52 products
52 products
Mixol® Universal Color Tints
PMX-01_B01_20ml
Regular price $6.06 Sale price $5.76 Save $0.30/
Shipping calculated at checkout.
Mixol offers the highest quality Universal Tints on the market. Produced in Germany for more than 35 years, Mixol is compatible with almost any paint and coating. The full assortment of 33 colors mixes easily with shellacs, lacquers, primers and fillers.
Mixol is known for its high concentration of pigment, sophisticated color palette, and ease of mixing. They are highly resistant to frost and heat damage. They have an indefinite shelf life, and because they are binder-free, they will not dry out or thicken.
Fifteen Mixol Oxide colors were created to meet the growing demand for adding color to fast-drying varnishes and paints. Oxide colorants can even be used with cement and mortar and are colorfast and weatherproof.
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Stubby Spalter Brush (Nylon, Bristle) | GLZ-07D
GLZ-07D_Size-040
Regular price $10.15 Sale price $9.14 Save $1.01/
Shipping calculated at checkout.
The spalter is one of the most used tools in our decorative brush kit. Unlike the average chip brush, our spalter has a thick row (1/3 inch) of short hair that is densely packed with a bristle/nylon blend for ultimate performance and control for today's water mediums. The smaller sizes have a variety of uses, from basecoats to final glazing, 'stretching' to softening. Available in 6 sizes.
- Nylon synthetic fiber with 50% natural bristle
- stretch glaze for ultimate consistency
- Softens unwanted brush/roller marks
- Excellent for applying thin varnish and waxes
- Fine/subtle strie
- Application/Usage: stretch; soften roller marks on basecoat & varnish applications; moire
- Preferred Medium: Oil/Water
- Brush Ferrule/Handle: copper, wooden flat short
- Brush Hair Type: Natural Bristle/Nylon blend
- Brush Hold: Drummer's Hold, "Quack Motion"
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
- Hair Length: 1.5-1.7" (38-45mm), 2" (51mm)
- Dia./width: 1.6" (40mm), 2.2" (60mm), 3.1" (80mm), 4", 6" (150mm), 8" (200mm)
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Veining Fundamentals Class Kit | BKIT-13
BKIT-13
Regular price $50.75 Sale price $40.60 Save $10.15/
Shipping calculated at checkout.
This Veining kit is perfect for practicing during our online class Faux Marble Veining Fundamentals but can be used whenever you want to practice your sketching in a sustainable way.
This kit contains 5 brushes and Brush Paper
Save $10.15 with our 20% discount
Kit includes:
- GLZ-20 Corner Touch Up Brush (Bristle) size 8
- MB-16 Economy Veining Brush (Bristle) size 4
- TL-16 Acryl'Art Filbert Brush (Bordeaux Nylon) size 6 OR size 8
- TL-18 Acryl'Art Detail Point Brush (Bordeaux Nylon) size 4
- TL-20 Chunking Filbert Brush (Bristle) size 4
- 1 sheet of Brush Paper 13" x 18" (Can be mounted on a wooden board with spray adhesive for easy use)
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Stubby Tooth Spalter (Nylon, Bristle) | GLZ-08D
GLZ-08D_Size-060
Regular price $16.05 Sale price $14.45 Save $1.60/
Shipping calculated at checkout.
Our tooth spalter has been cut to create 'teeth'. In decorative painting, this bristle/blend brush is essential for a deep strie, brushed texture, & straight graining techniques in water mediums. Our spalters are over 1/3 " thick. This is a must for your decorative painting kit. Available in 6 sizes.
- Nylon synthetic fiber with 50% natural bristle
- Machine cut teeth
- The best brush for patina and aging techniques (dry-brushing)
- Pulling wet basecoat when a heavily brushed texture is desired
- Criss-cross techniques
- Application/Usage: strie; straight graining in wood
- Preferred Medium: Oil/Water
- Brush Ferrule/Handle: copper, wooden flat short
- Brush Hair Type: Natural Bristle/Nylon blend
- Brush Hold: Drummer's Hold
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
- Hair Length: 1.5-1.7" (38-45mm), 2" (51mm)
- Dia./width: 1.6" (40mm), 2.2" (60mm), 3.1" (80mm), 4", 6" (150mm), 8" (200mm)
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Economy Flat Brush (Ruby Nylon) | TL-22D
TL-22D_Size-02
Regular price $2.65 Sale price $2.39 Save $0.26/
Shipping calculated at checkout.
Our most cost-effective series. Any decorative painter or muralist shouldn't be caught without a bunch of these handy economical brushes. The resilient RUBY synthetic fiber will last beyond the typical overuse time.
- Description:Ruby synthetic fiber
- Brush Care: wash with soap
- Hair Length: .2 to .8 in / 5 to 20 mm
- Dia./width: .1 to .74 in / 3 to 19 mm
BRUSH SPECIFICATIONS
|
HAIR TYPE
|
Nylon/synthetic blend
|
|
BRUSH HOLD
|
Pencil Hold
|
|
USAGE
|
Murals; portraiture; trompe l'oeil
|
|
MEDIUM
|
Water
|
|
FERRULE
|
Tin
|
|
HANDLE
|
Wooden round short
|
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Stippling Brush (Bristle) | GLZ-10D
GLZ-10D
Regular price $50.25 Sale price $45.23 Save $5.02/
Shipping calculated at checkout.
Use this for controlled, parallel veins when painting faux marble and semiprecious stone.
- For painting onyx marble
- Stippler
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
|
3.6" (92mm) |
" / mm |
2.4" (61mm) |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Handle Grip With Wrist Action, Baseball Hold |
|
USAGE |
Stippling and strie |
|
MEDIUM |
Oil or Water |
|
FERRULE |
Wood |
|
HANDLE |
Wood |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Domed Glazing Brush (Bristle, Nylon) | GLZ-01D
GLZ-01D_Size-02
Regular price $20.30 Sale price $18.27 Save $2.03/
Shipping calculated at checkout.
Our domed water glazer is the work horse of decorative painting. This is our highest level of quality. This is a modern replica of the classic full bristle version.
- Hand-shaped with select bristle fibers
- Premium stainless steel ferrule with hand-tied string
- Sealed handle for longevity
- Nylon synthetic fiber with 60% natural bristle
- Slightly domed shape for full coverage
- Rounded for ultimate medium dispersion (learn more)
- Brush 'springs' into action (learn more)
- Perfect for 'breaking up the glaze'
- Large size can glaze an entire wall with speed
- Application/Usage: applying glaze and basecoat; stippling; adding texture
- Preferred Medium: Water
- Brush Ferrule/Handle: Tin, wooden round long
- Brush Hold: Pencil Hold, Drummer's Hold
- Hair Length: 2-3" (60-72mm)
- Dia./width: .5-1.25" (25-32mm)
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Economy Slanted Brush (Ruby Nylon) | TL-24D
TL-24D_Size-04
Regular price $3.20 Sale price $2.88 Save $0.32/
Shipping calculated at checkout.
Our most cost-effective series. Any decorative painter or muralist shouldn't be caught without a bunch of these handy economical brushes. The resilient RUBY synthetic fiber will last beyond the typical overuse time.
- Brush Care: wash with soap
- Hair Length: .4 to .65 in / 10 to 16 mm
- Dia./width: .18 to .5 in / 5 to 13 mm
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Ruby synthetic fiber |
|
BRUSH HOLD |
Pencil hold |
|
USAGE |
Murals; portraiture; trompe l'oeil |
|
MEDIUM |
Water |
|
FERRULE |
Tin |
|
HANDLE |
Wooden round short |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Filbert Ornament Brush (Sable, Toray Nylon) | TL-08D
TL-08D_Size-06
Regular price $10.70 Sale price $9.63 Save $1.07/
Shipping calculated at checkout.
In order to make a more economical brush, we've combined some natural sable hair with synthetic fiber which holds up to today's water mediums. The filbert tip, sable blend brush is used primarily for half tone shadowing where a sharp, unfaded stroke is desired. Use effectively with a Striping Edge for faux molding & other linear projects. Muralists will surely love this series of sable/mix for production and accuracy. Available in 4 sizes.
- sable /synthetic blend
- Flat shape is best for half tone shadows
- Perfect for landscape and figure murals
- Larger sizes great for quick blending, fading, and wide half tone
- Description: Economical mix of sable with synthetic
- Brush Care: Wash with soap
- Hair Length: 8 mm to 12 mm
- Dia./width: 6 mm to 14 mm
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
|
6 |
" / mm |
" / mm |
" / mm |
|
|
8 |
" / mm |
" / mm |
" / mm |
|
|
10 |
" / mm |
" / mm |
" / mm |
|
|
14 |
|
|
|
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Sable Mix |
|
BRUSH HOLD |
Pencil Hold, Drummer's Hold |
|
USAGE |
Trompe l'oeil; striping; half toneTL-8 |
|
MEDIUM |
Water |
|
FERRULE |
Tin |
|
HANDLE |
Wooden round medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Pointed Glazing Brush (Bristle) | GLZ-04D
GLZ-04D_Size-04
Regular price $26.75 Sale price $24.08 Save $2.67/
Shipping calculated at checkout.
Our pointed bristle glazer will surely assist in your glazing with its excellent line cutting capabilities. It as a 'sash', this sturdy brush can 'cut' a perfect line, work in tight corners, & accurately glaze your woodgraining or faux marble projects.
- High quality bristle keeps it's shape
- Pointed shape allows for precise application
- Rounded for ultimate medium dispersion (learn more)
- Can be used in oil/water when dedicated (learn more)
- Perfect for glazing stiles/rails, baseboard, and dentil molding
- Larger sizes best for glazing panels for woodgraining
BRUSH SPECIFICATIONS
|
HAIR TYPE
|
Natural Bristle
|
|
BRUSH HOLD
|
Pencil Hold, Drummer's Hold
|
|
USAGE
|
Precisely applying glaze and basecoat; woodgraining; faux marble
|
|
MEDIUM
|
Oil or Water
|
|
FERRULE
|
Copper
|
|
HANDLE
|
Wooden round long
|
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
| 4 |
" / mm |
" / mm |
" / mm |
|
|
8 |
" / mm |
" / mm |
" / mm |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Domed Glazing Brush (Bristle) | GLZ-03D
GLZ-03D_Size-04
Regular price $25.70 Sale price $23.13 Save $2.57/
Shipping calculated at checkout.
This original design is ingenious in it's rounded shape and thick hair. The hand tied red, cotton string is handsomely traditional in this model. Our natural bristle glazing brushes should be a standard item in your decorative painting kit.
- High quality bristle keeps it's shape
- Slightly domed shape for fast coverage
- Rounded for ultimate medium dispersion (learn more)
- Can be used in oil/water when dedicated (learn more)
- Perfect for 'breaking up the glaze'
- Works well painting basecoats
- Glaze panels with speed
- With size 8, glaze entire wall - applies better than a roller!
- Description: Bristle hair for OIL/WATER mediums
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
- Hair Length: 3-3.5" (76-90mm)
- Dia./width: 1-1.25" (25-32mm)
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 4 | " / mm | " / mm |
" / mm |
|
| 8 | " / mm | " / mm |
" / mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Pencil Hold, Drummer's Hold |
|
USAGE |
Applying glaze and base coat; adding texture; rough stipple |
|
MEDIUM |
Oil, Water |
|
FERRULE |
Copper |
|
HANDLE |
Wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
MIDAS Metall® Starter Kit
MM-24_ns_brass
Regular price $391.32 Sale price $332.49 Save $58.83/
Shipping calculated at checkout.
MIDAS Metall® starter kit available for purchase prior to training. Can be used to create up to 10 SF (Spray) or 9 SF(Non-spray) of samples.
Spray Sample Kit - $238.56 $ 20% off Retail Price
- 3 Pieces of 5" Sandpaper in following grits (P240, P320, P400, P500, P600, P800)
- 1 Piece of 5" Sandpaper in following grits (P1500, P3000, P5000)
- 1 Piece 3M Finesse-it Buffing Pad 5"
- 50g Tube of Fritz Polishing Paste
- 800g of MIDAS Metall® Powder
- 267g of MIDAS Metall® Spray Binder
- Guide and Video Tutorial for usage
Non-Spray Sample Kit - $332.49 15% off Retail Price
- 3 Pieces of 5" Sandpaper in following grits (P240, P320, P400, P500, P600, P800)
- 1 Piece of 5" Sandpaper in following grits (P1500, P3000, P5000)
- 1 Piece 3M Finesse-it Buffing Pad 5"
- 50g Tube of Fritz Polishing Paste
- 800g of MIDAS Metall® Powder
- 200g of MIDAS Metall® Spray Binder
- MIDAS Metall® Blue Polishing Brush
- Adapter for Blue Brush (5/8" inch to M14 Thread)*if needed
- Guide and Video Tutorial for usage
*Starter kit is sold at a discount as an introductory product. 1 per customer.
Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Acryl'art Detail Pointed Brush (Bordeaux Nylon) | TL-18D
TL-18D_Size-02
Regular price $6.40 Sale price $5.76 Save $0.64/
Shipping calculated at checkout.
For all you fresco mural painters, these brushes are for you! These synthetic brushes are made with a slightly stiffer, cognac fiber for all water mediums. Muralist will love these brushes for their resiliance, strength, and slightly heavier handle. Our new Acryl'art synthetics are no substitute for sable, but the perfect starter brush. Available in 3 sizes.
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
|
2 |
" / mm |
" / mm |
" / mm |
|
|
4 |
" / mm |
" / mm |
" / mm |
|
|
6 |
" / mm |
" / mm |
" / mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Bordeaux Nylon |
|
BRUSH HOLD |
Conductor's Hold, Pencil Hold |
|
USAGE |
Trompe l'oeil, striping |
|
MEDIUM |
Oil or Water |
|
FERRULE |
Tin |
|
HANDLE |
Wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Acryl'art Filbert Brush (Bordeaux Nylon) | TL-16D
TL-16D_Size-02
Regular price $8.00 Sale price $7.20 Save $0.80/
Shipping calculated at checkout.
Reduce the striper jitters' with our springy Acryl'art! These synthetic brushes are made with a slightly stiffer, cognac fiber for all water mediums. Muralist will love these brushes for their resilience, strength, and slightly heavier handle. Beginners to the world of striping will find this brush helps with trembling (due to nervousness or hesitation) and gives a nice, thin line when needed. Our new filbert synthetics are no substitute for sable, but the perfect starter brush. Use effectively with a STRIPING EDGE for faux molding & other linear projects. Available in 4 sizes.
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
|
2 |
" / mm |
" / mm |
" / mm |
|
|
4 |
" / mm |
" / mm |
" / mm |
|
|
6 |
" / mm |
" / mm |
" / mm |
|
|
8 |
|
|
|
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Bordeaux Nylon |
|
BRUSH HOLD |
Conductor's Hold, Pencil Hold |
|
USAGE |
Trompe l'oeil, striping |
|
MEDIUM |
Water |
|
FERRULE |
Tin |
|
HANDLE |
Wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Painted Homes by Pascal Amblard | VL-32
VL-32
Regular price $127.50 Sale price $89.25 Save $38.25/
Shipping calculated at checkout.
Pascal's much anticipated first book is here! Pascal Amblard remains one of the industry's leaders as a muralist and instructor. Although, this is a traditional "how-to" book, it is also filled with practical lessons for decorative painters. This coffee table book will inspire you. Get into Pascal's head and view his methods of design, conceptual drawings, and installation. If you've met Pascal, you will appreciate his humble and grounded approach. As to be expected, Pascal has an ability of pleasing his clients and offering a strong sense of balance and composition.
- full-page room views
- French and English text
- 297 pages
- Description:
- Language:
- # of Pages
- See Also:
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Architectural: Wood & Iron | VL-17
VL-17
Regular price $81.71 Sale price $49.03 Save $32.68/
Shipping calculated at checkout.
A comprehensive source book for a wide range of motifs employed in wood and iron architecture and sculpture. Detailed 3-dimensional drawings provide direct visual information of highlight and shadow placement. This is a must-have reference for muralists and trompe l'oeil painters. :
- With multiple motifs on every page, this book contains hundreds of architectural and ornamental designs
- French text (minimal text, primarily descriptive)
- By L. Noe
- 159 pages
- Description:
- Language:
- # of Pages
- See Also:
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Gilding at Versailles | VL-36
VL-36
Regular price $127.60/
Shipping calculated at checkout.
A must have for gilders! This book was written by the head conservator of Versailles. This is a rare view into the secret world of one of the most illustrious French chateaux's. The authors did not preserve any secrets and they show valuable, time-honored gilding techniques. Spanning 4 centuries, the amount of gilding and restoration done in Versailles is outstanding.
- Classic book for gilders of all levels
- Excellent close-ups
- Includes a section on woodgraining and faux marble
- Section on mold-making for frames
- 290 pages- step-by-step instruction
- French/English Text
- Written by Daniel Sievert and Laurent Hissier
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Frieze & Crown Profiles | VL-06
VL-06
Regular price $76.60 Sale price $45.96 Save $30.64/
Shipping calculated at checkout.
This illustrated reference book is perfect for the beginner or advanced painter. It contains hundreds of designs and varieties of ornamental frises. Each page is full of expertly drawn examples of historic and classical frise motifs. A must-have for anyone who wants to integrate ornamentation into their portfolio. yes drawing skills are necessary- just enlarge, trace, and you're ready to paint!
- A wealth of ready-to-use ornaments
- Sharp black and white outlines make it easy to photocopy or scan. Just enlarge to fit the dimensions you need.
- Direct visual information, including highlight and shadow placement for easy execution
- 113 pages
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Painting the Van Der Kelen Way | VL-31
VL-31
Regular price $146.30/
Shipping calculated at checkout.
The Van Der Kelen School is known world-wide and has helped produced many established decorative painters. The craftsmanship that is featured in this book will surprise you. It is the most diverse book to date on decorative painting techniques. From maquettes to murals, sign painting to stencils, and marble to woodgrain panels, this book widely encompasses many topics.
- 300 pages of full-color examples of Van Der Kelen works
- English text
- A special chapter with images of real wood and marble
- Large book measuring 10 by 14 inches
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Wood Panelling in Carnavalet Museum | VL-42
VL-42
Regular price $110.60 Sale price $77.42 Save $33.18/
Shipping calculated at checkout.
Wood Panelling in Carnavalet Museum shows the reservation process and results of this fantastic museum in Paris. The Carnavalet was a private hotel in the 17th &18th centuries. Recently, the hotel was completely restored to show it's original interiors. Great lengths were taken to get a complete color analysis so restorations were accurate. The beautiful strong colors and details will amaze you.
- Reference book for the Museum reservation
- For painters: daring colors and French period paneling
- Excellent close-ups and accurate color photos
- 245 pages - 80% drawings, full-color photos.
- French/English Text
- Written by Anne Forray-Carlier
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Economy Pointed Brush (Ruby Nylon) | TL-21D
TL-21D_Size-02
Regular price $2.30 Sale price $2.07 Save $0.23/
Shipping calculated at checkout.
Our most cost-effective series. Any decorative painter or muralist shouldn't be caught without a bunch of these handy economical brushes. The resilient RUBY synthetic fiber will last beyond the typical overuse time.
- Brush Care: wash with soap
- Hair Length: .3 to .8 in / 8 to 20 mm
- Dia./width: .06 to .17 in / 2 to 5 mm
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Nylon/synthetic blend |
|
BRUSH HOLD |
Pencil Hold |
|
USAGE |
Murals; portraiture; trompe l'oeil |
|
MEDIUM |
Water |
|
FERRULE |
Tin |
|
HANDLE |
Wooden round short |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Pointed Detail Brush (Sable, Toray Nylon) | TL-06D
TL-06D_Size-02
Regular price $6.15 Sale price $5.54 Save $0.61/
Shipping calculated at checkout.
In order to make a more affordable brush, we've combined some natural sable hair with synthetic fiber which holds up to today's water mediums. For a mural or ornamentation project, use our pointed, sable blend detail brush for quick results. Muraling landscape and figures is a breeze with our larger sizes. Available in 4 sizes.
- sable /synthetic blend
- Rounded for ultimate medium dispersion (learn more)
- Great for painting half tone on scrolls
- Larger sizes best for blending and fading
- Larger sizes best for foliage on murals - in one stroke
- Description: Economical mix of sable with synthetic
- Brush Care: Wash with soap
- Hair Length: .5 to 1.2" (13-27mm)
- Dia./width: .1 to .3" (2.5-7.5mm)
- Brush Length:
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
|
2 |
" / mm |
" / mm |
" / mm |
|
|
6 |
" / mm |
" / mm |
" / mm |
|
|
10 |
" / mm |
" / mm |
" / mm |
|
|
14 |
|
|
|
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Sable Mix |
|
BRUSH HOLD |
Conductor's Hold, Pencil Hold |
|
USAGE |
Trompe l'oeil & ornamentation |
|
MEDIUM |
Water |
|
FERRULE |
Tin |
|
HANDLE |
Wooden round medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Mixol® - Decorative Painting Kit by Pierre Finkelstein
PMX-03
Regular price $77.06 Sale price $73.21 Save $3.85/
Shipping calculated at checkout.
Custom shade palette selected by Pierre Finkelstein as his go-to color mix for everyday touchups in decorative finishing. Never worry on the jobsite because this mix is perfect for electrical plates, surgical touchups, polished plaster shade mixing and more. Keep these colors in your tool bag so you will be prepared for anything.
12 Selected Colors include
- Black -01
- Umber - 02
- Oxide Brown - 03
- Oxide Red - 04
- Oxide Yellow - 05
- Canary Yellow - 07
- Green - 08
- Blue - 09
- Red - 10
- Violet - 11
- Orange - 18
- True (Fast) Pink - 28
*Note Oxide White - 25 is not included but additionally recommended for all color mixing
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Mixol® Metallic Effect Universal Color Tints
PMX-02_GE_30g
Regular price $16.47 Sale price $15.65 Save $0.82/
Shipping calculated at checkout.
Mixol offers the highest quality Universal Tints on the market. Produced in Germany for more than 35 years, Mixol is compatible with almost any paint and coating. The full assortment of 33 colors mixes easily with shellacs, lacquers, primers and fillers.
Mixol is known for its high concentration of pigment, sophisticated color palette, and ease of mixing. They are highly resistant to frost and heat damage. They have an indefinite shelf life, and because they are binder-free, they will not dry out or thicken.
Fifteen Mixol Oxide colors were created to meet the growing demand for adding color to fast-drying varnishes and paints. Oxide colorants can even be used with cement and mortar and are colorfast and weatherproof.
Gold - 30g / 300g
Silver / Copper - 20g / 200g
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Detail Basecoat Brush (Nylon, Bristle) | GLZ-17D
GLZ-17D_Size-30
Regular price $9.60 Sale price $8.64 Save $0.96/
Shipping calculated at checkout.
We've altered this traditional brush by using nylon fiber mixed with natural bristle to use with all of today's water mediums. These little brushes will prove to be very helpful with minor touch-ups, glazing, stippling, & strie.
- Description: Nylon/Bristle fiber for WATER medium
- Application/Usage: basecoat; glazing; stippling in water medium
- Preferred Medium: Water
- Brush Ferrule/Handle: tin, wooden round short
- Brush Hair Type: Natural Bristle/Nylon Blend
- Brush Hold: pencil hold, Drummer's Hold
- Brush Care: Water: Wash with soap
- Hair Length: 1.8" (45mm)
- Dia./width: 1.15, 1.5, 2, 2.5 inches
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
