainless steel or plastic; flexible or
rigid options. The thicker, more rigid
trowels are best for applying the plaster.
The thinner, more flexible, stainless steel trowels are superb for
smoothing, knocking-down, burnishing, and polishing the finishing layers.
Be a plaster samurai! Did you know?
When the Edo period in Japan came to a close and the samurai fought their
final battle, the production of swords was forbidden. As a result, highly
skilled sword blacksmiths, concentrated on making carpentry and plastering
tools. To this day, Japan is known for its exquisite carpentry and
plastering tools.
- Very delicate - less likely to scratch the surface
-
Easy grip (especially easy with small hands)
- Gets tight into corners
-
Great for "knock-down" troweling
- Fantastic burnisher/polishing tool
- Gets sharper with use
- Won't rust
Which trowel is right for your project?
Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators.
Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped.
Size: We love the medium to small sizes of trowels. You'll be saying "these are so cute!" but they are seriously essential in small spaces and corners.
Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water).
Size translations:
- 120mm (4.7")
- 150mm (5.9")
- 180mm (7")
- 210mm (8.3")
- 240mm (9.5")
- 270mm (10.6")
- 300mm (11.8")
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
.7mm Pointed Tip Japanese Trowel (Green Plastic)
ITEM #: TWJP-07_Size-150
PRICE: $34.62 Regular price/
Only 5 items in stock!
High-quality, traditional Japanese trowels are
essential in the decorative painter's tool-kit. There is a range of trowels on the market,
but the Japanese version provides a versatility and ease of use that is
unmatched. Generally, Japanese trowels are meant to move
softer and smoother plasters like Venetian, clay, or other low-aggregate
textures. Our
range of products come in primarily, stainless steel or plastic; flexible or
rigid options. The thicker, more rigid
trowels are best for applying the plaster.
The thinner, more flexible, stainless steel trowels are superb for
smoothing, knocking-down, burnishing, and polishing the finishing layers.
Very delicate - less likely to scratch the surface
Easy grip (especially easy with small hands)
Gets tight into corners
Great for "knock-down" troweling
Fantastic burnisher/polishing tool
Gets sharper with use
Won't rust
Which trowel
is right for your project?
Thickness: Sizes range from .3mm (thin) to 1mm
(thick). Thinner trowels allow for a delicate,
soft touch. Thicker trowels are excellent
applicators.
Material: Stainless steel trowels come thin or thick
and are more resilient to wear. Plastic
trowels are thicker, cheaper, and less likely to nick when dropped.
Size: We love the medium to small sizes of
trowels. You"ll be saying "these are so
cute!" but they are seriously essential in small spaces and corners.
Care instructions: Stainless steel trowels are subject to damage
when dropped. They get sharper with age,
but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with
the wood handle (not to be left sitting in water).
Size translations:
120mm (4.7")
150mm (5.9")
180mm (7")
210mm (8.3")
240mm (9.5")
270mm (10.6")
300mm (11.8")
Be a plaster samurai! Did you know?
When the Edo period in Japan came to a close and the samurai fought their
final battle, the production of swords was forbidden. As a result, highly
skilled sword blacksmiths, concentrated on making carpentry and plastering
tools. To this day, Japan is known for its exquisite carpentry and
plastering tools.
High-quality, traditional Japanese trowels are
essential in the decorative painter's tool-kit. There is a range of trowels on the market,
but the Japanese version provides a versatility and ease of use that is
unmatched. Generally, Japanese trowels are meant to move
softer and smoother plasters like Venetian, clay, or other low-aggregate
textures. Our
range of products come in primarily, stainless steel or plastic; flexible or
rigid options. The thicker, more rigid
trowels are best for applying the plaster.
The thinner, more flexible, stainless steel trowels are superb for
smoothing, knocking-down, burnishing, and polishing the finishing layers.
Be a plaster samurai! Did you know?
When the Edo period in Japan came to a close and the samurai fought their
final battle, the production of swords was forbidden. As a result, highly
skilled sword blacksmiths, concentrated on making carpentry and plastering
tools. To this day, Japan is known for its exquisite carpentry and
plastering tools.
- Very delicate - less likely to scratch the surface
-
Easy grip (especially easy with small hands)
- Gets tight into corners
-
Great for "knock-down" troweling
- Fantastic burnisher/polishing tool
- Gets sharper with use
- Won't rust
Which trowel is right for your project?
Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators.
Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped.
Size: We love the medium to small sizes of trowels. You"ll be saying "these are so cute!" but they are seriously essential in small spaces and corners.
Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water).
Size translations:
- 120mm (4.7")
- 150mm (5.9")
- 180mm (7")
- 210mm (8.3")
- 240mm (9.5")
- 270mm (10.6")
- 300mm (11.8")
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
PRO Domed Glazing Brush (Bristle, Nylon) | GLZ-31
ITEM #: GLZ-31_Size-02
PRICE: $16.75 Regular price Sale price/
Only 45 items in stock!
Our PRO SERIES DOMED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
See other levels: ULTIMATE and ECONOMY SERIES
and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
The DOMED shape is best for maximum coverage of surfaces. See also pointed glazing brush.
Rounded for ultimate medium dispersion (learn more)
Brush hold: Pencil Hold, Drummer's Hold
Tin ferrule with varnished long wooden handle
Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
HAIR LENGTH
FERRULE LENGTH
2
11.8" / 30cm
1" / 23mm
2.3" / 59mm
1" / 23mm
4
12.2" / 31.1cm
1.1" / 27mm
2.9" / 69mm
1.1" / 27mm
6
13.2" / 33.5cm
1.2" / 31mm
3.1" / 80mm
1.2" / 31mm
8
13.2" / 33.6cm
1.4" / 35mm
3.1" / 80mm
1.4" / 35mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle / Nylon blend
USAGE
Application of varnish, paint, glaze medium; stippling
Our PRO SERIES DOMED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
- PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
- See other levels: ULTIMATE and ECONOMY SERIES
- and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
- The DOMED shape is best for maximum coverage of surfaces. See also pointed glazing brush.
- Rounded for ultimate medium dispersion (learn more)
- Brush hold: Pencil Hold, Drummer's Hold
- Tin ferrule with varnished long wooden handle
- Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | HAIR LENGTH | FERRULE LENGTH |
| 2 | 11.8" / 30cm | 1" / 23mm | 2.3" / 59mm | 1" / 23mm |
| 4 | 12.2" / 31.1cm | 1.1" / 27mm | 2.9" / 69mm |
1.1" / 27mm |
| 6 | 13.2" / 33.5cm | 1.2" / 31mm | 3.1" / 80mm |
1.2" / 31mm |
| 8 | 13.2" / 33.6cm | 1.4" / 35mm | 3.1" / 80mm |
1.4" / 35mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
USAGE |
Application of varnish, paint, glaze medium; stippling |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Domed Glazing Brush (Bristle) | GLZ-03D
ITEM #: GLZ-03D_Size-04
PRICE: $16.62 Regular price Regularly: $27.70 Sale price Save $11.08/
Only 163 items in stock!
This original design is ingenious in it's rounded shape and thick hair. The hand tied red, cotton string is handsomely traditional in this model. Our natural bristle glazing brushes should be a standard item in your decorative painting kit.
High quality bristle keeps it's shape
Slightly domed shape for fast coverage
Rounded for ultimate medium dispersion (learn more)
Can be used in oil/water when dedicated (learn more)
Perfect for 'breaking up the glaze'
Works well painting basecoats
Glaze panels with speed
With size 8, glaze entire wall - applies better than a roller!
Description: Bristle hair for OIL/WATER mediums
Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
Hair Length: 3-3.5" (76-90mm)
Dia./width: 1-1.25" (25-32mm)
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
4
" / mm
" / mm
" / mm
8
" / mm
" / mm
" / mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Pencil Hold, Drummer's Hold
USAGE
Applying glaze and base coat; adding texture; rough stipple
MEDIUM
Oil, Water
FERRULE
Copper
HANDLE
Wooden round long
This original design is ingenious in it's rounded shape and thick hair. The hand tied red, cotton string is handsomely traditional in this model. Our natural bristle glazing brushes should be a standard item in your decorative painting kit.
- High quality bristle keeps it's shape
- Slightly domed shape for fast coverage
- Rounded for ultimate medium dispersion (learn more)
- Can be used in oil/water when dedicated (learn more)
- Perfect for 'breaking up the glaze'
- Works well painting basecoats
- Glaze panels with speed
- With size 8, glaze entire wall - applies better than a roller!
- Description: Bristle hair for OIL/WATER mediums
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
- Hair Length: 3-3.5" (76-90mm)
- Dia./width: 1-1.25" (25-32mm)
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 4 | " / mm | " / mm |
" / mm |
|
| 8 | " / mm | " / mm |
" / mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Pencil Hold, Drummer's Hold |
|
USAGE |
Applying glaze and base coat; adding texture; rough stipple |
|
MEDIUM |
Oil, Water |
|
FERRULE |
Copper |
|
HANDLE |
Wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Oval Varnish Brush (Bluetop) | GLZ-25
ITEM #: GLZ-25_Size-040
PRICE: $27.50 Regular price/
Only 5 items in stock!
This classic Italian-inspired oval brush has a thick hair density wrapped in an oval-shaped ferrule. This shape is a great mix between flat and round brushes. Used to apply water based vanishes and basecoat paints. Silky, blue hair allows for glass-like application of mediums. Our blue brushes are styled with a white tip. These ends are manufactured to flower to hold more paint which will allow the brush to cut sharp edges
Oval shape great mix between flat and round brushes
Small sizes great for painting stiles/rails, small panels, mullions, etc.
Brush hold: Drummer's Hold, Pencil Hold
Metal ferrule with plastic handle
Best for water based mediums
Proper brush care - Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
40
8.7" / 22cm
0.3" / 9mm
1.5" / 40mm
1.8" / 45mm
50
9.1" / 23.2cm
0.3" / 9mm
1.9" / 50mm
1.8" / 45mm
60
9.4" / 24cm
0.3" / 9mm
2.3" / 60mm
1.8" / 45mm
BRUSH SPECIFICATIONS
HAIR TYPE
Bluetop synthetic fiber
USAGE
Application of varnish, paint, glaze medium
This classic Italian-inspired oval brush has a thick hair density wrapped in an oval-shaped ferrule. This shape is a great mix between flat and round brushes. Used to apply water based vanishes and basecoat paints. Silky, blue hair allows for glass-like application of mediums. Our blue brushes are styled with a white tip. These ends are manufactured to flower to hold more paint which will allow the brush to cut sharp edges
- Oval shape great mix between flat and round brushes
- Small sizes great for painting stiles/rails, small panels, mullions, etc.
- Brush hold: Drummer's Hold, Pencil Hold
- Metal ferrule with plastic handle
- Best for water based mediums
-
Proper brush care - Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH
|
FERRULE WIDTH
|
FERRULE LENGTH
|
HAIR LENGTH
|
| 40 | 8.7" / 22cm |
0.3" / 9mm
|
1.5" / 40mm
|
1.8" / 45mm
|
| 50 | 9.1" / 23.2cm |
0.3" / 9mm
|
1.9" / 50mm
|
1.8" / 45mm
|
| 60 | 9.4" / 24cm |
0.3" / 9mm
|
2.3" / 60mm
|
1.8" / 45mm
|
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Bluetop synthetic fiber |
|
USAGE |
Application of varnish, paint, glaze medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Corner Stippling Brush (Bristle) | GLZ-11
ITEM #: GLZ-11
PRICE: $45.00 Regular price/
Only 18 items in stock!
Use our small bristle stippler for all your hard to reach areas that our regular size won't reach. Also, the strong bristle hair is tough enough to apply thick texture with a stipple effect. This is a widely used brush for a variety of techniques like; small/corner stippling, smoothing, plaster application, broken texture look, or Provencal (jigouille) wall treatment.
3 rows of natural bristle hair
High quality bristle keeps it's shape
Brush 'springs' into action (learn more)
Can be used in water/oil when dedicated (learn more)
Wonderful for stippling corners, relief's, & heavy textures
Great for reaching intricate surfaces like mullions, dentils & window casing, etc.
Excellent plaster applicator
Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
4.3" / 11cm
1.2" / 31mm
4.7" / 120mm
3.1" / 80mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Handle Grip With Wrist Action, Baseball Hold
USAGE
Spattering; spattering; water marks; worm holes
MEDIUM
Oil, Water
FERRULE
N/A
HANDLE
Wood
Use our small bristle stippler for all your hard to reach areas that our regular size won't reach. Also, the strong bristle hair is tough enough to apply thick texture with a stipple effect. This is a widely used brush for a variety of techniques like; small/corner stippling, smoothing, plaster application, broken texture look, or Provencal (jigouille) wall treatment.
- 3 rows of natural bristle hair
- High quality bristle keeps it's shape
- Brush 'springs' into action (learn more)
- Can be used in water/oil when dedicated (learn more)
- Wonderful for stippling corners, relief's, & heavy textures
- Great for reaching intricate surfaces like mullions, dentils & window casing, etc.
- Excellent plaster applicator
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
|
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
| 4.3" / 11cm |
1.2" / 31mm |
4.7" / 120mm |
3.1" / 80mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Handle Grip With Wrist Action, Baseball Hold |
|
USAGE |
Spattering; spattering; water marks; worm holes |
|
MEDIUM |
Oil, Water |
|
FERRULE |
N/A |
|
HANDLE |
Wood |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Economy Pointed Glazing Brush (Bristle, Nylon) | GLZ-43
ITEM #: GLZ-43_Size-02
PRICE: $9.20 Regular price Sale price/
Only 29 items in stock!
Our ECONOMY SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
ECONOMY SERIES: consistent quality hair, lightweight plastic handle, low price
See other levels: ULTIMATE and PRO SERIES
and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush
Rounded for ultimate medium dispersion (learn more)
Tin ferrule with varnished long plastic handle
Brush hold: Pencil Hold, Drummer's Hold
Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
2
10.5" / 26.6cm
0.8" / 21mm
0.8" / 21mm
2.2" / 56mm
4
10.8" / 27.5cm
0.9" / 25mm
0.9" / 25mm
2.3" / 59mm
6
11.6" / 29.5cm
1.1" / 29mm
1.1" / 30mm
2.5" / 65mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle / Nylon blend
USAGE
Application of varnish, paint, glaze medium
Our ECONOMY SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
- ECONOMY SERIES: consistent quality hair, lightweight plastic handle, low price
- See other levels: ULTIMATE and PRO SERIES
- and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
- The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush
- Rounded for ultimate medium dispersion (learn more)
- Tin ferrule with varnished long plastic handle
- Brush hold: Pencil Hold, Drummer's Hold
- Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
|
2 |
10.5" / 26.6cm | 0.8" / 21mm | 0.8" / 21mm | 2.2" / 56mm |
|
4 |
10.8" / 27.5cm | 0.9" / 25mm | 0.9" / 25mm | 2.3" / 59mm |
|
6 |
11.6" / 29.5cm | 1.1" / 29mm | 1.1" / 30mm | 2.5" / 65mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
USAGE |
Application of varnish, paint, glaze medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Ultimate Domed Glazing Brush (Bristle, Nylon) | GLZ-01
ITEM #: GLZ-01_Size-04
PRICE: $21.75 Regular price/
Only 25 items in stock!
Our ULTIMATE SERIES DOMED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
ULTIMATE SERIES: Highest quality, hand-picked bristles shaped by hand, varnished wood handle, still competitively priced
See other levels: PRO and ECONOMY SERIES
and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
The DOMED shape is best for maximum coverage of surfaces. See also pointed glazing brush.
Rounded for ultimate medium dispersion (learn more)
Brush hold: Pencil Hold, Drummer's Hold
Tin ferrule with varnished long wooden handle
Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
4
12.4" / 31.6cm
1" / 26mm
1" / 26mm
2.8" / 72mm
8
13.5" / 34.3cm
1.2" / 32mm
1.2" / 32mm
3.2" / 82mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle / Nylon blend
USAGE
Application of varnish, paint, glaze medium; stippling
Our ULTIMATE SERIES DOMED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
- ULTIMATE SERIES: Highest quality, hand-picked bristles shaped by hand, varnished wood handle, still competitively priced
- See other levels: PRO and ECONOMY SERIES
- and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
- The DOMED shape is best for maximum coverage of surfaces. See also pointed glazing brush.
- Rounded for ultimate medium dispersion (learn more)
- Brush hold: Pencil Hold, Drummer's Hold
- Tin ferrule with varnished long wooden handle
- Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 4 | 12.4" / 31.6cm | 1" / 26mm | 1" / 26mm |
2.8" / 72mm |
| 8 | 13.5" / 34.3cm | 1.2" / 32mm | 1.2" / 32mm | 3.2" / 82mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
USAGE |
Application of varnish, paint, glaze medium; stippling |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Codtail Stippling Brush (Bristle) | GLZ-13
ITEM #: GLZ-13
PRICE: $48.55 Regular price/
Only 77 items in stock!
Our codtail is the ultimate smoothing tool. It can be gentle as a smoother or used aggressively to efficiently blend/break up multi-tonal glazes. 'Crush' it on the surface to create a very broken-up effect. We also love it as a fine stippler on all hard to reach areas.
Select, long hair for a finer blending
1/3 inch thick, high quality bristle keeps it's shape
Can be used in water/oil when dedicated (learn more)
See Oil Softener for ultimate oil softener
Can be used as a flogger in oil
Excellent for softening crown molding and baseboards
Perfect for faux leather, color washes, & clouds
Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
120
11" / 28cm
0.2" / 5mm
4.7" / 120mm
4.2" / 106mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Conductor's Hold, Pencil Hold
USAGE
Softening; breaking up the glaze
MEDIUM
Water or Oil
FERRULE
Copper
HANDLE
Wooden flat long
Our codtail is the ultimate smoothing tool. It can be gentle as a smoother or used aggressively to efficiently blend/break up multi-tonal glazes. 'Crush' it on the surface to create a very broken-up effect. We also love it as a fine stippler on all hard to reach areas.
- Select, long hair for a finer blending
- 1/3 inch thick, high quality bristle keeps it's shape
- Can be used in water/oil when dedicated (learn more)
- See Oil Softener for ultimate oil softener
- Can be used as a flogger in oil
- Excellent for softening crown molding and baseboards
- Perfect for faux leather, color washes, & clouds
- Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 120 | 11" / 28cm | 0.2" / 5mm | 4.7" / 120mm | 4.2" / 106mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Conductor's Hold, Pencil Hold |
|
USAGE |
Softening; breaking up the glaze |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden flat long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
.3mm Round Tip Japanese Trowel (Steel)
ITEM #: TWJP-05_Size-150
PRICE: $33.00 Regular price/
Only 8 items in stock!
High-quality, traditional Japanese trowels are
essential in the decorative painter's tool-kit. There is a range of trowels on the market,
but the Japanese version provides a versatility and ease of use that is
unmatched. Generally, Japanese trowels are meant to move
softer and smoother plasters like Venetian, clay, or other low-aggregate
textures. Our
range of products come in primarily, stainless steel or plastic; flexible or
rigid options. The thicker, more rigid
trowels are best for applying the plaster.
The thinner, more flexible, stainless steel trowels are superb for
smoothing, knocking-down, burnishing, and polishing the finishing layers.
Very delicate - less likely to scratch the surface
Easy grip (especially easy with small hands)
Gets tight into corners
Great for "knock-down" troweling
Fantastic burnisher/polishing tool
Gets sharper with use
Won't rust
Which trowel
is right for your project?
Thickness: Sizes range from .3mm (thin) to 1mm
(thick). Thinner trowels allow for a delicate,
soft touch. Thicker trowels are excellent
applicators.
Material: Stainless steel trowels come thin or thick
and are more resilient to wear. Plastic
trowels are thicker, cheaper, and less likely to nick when dropped.
Size: We love the medium to small sizes of
trowels. You'll be saying "these are so
cute!" but they are seriously essential in small spaces and corners.
Care instructions: Stainless steel trowels are subject to damage
when dropped. They get sharper with age,
but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with
the wood handle (not to be left sitting in water).
Size translations:
120mm (4.7")
150mm (5.9")
180mm (7")
210mm (8.3")
240mm (9.5")
270mm (10.6")
300mm (11.8")
Be a plaster samurai! Did you know?
When the Edo period in Japan came to a close and the samurai fought their
final battle, the production of swords was forbidden. As a result, highly
skilled sword blacksmiths, concentrated on making carpentry and plastering
tools. To this day, Japan is known for its exquisite carpentry and
plastering tools.
High-quality, traditional Japanese trowels are
essential in the decorative painter's tool-kit. There is a range of trowels on the market,
but the Japanese version provides a versatility and ease of use that is
unmatched. Generally, Japanese trowels are meant to move
softer and smoother plasters like Venetian, clay, or other low-aggregate
textures. Our
range of products come in primarily, stainless steel or plastic; flexible or
rigid options. The thicker, more rigid
trowels are best for applying the plaster.
The thinner, more flexible, stainless steel trowels are superb for
smoothing, knocking-down, burnishing, and polishing the finishing layers.
Be a plaster samurai! Did you know?
When the Edo period in Japan came to a close and the samurai fought their
final battle, the production of swords was forbidden. As a result, highly
skilled sword blacksmiths, concentrated on making carpentry and plastering
tools. To this day, Japan is known for its exquisite carpentry and
plastering tools.
- Very delicate - less likely to scratch the surface
-
Easy grip (especially easy with small hands)
- Gets tight into corners
-
Great for "knock-down" troweling
- Fantastic burnisher/polishing tool
- Gets sharper with use
- Won't rust
Which trowel is right for your project?
Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators.
Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped.
Size: We love the medium to small sizes of trowels. You'll be saying "these are so cute!" but they are seriously essential in small spaces and corners.
Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water).
Size translations:
- 120mm (4.7")
- 150mm (5.9")
- 180mm (7")
- 210mm (8.3")
- 240mm (9.5")
- 270mm (10.6")
- 300mm (11.8")
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |