Name: MIDAS Metall® Non-Spray binder 2.1
Brand: MIDAS Metall®
SKU: MM-20_large_NG_2.1
Price: 128.4 USD
Availability: InStock

MIDAS Metall® Non-Spray binder 2.1

MM-20_large_NG_2.1

MIDAS Metall® available in 200grams, 250grams and 600grams. Non-sprayable, putty-type, water-based binder without solvents and ultra-low VOC level. For application with paint brush, paint roller, trowel or any faux finishing tool to achieve a textured surface. To be purchased with relevant metal powder to prepare mixture for application.

Mixing Ratio

NOT GOLD: Non-Spray Application (not Gold): 4:1 Powder:Binder (2.1 Binder)
GOLD: Non-Spray Application (Gold): 3:1 Powder:Binder (2.1 Binder)

Storage: Guaranteed shelf life is 6 month; to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Diluting Additive

MM-22

MIDAS Metall® available in 200 and 500 Grams. Add to binder in order to adjust viscosity of the mixture.

Mixing Ratio

5 % - 10% of binder weight

Storage: Guaranteed shelf life is 6 month; to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Brass Powder Unit

MM-01_large_3xnonspray

MIDAS Metall® available in 800 Grams and 2.4kg. Genuine brass metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Gold (Brass) Powder Unit

MM-07_large_3xnonspray

MIDAS Metall® available in 750 Grams and 2.25kg. Genuine special alloy, "gold" color brass metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 750g Powder: 267g Binder (2.0 Binder)
Non-Spray Application: 3:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Bronze Powder Unit

MM-02_large_3xnonspray

MIDAS Metall® available in 800 Grams and 2.4kg. Genuine bronze metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Spray Binder 2.0

MM-19_2.0

MIDAS Metall® available in 267 Grams. Sprayable, water-based binder without solvents and ultra-low VOC level. For use in the workshop (spray booth) or onsite. To be purchased with relevant metal powder in order to prepare mixture for application.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder); also in combination with 750g metal powder unit of Gold

Storage: Guaranteed shelf life is 6 month; to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Iron Powder Unit

MM-10_large_3xnonspray

MIDAS Metall® available in 800 Grams and 2.4kg. Genuine iron metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Ultra Thin Double-blade Japanese Trowel (Steel)

Ultra Thin Double-blade Japanese Trowel (Steel)

TWJP-14_Large

$42.00

Shipping calculated at checkout.

High-quality, traditional Japanese trowels are essential in the decorative painter's tool-kit. There is a range of trowels on the market, but the Japanese version provides a versatility and ease of use that is unmatched. Generally, Japanese trowels are meant to move softer and smoother plasters like Venetian, clay, or other low-aggregate textures. Our range of products come in primarily, stainless steel or plastic; flexible or rigid options. The thicker, more rigid trowels are best for applying the plaster. The thinner, more flexible, stainless steel trowels are superb for smoothing, knocking-down, burnishing, and polishing the finishing layers.

Very delicate - less likely to scratch the surface
Easy grip (especially easy with small hands)
Gets tight into corners
Great for "knock-down" troweling
Fantastic burnisher/polishing tool
Gets sharper with use
Won't rust

Which trowel is right for your project?

Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators.

Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped.

Size: We love the medium to small sizes of trowels. You'll be saying "these are so cute!' but they are seriously essential in small spaces and corners.

Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water).

Size translations:

120mm (4.7")
150mm (5.9")
180mm (7")
210mm (8.3")
240mm (9.5")
270mm (10.6")
300mm (11.8")

Be a plaster samurai! Did you know? When the Edo period in Japan came to a close and the samurai fought their final battle, the production of swords was forbidden. As a result, highly skilled sword black smiths, concentrated on making carpentry and plastering tools. To this day, Japan is known for its exquisite carpentry and plastering tools.

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Platinum Powder Unit

MM-11_large_3xnonspray

MIDAS Metall® available in 800 Grams and 2.4kg. Genuine special alloy, "platinum" color metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Rubber Spatula (Red)

TWJP-15_Large

$17.11

Shipping calculated at checkout.

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

.3mm Pointed Tip Japanese Trowel (Steel)

.3mm Pointed Tip Japanese Trowel (Steel)

TWJP-03_Size-120

$49.54

Shipping calculated at checkout.

High-quality, traditional Japanese trowels are essential in the decorative painter's tool-kit. There is a range of trowels on the market, but the Japanese version provides a versatility and ease of use that is unmatched. Generally, Japanese trowels are meant to move softer and smoother plasters like Venetian, clay, or other low-aggregate textures. Our range of products come in primarily, stainless steel or plastic; flexible or rigid options. The thicker, more rigid trowels are best for applying the plaster. The thinner, more flexible, stainless steel trowels are superb for smoothing, knocking-down, burnishing, and polishing the finishing layers.

Very delicate - less likely to scratch the surface
Easy grip (especially easy with small hands)
Gets tight into corners
Great for "knock-down" troweling
Fantastic burnisher/polishing tool
Gets sharper with use
Won't rust

Which trowel is right for your project?

Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators.

Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped.

Size: We love the medium to small sizes of trowels. You'll be saying "these are so cute!" but they are seriously essential in small spaces and corners.

Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water).

Size translations:

120mm (4.7")
150mm (5.9")
180mm (7")
210mm (8.3")
240mm (9.5")
270mm (10.6")
300mm (11.8")

Be a plaster samurai! Did you know? When the Edo period in Japan came to a close and the samurai fought their final battle, the production of swords was forbidden. As a result, highly skilled sword blacksmiths, concentrated on making carpentry and plastering tools. To this day, Japan is known for its exquisite carpentry and plastering tools.

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Blue Brush

MM-23

MIDAS Metall mandatory proprietary sanding tool to remove most of the cured binder layer in a first sanding step of textured surfaces

Storage: M14 thread, suitable if Shinex brand polisher is used; otherwise 5/8" to M14 thread adapter is available

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Bronze LIGHT Powder Unit

MM-04_large_3xnonspray

MIDAS Metall® available in 800 grams and 2.4kg. Genuine, light color bronze metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Starter Kit

MM-24_ns_brass

MIDAS Metall® starter kit available for purchase prior to training. Can be used to create up to 10 SF (Spray) or 9 SF(Non-spray) of samples.

Spray Sample Kit - $238.56 $ 20% off Retail Price

3 Pieces of 5" Sandpaper in following grits (P240, P320, P400, P500, P600, P800)
1 Piece of 5" Sandpaper in following grits (P1500, P3000, P5000)
1 Piece 3M Finesse-it Buffing Pad 5"
50g Tube of Fritz Polishing Paste
800g of MIDAS Metall® Powder
267g of MIDAS Metall® Spray Binder
Guide and Video Tutorial for usage

Non-Spray Sample Kit - $332.49 15% off Retail Price

3 Pieces of 5" Sandpaper in following grits (P240, P320, P400, P500, P600, P800)
1 Piece of 5" Sandpaper in following grits (P1500, P3000, P5000)
1 Piece 3M Finesse-it Buffing Pad 5"
50g Tube of Fritz Polishing Paste
800g of MIDAS Metall® Powder
200g of MIDAS Metall® Spray Binder
MIDAS Metall® Blue Polishing Brush
Adapter for Blue Brush (5/8" inch to M14 Thread)*if needed
Guide and Video Tutorial for usage

*Starter kit is sold at a discount as an introductory product. 1 per customer.

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

.7mm Pointed Tip Japanese Trowel (Green Plastic)

.7mm Pointed Tip Japanese Trowel (Green Plastic)

TWJP-07_Size-210

$36.01

Shipping calculated at checkout.

High-quality, traditional Japanese trowels are essential in the decorative painter's tool-kit. There is a range of trowels on the market, but the Japanese version provides a versatility and ease of use that is unmatched. Generally, Japanese trowels are meant to move softer and smoother plasters like Venetian, clay, or other low-aggregate textures. Our range of products come in primarily, stainless steel or plastic; flexible or rigid options. The thicker, more rigid trowels are best for applying the plaster. The thinner, more flexible, stainless steel trowels are superb for smoothing, knocking-down, burnishing, and polishing the finishing layers.

Very delicate - less likely to scratch the surface
Easy grip (especially easy with small hands)
Gets tight into corners
Great for "knock-down" troweling
Fantastic burnisher/polishing tool
Gets sharper with use
Won't rust

Which trowel is right for your project?

Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators.

Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped.

Size: We love the medium to small sizes of trowels. You"ll be saying "these are so cute!" but they are seriously essential in small spaces and corners.

Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water).

Size translations:

120mm (4.7")
150mm (5.9")
180mm (7")
210mm (8.3")
240mm (9.5")
270mm (10.6")
300mm (11.8")

Be a plaster samurai! Did you know? When the Edo period in Japan came to a close and the samurai fought their final battle, the production of swords was forbidden. As a result, highly skilled sword blacksmiths, concentrated on making carpentry and plastering tools. To this day, Japan is known for its exquisite carpentry and plastering tools.

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® White Gold Powder Unit

MM-17_large_3xnonspray

MIDAS Metall® available in 800 Grams and 2.4kg. Genuine special alloy, "white gold" color metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Steel Powder Unit

MM-12_large_3xnonspray

MIDAS Metall® available in 800 Grams and 2.4kg. Genuine steel metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Patina

For a black patina effect please see Steel E instead of Steel

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Sample Book

MM-25_12

Beautiful and Professional Sample Book to show color and finish samples to your clients. Perfect addition to your finish library. Comes in 12 or 18 colors.

*Please note this is a German made product and samples were made with German solvent binder.

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Zinc Powder Unit

MM-18_large_3xnonspray

MIDAS Metall® available in 800 Grams and 2.4kg Units for Spray and Non-Spray Application. Genuine zinc metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Bronze Antique-Rustic Powder

MIDAS Metall® Bronze Antique-Rustic Powder Unit

MIDAS Metall® Bronze Antique-Rustic Powder Unit

MM-03_large_3xnonspray

MIDAS Metall® available in 800 Grams and 2.4kg. Genuine, naturally aged look bronze metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

.3mm Round Tip Japanese Trowel (Steel)

TWJP-05_Size-210

$63.27

Shipping calculated at checkout.

High-quality, traditional Japanese trowels are essential in the decorative painter's tool-kit. There is a range of trowels on the market, but the Japanese version provides a versatility and ease of use that is unmatched. Generally, Japanese trowels are meant to move softer and smoother plasters like Venetian, clay, or other low-aggregate textures. Our range of products come in primarily, stainless steel or plastic; flexible or rigid options. The thicker, more rigid trowels are best for applying the plaster. The thinner, more flexible, stainless steel trowels are superb for smoothing, knocking-down, burnishing, and polishing the finishing layers.

Very delicate - less likely to scratch the surface
Easy grip (especially easy with small hands)
Gets tight into corners
Great for "knock-down" troweling
Fantastic burnisher/polishing tool
Gets sharper with use
Won't rust

Which trowel is right for your project?

Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators.

Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped.

Size: We love the medium to small sizes of trowels. You'll be saying "these are so cute!" but they are seriously essential in small spaces and corners.

Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water).

Size translations:

120mm (4.7")
150mm (5.9")
180mm (7")
210mm (8.3")
240mm (9.5")
270mm (10.6")
300mm (11.8")

Be a plaster samurai! Did you know? When the Edo period in Japan came to a close and the samurai fought their final battle, the production of swords was forbidden. As a result, highly skilled sword blacksmiths, concentrated on making carpentry and plastering tools. To this day, Japan is known for its exquisite carpentry and plastering tools.

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Gold (Brass) LIGHT Powder Unit

MIDAS Metall® Gold (Brass) LIGHT Powder Unit

MM-08_large_3xnonspray

MIDAS Metall® available in 800 Grams and 2.4kg. Genuine special alloy, "pale" gold color brass metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Copper Powder Unit

MM-06_large_3xnonspray

MIDAS Metall® available in 800 grams and 2.4kg. Genuine copper metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

1mm Pointed Tip Japanese Trowel (Yellow Plastic)

1mm Pointed Tip Japanese Trowel (Yellow Plastic)

TWJP-08_Size-180

$29.84

Shipping calculated at checkout.

High-quality, traditional Japanese trowels are essential in the decorative painter's tool-kit. There is a range of trowels on the market, but the Japanese version provides a versatility and ease of use that is unmatched. Generally, Japanese trowels are meant to move softer and smoother plasters like Venetian, clay, or other low-aggregate textures. Our range of products come in primarily, stainless steel or plastic; flexible or rigid options. The thicker, more rigid trowels are best for applying the plaster. The thinner, more flexible, stainless steel trowels are superb for smoothing, knocking-down, burnishing, and polishing the finishing layers.

Very delicate - less likely to scratch the surface
Easy grip (especially easy with small hands)
Gets tight into corners
Great for "knock-down" troweling
Fantastic burnisher/polishing tool
Gets sharper with use
Won't rust

Which trowel is right for your project?

Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators.

Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped.

Size: We love the medium to small sizes of trowels. You'll be saying "these are so cute!" but they are seriously essential in small spaces and corners.

Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water).

Size translations:

120mm (4.7")
150mm (5.9")
180mm (7")
210mm (8.3")
240mm (9.5")
270mm (10.6")
300mm (11.8")

Be a plaster samurai! Did you know? When the Edo period in Japan came to a close and the samurai fought their final battle, the production of swords was forbidden. As a result, highly skilled sword blacksmiths, concentrated on making carpentry and plastering tools. To this day, Japan is known for its exquisite carpentry and plastering tools.

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

.2mm SS Square Japanese Trowel (Steel)

TWJP-01_Size-180

$79.00

Shipping calculated at checkout.

High-quality, traditional Japanese trowels are essential in the decorative painter's tool-kit. There is a range of trowels on the market, but the Japanese version provides a versatility and ease of use that is unmatched. Generally, Japanese trowels are meant to move softer and smoother plasters like Venetian, clay, or other low-aggregate textures. Our range of products come in primarily, stainless steel or plastic; flexible or rigid options. The thicker, more rigid trowels are best for applying the plaster. The thinner, more flexible, stainless steel trowels are superb for smoothing, knocking-down, burnishing, and polishing the finishing layers.

Very delicate - less likely to scratch the surface
Easy grip (especially easy with small hands)
Gets tight into corners
Great for "knock-down" troweling
Fantastic burnisher/polishing tool
Gets sharper with use
Won't rust

Which trowel is right for your project?

Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators.

Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped.

Size: We love the medium to small sizes of trowels. You'll be saying "these are so cute!" but they are seriously essential in small spaces and corners.

Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water).

Size translations:

120mm (4.7")
150mm (5.9")
180mm (7")
210mm (8.3")
240mm (9.5")
270mm (10.6")
300mm (11.8")

Be a plaster samurai! Did you know? When the Edo period in Japan came to a close and the samurai fought their final battle, the production of swords was forbidden. As a result, highly skilled sword blacksmiths, concentrated on making carpentry and plastering tools. To this day, Japan is known for its exquisite carpentry and plastering tools.

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Champagne Powder Unit

MM-05_large_3xnonspray

MIDAS Metall® 800 grams and 2.4kg. Genuine special alloy, "champagne" color metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.