52 products
52 products
Spalter Brush (Bristle, Nylon) | GLZ-07
ITEM #: GLZ-07_Size040
PRICE: $10.95 Regular price/
Only 23 items in stock!
The spalter is one of the most used tools in our decorative brush kit. Unlike the average cheap brush, our spalter has a thick row (1/3 inch) of short hair that is densely packed with a bristle/nylon blend for ultimate performance and control for today's water mediums. The smaller sizes have a variety of uses, from basecoats to final glazing, 'stretching' to softening. Available in 8 sizes. Amazing for entire wall strie or criss-cross.
Nylon synthetic fiber with 50% natural bristle
stretch glaze for ultimate consistency
Softens unwanted brush/roller marks
Excellent for applying thin varnish and waxes
Fine/subtle strie
Water - Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
40
6.9" / 17.6cm
.4" / 9mm
1.6" / 40mm
1.4" / 36mm
60
7.5" / 19cm
.4" / 9mm
2.4" / 60mm
1.4" / 36mm
80
7.6" / 19.3cm
.4" / 9mm
3.1" / 80mm
1.4" / 36mm
100
8.3" / 21cm
.4" / 9mm
4" / 100mm
1.6" / 41mm
150
8.8" / 22.4cm
.4" / 9mm
6" / 150mm
1.8" / 46mm
200
9.7" / 24.7cm
.4" / 9mm
8" / 200mm
1.9" / 47mm
250
9.5" / 24.2cm
.4" / 9mm
9.9" / 250mm
1.8" / 46mm
300
9.6" / 24.3cm
.4" / 9mm
11.8" / 300mm
1.7" / 44mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle / Nylon blend
BRUSH HOLD
Drummer's Hold, "Quack Motion"
USAGE
Soften roller marks on base coat & varnish applications; Moire
MEDIUM
Water or Oil
FERRULE
Copper
HANDLE
Wooden flat short
The spalter is one of the most used tools in our decorative brush kit. Unlike the average cheap brush, our spalter has a thick row (1/3 inch) of short hair that is densely packed with a bristle/nylon blend for ultimate performance and control for today's water mediums. The smaller sizes have a variety of uses, from basecoats to final glazing, 'stretching' to softening. Available in 8 sizes. Amazing for entire wall strie or criss-cross.
- Nylon synthetic fiber with 50% natural bristle
- stretch glaze for ultimate consistency
- Softens unwanted brush/roller marks
- Excellent for applying thin varnish and waxes
- Fine/subtle strie
- Water - Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 40 |
6.9" / 17.6cm |
.4" / 9mm | 1.6" / 40mm | 1.4" / 36mm |
| 60 |
7.5" / 19cm |
.4" / 9mm | 2.4" / 60mm | 1.4" / 36mm |
| 80 | 7.6" / 19.3cm | .4" / 9mm | 3.1" / 80mm | 1.4" / 36mm |
| 100 | 8.3" / 21cm | .4" / 9mm | 4" / 100mm | 1.6" / 41mm |
| 150 | 8.8" / 22.4cm | .4" / 9mm | 6" / 150mm | 1.8" / 46mm |
| 200 | 9.7" / 24.7cm | .4" / 9mm | 8" / 200mm | 1.9" / 47mm |
| 250 | 9.5" / 24.2cm | .4" / 9mm | 9.9" / 250mm | 1.8" / 46mm |
| 300 | 9.6" / 24.3cm | .4" / 9mm | 11.8" / 300mm | 1.7" / 44mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
BRUSH HOLD |
Drummer's Hold, "Quack Motion" |
|
USAGE |
Soften roller marks on base coat & varnish applications; Moire |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden flat short |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Tooth Spalter Brush (Bristle, Nylon) | GLZ-08
ITEM #: GLZ-08_Size-040
PRICE: $12.70 Regular price/
Only 12 items in stock!
Our tooth spalter has "teeth" cut out of a traditional spalter. These spaces allow for the brush to be used for different applications. This model mimics our traditional spalter shape and standard length. This brush is typically used to manipulate painting mediums such as glaze and paint by displacing medium. It can also be dipped into medium to create a print. The tooth spalter creates clear, strie lines with a series of parallel lines.
Uses: Strie, general glazing, dry-brushing, straight graining (side grains) in woodgraining, use with thick paint or textures.
Teeth are machine cut but meant to be randomly spaced. Generally, the teeth gaps are 3-4mm (.15") wide.
Smaller sizes are great for window and door casing. Larger sizes for entire walls.
hand-picked for a superior tip
Brush tips are manufactured to flower to hold more paint which will allow the brush to cut sharp edges.
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
40
6.9" / 17.6cm
.4" / 9mm
1.6" / 40mm
1.5" / 37mm
60
7.2" / 18.4cm
.4" / 9mm
2.4" / 60mm
1.6" / 40mm
80
7.6" / 19.4cm
.4" / 9mm
3.1" / 80mm
1.4" / 36mm
100
8.2" / 20.9cm
.4" / 10mm
4" / 100mm
1.7" / 42mm
150
8.8" / 22.3cm
.4" / 10mm
6" / 150mm
1.9" / 47mm
200
9.8" / 24.8cm
.4" / 10mm
8" / 200mm
2.1" / 54mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle / Nylon blend
BRUSH HOLD
Drummer's Hold
USAGE
Strie; straight graining in wood
MEDIUM
Water or Oil
FERRULE
Copper
HANDLE
Wooden flat short
Our tooth spalter has "teeth" cut out of a traditional spalter. These spaces allow for the brush to be used for different applications. This model mimics our traditional spalter shape and standard length. This brush is typically used to manipulate painting mediums such as glaze and paint by displacing medium. It can also be dipped into medium to create a print. The tooth spalter creates clear, strie lines with a series of parallel lines.
- Uses: Strie, general glazing, dry-brushing, straight graining (side grains) in woodgraining, use with thick paint or textures.
- Teeth are machine cut but meant to be randomly spaced. Generally, the teeth gaps are 3-4mm (.15") wide.
- Smaller sizes are great for window and door casing. Larger sizes for entire walls.
- hand-picked for a superior tip
- Brush tips are manufactured to flower to hold more paint which will allow the brush to cut sharp edges.
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 40 | 6.9" / 17.6cm | .4" / 9mm | 1.6" / 40mm | 1.5" / 37mm |
| 60 | 7.2" / 18.4cm | .4" / 9mm | 2.4" / 60mm | 1.6" / 40mm |
| 80 |
7.6" / 19.4cm |
.4" / 9mm | 3.1" / 80mm | 1.4" / 36mm |
| 100 |
8.2" / 20.9cm |
.4" / 10mm | 4" / 100mm | 1.7" / 42mm |
| 150 |
8.8" / 22.3cm |
.4" / 10mm | 6" / 150mm | 1.9" / 47mm |
| 200 | 9.8" / 24.8cm | .4" / 10mm | 8" / 200mm | 2.1" / 54mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
BRUSH HOLD |
Drummer's Hold |
|
USAGE |
Strie; straight graining in wood |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden flat short |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Badger Softener | GLZ-15
ITEM #: GLZ-15_Size-02
PRICE: $86.65 Regular price/
Only 8 items in stock!
Our classic hand mounted badger brush is made out of the finest grouping of water badger hair. Stay clear of the 'BAD'-ger impostor whose hair is made out of goat hair that has been dipped into black paint to look like a real badger. Stiffer hair is good for softening and easier to clean as you go.
3/4 inch thick, hand selected badger hair, which repels water
Resists fanning out with overuse
Best used with thin reversible water mediums (i.e. gouache, beer glaze)
Size 2 best for smoothing intricate surfaces
Size 4 is the universal size - best for faux marble/woodgraining
Size 6 the best for your largest smoothing job - amazingly productive brush!
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
2
8.38"/ 21.3cm
.8" / 20mm
2.2" / 55mm
2.6" / 65mm
4
10.6" / 26.8cm
.8" / 20mm
4.1" / 104mm
2.7"/ 69mm
6
.8" / 20mm
6.3" / 160mm
2.7" / 69mm
BRUSH SPECIFICATIONS
HAIR TYPE
Badger
BRUSH HOLD
Conductor's Hold
USAGE
Softening
MEDIUM
Water
FERRULE
Wood
HANDLE
Wooden round medium
Our classic hand mounted badger brush is made out of the finest grouping of water badger hair. Stay clear of the 'BAD'-ger impostor whose hair is made out of goat hair that has been dipped into black paint to look like a real badger. Stiffer hair is good for softening and easier to clean as you go.
- 3/4 inch thick, hand selected badger hair, which repels water
- Resists fanning out with overuse
- Best used with thin reversible water mediums (i.e. gouache, beer glaze)
- Size 2 best for smoothing intricate surfaces
- Size 4 is the universal size - best for faux marble/woodgraining
- Size 6 the best for your largest smoothing job - amazingly productive brush!
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 2 | 8.38"/ 21.3cm | .8" / 20mm | 2.2" / 55mm | 2.6" / 65mm |
| 4 | 10.6" / 26.8cm | .8" / 20mm | 4.1" / 104mm | 2.7"/ 69mm |
| 6 | .8" / 20mm | 6.3" / 160mm | 2.7" / 69mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Badger |
|
BRUSH HOLD |
Conductor's Hold |
|
USAGE |
Softening |
|
MEDIUM |
Water |
|
FERRULE |
Wood |
|
HANDLE |
Wooden round medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Spalter Brush - Regular (Bluetop) | GLZ-24
ITEM #: GLZ-24_Size-040
PRICE: $11.25 Regular price/
Only 21 items in stock!
Unique blue, silky fiber in our traditional spalter (mottler) shape and standard length (45mm = 1.75"). This brush is primarily used to aid application of varnishes, thinned latex paints, and acrylic glazes. Unlike the "chip" brush that can be found in standard hardware stores, our spalter brush has a thick row of densely packed hair for ultimate performance and control.
Uses: strie, moiré in woodgraining, and general tipping and smoothing to soften brushmarks
Tips are manufactured to flower to hold more paint which will allow the brush to cut sharp edges.
Best used in water based medium
Tin ferrule with wooden flat handle
Smaller sizes are great for window and door casing. Larger sizes for entire walls.
Brush hold: Drummer's hold; quack motion
Soft, silky hair allows for delicate tipping for minimum brush marks.
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
40
7.8" / 19.7cm
.4" / 9mm
1.6" / 40mm
1.8" / 45mm
60
7.8" / 19.7cm
.4" / 9mm
2.3" / 60mm
1.8" / 45mm
80
7.8" / 19.7cm
.4" / 9mm
3.1" / 80mm
1.8" / 45mm
100
8.9" / 22.5cm
.4" / 9mm
4" / 100mm
1.8" / 45mm
150
9.1" / 23.1cm
.4" / 9mm
6" / 150mm
1.8" / 45mm
200
9.6" / 24.5cm
.4" / 9mm
8" / 200mm
1.8" / 45mm
BRUSH SPECIFICATIONS
HAIR TYPE
Bluetop synthetic
USAGE
Strie; moire; softening paint; varnish
Unique blue, silky fiber in our traditional spalter (mottler) shape and standard length (45mm = 1.75"). This brush is primarily used to aid application of varnishes, thinned latex paints, and acrylic glazes. Unlike the "chip" brush that can be found in standard hardware stores, our spalter brush has a thick row of densely packed hair for ultimate performance and control.
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 40 |
7.8" / 19.7cm |
.4" / 9mm | 1.6" / 40mm | 1.8" / 45mm |
| 60 | 7.8" / 19.7cm | .4" / 9mm | 2.3" / 60mm |
1.8" / 45mm |
| 80 |
7.8" / 19.7cm |
.4" / 9mm | 3.1" / 80mm |
1.8" / 45mm |
| 100 | 8.9" / 22.5cm | .4" / 9mm | 4" / 100mm |
1.8" / 45mm |
| 150 | 9.1" / 23.1cm | .4" / 9mm | 6" / 150mm |
1.8" / 45mm |
| 200 | 9.6" / 24.5cm | .4" / 9mm | 8" / 200mm |
1.8" / 45mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Bluetop synthetic |
|
USAGE |
Strie; moire; softening paint; varnish |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Graining Flogger (Black Bristle) | WD-04
ITEM #: WD-04_Size-60
PRICE: $39.15 Regular price/
Only 6 items in stock!
Our flogger is made with extra long, black bristle hair, hand-selected for marks mimicking wood pores. This is an essential tool in the woodgrainer's kit. Once the technique of using the flogger is mastered, it's a quick money maker if used as a simple wood glazing tool.
The only brush you push instead of pull
Selected black bristle hair
Used in negative brush work - displacement of glaze
Whipping motion from a dry brush
This is not a strie brush (see TOOTH SPALTER)
Great for mahogany, walnut, cherry, teak, and many more
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
60
13.4" / 34cm
0.2" / 7mm
2.4" / 60mm
4.9" / 125mm
80
13.6" / 34.5cm
0.2" / 7mm
3.1" / 80mm
4.9" / 125mm
100
14.2" / 36cm
0.2" / 7mm
3.9" / 100mm
4.9" / 125mm
120
12" / 30.5cm
0.2" / 7mm
4.7" / 120mm
4.9" / 125mm
BRUSH SPECIFICATIONS
HAIR TYPE
Black Bristle
BRUSH HOLD
Drummer's Hold
USAGE
Background Woodgraining; pores
MEDIUM
Water/Oil
FERRULE
Copper
HANDLE
Wooden, Flat, Long
Our flogger is made with extra long, black bristle hair, hand-selected for marks mimicking wood pores. This is an essential tool in the woodgrainer's kit. Once the technique of using the flogger is mastered, it's a quick money maker if used as a simple wood glazing tool.
- The only brush you push instead of pull
- Selected black bristle hair
- Used in negative brush work - displacement of glaze
- Whipping motion from a dry brush
- This is not a strie brush (see TOOTH SPALTER)
- Great for mahogany, walnut, cherry, teak, and many more
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 60 | 13.4" / 34cm | 0.2" / 7mm | 2.4" / 60mm |
4.9" / 125mm |
| 80 | 13.6" / 34.5cm | 0.2" / 7mm | 3.1" / 80mm | 4.9" / 125mm |
| 100 | 14.2" / 36cm | 0.2" / 7mm | 3.9" / 100mm | 4.9" / 125mm |
| 120 | 12" / 30.5cm | 0.2" / 7mm | 4.7" / 120mm | 4.9" / 125mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Black Bristle |
|
BRUSH HOLD |
Drummer's Hold |
|
USAGE |
Background Woodgraining; pores |
|
MEDIUM |
Water/Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden, Flat, Long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
PRO Pointed Glazing Brush (Bluetop) | GLZ-45
ITEM #: GLZ-45_Size-00000
PRICE: $13.25 Regular price/
Only 37 items in stock!
Our BLUETOP PRO SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
See also: BLUETOP ECONOMY SERIES
Bristle versions: ULTIMATE BRISTLE, PRO BRISTLE and ECONOMY BRISTLE SERIES.
The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush
Rounded for ultimate medium dispersion (learn more)
Tin ferrule with varnished long wooden handle
Brush hold: Pencil Hold, Drummer's Hold
Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
HAIR LENGTH
00000
10.6" / 26.8cm
.45" / 11mm
1.9" / 48mm
000
11.6" / 29.5cm
.6" / 15mm
2.1" / 53mm
0
11.4" / 29cm
.7" / 18mm
2.3" / 58mm
2
12.2" / 31cm
.83" / 21mm
2.6" / 66mm
4
12.6" / 32.1cm
.98" / 25mm
2.9" / 73mm
6
13.2" / 33.5cm
1.2" / 29mm
3" / 77mm
8
13.4" / 34.1cm
1.4" / 34mm
3.2" / 81mm
BRUSH SPECIFICATIONS
HAIR TYPE
Bluetop synthetic fiber
USAGE
Application of varnish, paint, glaze medium
Our BLUETOP PRO SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
- PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
- See also: BLUETOP ECONOMY SERIES
- Bristle versions: ULTIMATE BRISTLE, PRO BRISTLE and ECONOMY BRISTLE SERIES.
- The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush
- Rounded for ultimate medium dispersion (learn more)
- Tin ferrule with varnished long wooden handle
- Brush hold: Pencil Hold, Drummer's Hold
- Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | HAIR LENGTH |
| 00000 |
10.6" / 26.8cm |
.45" / 11mm |
1.9" / 48mm |
| 000 | 11.6" / 29.5cm | .6" / 15mm | 2.1" / 53mm |
| 0 | 11.4" / 29cm | .7" / 18mm | 2.3" / 58mm |
| 2 | 12.2" / 31cm | .83" / 21mm | 2.6" / 66mm |
| 4 | 12.6" / 32.1cm | .98" / 25mm | 2.9" / 73mm |
| 6 | 13.2" / 33.5cm | 1.2" / 29mm | 3" / 77mm |
| 8 |
13.4" / 34.1cm |
1.4" / 34mm | 3.2" / 81mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Bluetop synthetic fiber |
|
USAGE |
Application of varnish, paint, glaze medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Graining Tooth Veinette (Bristle) | WD-03
ITEM #: WD-03_Size-35
PRICE: $38.70 Regular price/
Only 22 items in stock!
Don't miss out on this unique woodgraining brush. Use this high quality bristle hair brush to help create the delicate grains in woodgraining. Long bristle hair, notched teeth, for side graining. Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
Run brush through a comb for graining for print control
Used successfully in maple, pine, water walnut, and more
Available in size 35, 45, & 60
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
35
.1" / 2.5mm
1.4" /35mm
2.6" /65mm
45
10.6" / 26.9cm
.12" /3mm
1.8" /46mm
2.8" /71mm
60
.22" /5.5mm
2.5" /63mm
3.2" /81mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Drummer's Hold, Conductor's Hold
USAGE
Straight graining/veining; onyx veins; wood heartgrain
MEDIUM
Water or Oil
FERRULE
Tin
HANDLE
Wooden flat medium
Don't miss out on this unique woodgraining brush. Use this high quality bristle hair brush to help create the delicate grains in woodgraining. Long bristle hair, notched teeth, for side graining. Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 35 | .1" / 2.5mm | 1.4" /35mm | 2.6" /65mm | |
| 45 | 10.6" / 26.9cm | .12" /3mm | 1.8" /46mm | 2.8" /71mm |
| 60 | .22" /5.5mm | 2.5" /63mm | 3.2" /81mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Drummer's Hold, Conductor's Hold |
|
USAGE |
Straight graining/veining; onyx veins; wood heartgrain |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Tin |
|
HANDLE |
Wooden flat medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Chiqueteur | MB-09
ITEM #: MB-09_Size-08
PRICE: $144.45 Regular price/
Only 7 items in stock!
The Rolls Royce of faux marble brushes, the chiqueteur [sheik-ter] is used for painting backgrounds of faux marble and stone finishes. Experience ultimate controlled randomness with this specialty brush. Available in 2 sizes.
Soft square tip squirrel hair with 5-10% synthetic nylon
Wire tied natural quill
No more messy hands
Great for skewering real gold leaf w/o scratching
Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
8
1.1"/30mm
1.1"/30mm
2.4"/61mm
10
10.1" / 25.7cm
1.1"/30mm
1.1"/30mm
2.6"/66mm
BRUSH SPECIFICATIONS
HAIR TYPE
Squirrel
BRUSH HOLD
Pencil Hold
USAGE
Marble, Fragmenting, Chiqueteuring, Stone Texture
MEDIUM
Oil or Water
FERRULE
Wire-Tied Quilled
HANDLE
Wooden Round Medium
The Rolls Royce of faux marble brushes, the chiqueteur [sheik-ter] is used for painting backgrounds of faux marble and stone finishes. Experience ultimate controlled randomness with this specialty brush. Available in 2 sizes.
- Soft square tip squirrel hair with 5-10% synthetic nylon
- Wire tied natural quill
- No more messy hands
- Great for skewering real gold leaf w/o scratching
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH
|
|
8
|
1.1"/30mm
|
1.1"/30mm
|
2.4"/61mm
|
|
|
10
|
10.1" / 25.7cm |
1.1"/30mm
|
1.1"/30mm
|
2.6"/66mm
|
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Squirrel |
|
BRUSH HOLD |
Pencil Hold |
|
USAGE |
Marble, Fragmenting, Chiqueteuring, Stone Texture |
|
MEDIUM |
Oil or Water |
|
FERRULE |
Wire-Tied Quilled |
|
HANDLE |
Wooden Round Medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Deerhoof Liner Striper Brush (Skunk) | TL-31
ITEM #: TL-31_Size-02
PRICE: $18.45 Regular price/
Only 8 items in stock!
The deerhoof and the Rondin are the ultimate striping brushes- no taping needed! A deerhoof is designed for striping color or size, much like the rondin brush. The deerhoof shape offers a distinct slant, which allows for optimum surface contact. The deerhoof is best for applying size or color to flat or curved surfaces. In order to make this brush so dense, its ferrule is constructed by hand, with quill and wire. By pinching the brush at the heal, long and exact stripes can be achieved.
A must-have for gilders
Can be used in oil/water when dedicated
Most comparable with the Rondin brush
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
2
6.9" / 17.4cm
4
7" / 17.9cm
6
8
7.3" / 18.6cm
10
7.4" / 18.8cm
BRUSH SPECIFICATIONS
HAIR TYPE
Skunk
BRUSH HOLD
Choked Pen Hold
USAGE
Painting freehand stripes or applying size
MEDIUM
Water or Oil
FERRULE
Wire-tied quill
HANDLE
Wooden round short
The deerhoof and the Rondin are the ultimate striping brushes- no taping needed! A deerhoof is designed for striping color or size, much like the rondin brush. The deerhoof shape offers a distinct slant, which allows for optimum surface contact. The deerhoof is best for applying size or color to flat or curved surfaces. In order to make this brush so dense, its ferrule is constructed by hand, with quill and wire. By pinching the brush at the heal, long and exact stripes can be achieved.
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 2 | 6.9" / 17.4cm | |||
| 4 | 7" / 17.9cm | |||
| 6 | ||||
| 8 | 7.3" / 18.6cm | |||
| 10 |
7.4" / 18.8cm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Skunk |
|
BRUSH HOLD |
Choked Pen Hold |
|
USAGE |
Painting freehand stripes or applying size |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Wire-tied quill |
|
HANDLE |
Wooden round short |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
PRO Pointed Glazing Brush (Bristle, Nylon) | GLZ-41
ITEM #: GLZ-41_Size-000
PRICE: $14.45 Regular price/
Only 29 items in stock!
Our PRO SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
See other levels: ULTIMATE and ECONOMY SERIES
and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush
Rounded for ultimate medium dispersion (learn more)
Tin ferrule with varnished long wooden handle
Brush hold: Pencil Hold, Drummer's Hold
Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
HAIR LENGTH
000
11.6" / 29.4cm
.4" / 11mm
2.2" / 56mm
0
11.7" / 29.8cm
.8 / 20mm
2.4" / 62mm
2
12.2" / 31cm
.9" / 22mm
2.8" / 70mm
4
12.7" / 32.2cm
1" / 26mm
3" / 75mm
6
13.4" / 34cm
1.2" / 31mm
3.3" / 84mm
8
13.5" / 34.4cm
1.3" / 34mm
3.5" / 89mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle / Nylon blend
USAGE
Application of varnish, paint, glaze medium
Our PRO SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
- PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
- See other levels: ULTIMATE and ECONOMY SERIES
- and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
- The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush
- Rounded for ultimate medium dispersion (learn more)
- Tin ferrule with varnished long wooden handle
- Brush hold: Pencil Hold, Drummer's Hold
- Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | HAIR LENGTH |
| 000 | 11.6" / 29.4cm | .4" / 11mm | 2.2" / 56mm |
| 0 | 11.7" / 29.8cm | .8 / 20mm | 2.4" / 62mm |
| 2 | 12.2" / 31cm | .9" / 22mm | 2.8" / 70mm |
| 4 | 12.7" / 32.2cm | 1" / 26mm | 3" / 75mm |
| 6 | 13.4" / 34cm | 1.2" / 31mm | 3.3" / 84mm |
| 8 | 13.5" / 34.4cm | 1.3" / 34mm | 3.5" / 89mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
USAGE |
Application of varnish, paint, glaze medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
PRO Domed Glazing Brush (Bluetop) | GLZ-34
ITEM #: GLZ-34_Size-02
PRICE: $16.75 Regular price/
Only 28 items in stock!
Our BLUETOP PRO SERIES DOMED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
See also: BLUETOP ECONOMY SERIES
Bristle versions: ULTIMATE BRISTLE, PRO BRISTLE and ECONOMY BRISTLE SERIES.
The DOMED shape is best for maximum coverage of surfaces. See also pointed glazing brush.
Rounded for ultimate medium dispersion (learn more)
Brush hold: Pencil Hold, Drummer's Hold
Tin ferrule with varnished long wooden handle
Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
HAIR LENGTH
2
12" / 30.5cm
.86" / 22mm
2.5" / 64mm
4
12.3" / 31.2cm
1" / 26mm
2.5" / 64mm
6
12.9" / 32.8cm
1.2" / 29mm
2.8" / 72mm
8
13.3" / 33.8cm
1.3" / 33mm
3.1" / 78mm
BRUSH SPECIFICATIONS
HAIR TYPE
Bluetop synthetic fiber
USAGE
Application of varnish, paint, glaze medium; stippling
Our BLUETOP PRO SERIES DOMED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
- PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
- See also: BLUETOP ECONOMY SERIES
- Bristle versions: ULTIMATE BRISTLE, PRO BRISTLE and ECONOMY BRISTLE SERIES.
- The DOMED shape is best for maximum coverage of surfaces. See also pointed glazing brush.
- Rounded for ultimate medium dispersion (learn more)
- Brush hold: Pencil Hold, Drummer's Hold
- Tin ferrule with varnished long wooden handle
- Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | HAIR LENGTH |
| 2 | 12" / 30.5cm | .86" / 22mm | 2.5" / 64mm |
| 4 | 12.3" / 31.2cm | 1" / 26mm | 2.5" / 64mm |
| 6 | 12.9" / 32.8cm | 1.2" / 29mm | 2.8" / 72mm |
| 8 | 13.3" / 33.8cm | 1.3" / 33mm | 3.1" / 78mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Bluetop synthetic fiber |
|
USAGE |
Application of varnish, paint, glaze medium; stippling |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Stippling Brush (Bristle) | GLZ-10
ITEM #: GLZ-10
PRICE: $54.25 Regular price/
Only 6 items in stock!
Use this for controlled, parallel veins when painting faux marble and semiprecious stone.
For painting onyx marble
Stippler
Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
3.6" (92mm)
" / mm
2.4" (61mm)
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Handle Grip With Wrist Action, Baseball Hold
USAGE
Stippling and strie
MEDIUM
Oil or Water
FERRULE
Wood
HANDLE
Wood
Use this for controlled, parallel veins when painting faux marble and semiprecious stone.
- For painting onyx marble
- Stippler
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
|
3.6" (92mm) |
" / mm |
2.4" (61mm) |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Handle Grip With Wrist Action, Baseball Hold |
|
USAGE |
Stippling and strie |
|
MEDIUM |
Oil or Water |
|
FERRULE |
Wood |
|
HANDLE |
Wood |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
4-in-1 Flat Spalter Brush (Bristle) | GLZ-09
ITEM #: GLZ-09
PRICE: $42.15 Regular price/
Only 24 items in stock!
Our long haired spalter is a combination of a spalter, softener, and a mini-flogger. This natural bristle brush becomes economical because of it's versatility. Our spalters are over 1/3" thick. From strie to corner stippling, smoothing to moire, this brush does it all. Keep it in your back pocket and it will get used often.
Hand-selected bristle hair, longer than a Spalter
Brush 'springs' into action (learn more)
Softens unwanted brush/roller marks
4 uses: softening, strie, stipple, & moire
A versatile brush for the price
Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
100
8.9" / 22.7cm
.16" / 4mm
4" / 100mm
2.2" / 55mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Drummer's Hold, Conductor's Hold
USAGE
Corner stippling; strie
MEDIUM
Water or Oil
FERRULE
Copper
HANDLE
Wooden flat short
Our long haired spalter is a combination of a spalter, softener, and a mini-flogger. This natural bristle brush becomes economical because of it's versatility. Our spalters are over 1/3" thick. From strie to corner stippling, smoothing to moire, this brush does it all. Keep it in your back pocket and it will get used often.
- Hand-selected bristle hair, longer than a Spalter
- Brush 'springs' into action (learn more)
- Softens unwanted brush/roller marks
- 4 uses: softening, strie, stipple, & moire
- A versatile brush for the price
- Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 100 | 8.9" / 22.7cm | .16" / 4mm | 4" / 100mm | 2.2" / 55mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Drummer's Hold, Conductor's Hold |
|
USAGE |
Corner stippling; strie |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden flat short |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Stippling Brush (Bristle, Nylon) | GLZ-23
ITEM #: GLZ-23
PRICE: $48.50 Regular price/
Only 2 items in stock!
Try our lightweight water stippler, a true replica of our classic Oil Stippler but specifically designed for today's water mediums. This bristle/nylon blend stippler is designed for fast and effortless stippling to save your arm. Take control of stippling with our replica of our classic. Conserve your energy, only settle for the best stippler for this widely used technique in decorative painting.
1 1/3 inches thick, 7 rows of nylon synthetic fiber w/ 50% bristle hair
Brush 'springs' into action (learn more)
Can be used to strie with glaze or heavy paint
Stipples close to the corner
Perfect brush for colorwashing/large-scale blending & softening
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
3.7" / 9.5cm
" / 39mm
" / mm
" / 62mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle / Nylon blend
BRUSH HOLD
Handle Grip With Wrist Action, Baseball Hold
USAGE
Stippling and Strie
MEDIUM
Water or Oil
FERRULE
N/A
HANDLE
Wood
Try our lightweight water stippler, a true replica of our classic Oil Stippler but specifically designed for today's water mediums. This bristle/nylon blend stippler is designed for fast and effortless stippling to save your arm. Take control of stippling with our replica of our classic. Conserve your energy, only settle for the best stippler for this widely used technique in decorative painting.
- 1 1/3 inches thick, 7 rows of nylon synthetic fiber w/ 50% bristle hair
- Brush 'springs' into action (learn more)
- Can be used to strie with glaze or heavy paint
- Stipples close to the corner
- Perfect brush for colorwashing/large-scale blending & softening
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 3.7" / 9.5cm | " / 39mm | " / mm | " / 62mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
BRUSH HOLD |
Handle Grip With Wrist Action, Baseball Hold |
|
USAGE |
Stippling and Strie |
|
MEDIUM |
Water or Oil |
|
FERRULE |
N/A |
|
HANDLE |
Wood |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Codtail Blending Brush (Bristle) | GLZ-12
ITEM #: GLZ-12_Size-50
PRICE: $30.00 Regular price/
Only 26 items in stock!
Our long handle small codtail is the ultimate smoothing tool. It can be gentle as a smoother or used aggressively to efficiently blend/break up multi-tonal glazes. We also love it as a fine stippler on all hard to reach areas.
Long hair for a finer blending
1/3 inch thick, high quality bristle keeps it's shape
Can be used in water/oil when dedicated (learn more)
See Oil Softener for ultimate oil softener
Wonderful for stippling corners, relief's, & heavy textures
Great for reaching intricate surfaces like mullions, dentils & window casing, etc.
Use as a mini-flogger (WD-4)
Essential for blending clouds
Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
50
11.8" / 30cm
0.1" / 4.5mm
2" / 50mm
3.3" / 84mm
60
11.9" / 30.2cm
0.3" / 8mm
2.4" / 60mm
3.4" / 86mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Conductor's Hold, Pencil Hold
USAGE
Softening; breaking up the glaze
MEDIUM
Water or Oil
FERRULE
Copper
HANDLE
Wooden flat long
Our long handle small codtail is the ultimate smoothing tool. It can be gentle as a smoother or used aggressively to efficiently blend/break up multi-tonal glazes. We also love it as a fine stippler on all hard to reach areas.
- Long hair for a finer blending
- 1/3 inch thick, high quality bristle keeps it's shape
- Can be used in water/oil when dedicated (learn more)
- See Oil Softener for ultimate oil softener
- Wonderful for stippling corners, relief's, & heavy textures
- Great for reaching intricate surfaces like mullions, dentils & window casing, etc.
- Use as a mini-flogger (WD-4)
- Essential for blending clouds
- Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 50 | 11.8" / 30cm |
0.1" / 4.5mm |
2" / 50mm | 3.3" / 84mm |
| 60 | 11.9" / 30.2cm | 0.3" / 8mm | 2.4" / 60mm | 3.4" / 86mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Conductor's Hold, Pencil Hold |
|
USAGE |
Softening; breaking up the glaze |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden flat long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Multi-Tip Pencil Veiner (Samina Nylon) | MB-11
ITEM #: MB-11_Set
PRICE: $122.45 Regular price/
Only 9 items in stock!
This synthetic fiber, multi-tip flat brush creates veins and grains for faux marble and woodgrain techniques. The number of brush tips ranges from 2-5 brushes in one. Using a positive application, the brush tips will come to a fine point for delicate and parallel lines.
Available in 2,3, or 5 tips.
Faux marble: Sea Green, Yellow Flower, Imperador marble, etc.
Woodgraining: walnut, mahogany, teak, pine, etc
For our stiffer, natural bristle version, see 3-Tip Pencil Veiner
Best used in water medium
Brush hold: Drummer's hold, Conductor's hold
Tin ferrule with wooden, flat handle
Brush Care: Wash with Soap
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
3
.3" / 8mm
.3" / 8mm
1.8"/47mm
BRUSH SPECIFICATIONS
HAIR TYPE
Synthetic Samina fiber
USAGE
positive application, woodgraining; faux marble veining
This synthetic fiber, multi-tip flat brush creates veins and grains for faux marble and woodgrain techniques. The number of brush tips ranges from 2-5 brushes in one. Using a positive application, the brush tips will come to a fine point for delicate and parallel lines.
- Available in 2,3, or 5 tips.
- Faux marble: Sea Green, Yellow Flower, Imperador marble, etc.
- Woodgraining: walnut, mahogany, teak, pine, etc
- For our stiffer, natural bristle version, see 3-Tip Pencil Veiner
- Best used in water medium
- Brush hold: Drummer's hold, Conductor's hold
- Tin ferrule with wooden, flat handle
- Brush Care: Wash with Soap
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
|
3 |
.3" / 8mm |
.3" / 8mm |
1.8"/47mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Synthetic Samina fiber |
|
USAGE |
positive application, woodgraining; faux marble veining |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
PRO Domed Glazing Brush (Bristle, Nylon) | GLZ-31
ITEM #: GLZ-31_Size-02
PRICE: $16.75 Regular price/
Only 12 items in stock!
Our PRO SERIES DOMED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
See other levels: ULTIMATE and ECONOMY SERIES
and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
The DOMED shape is best for maximum coverage of surfaces. See also pointed glazing brush.
Rounded for ultimate medium dispersion (learn more)
Brush hold: Pencil Hold, Drummer's Hold
Tin ferrule with varnished long wooden handle
Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
HAIR LENGTH
FERRULE LENGTH
2
11.8" / 30cm
.9" / 23mm
2.3" / 59mm
0.9"/25mm
4
12.2" / 31.1cm
1" / 27mm
2.9" / 69mm
1"/26mm
6
13.2" / 33.5cm
1.2" / 32mm
3.1" / 79mm
1.2"/32mm
8
13.2" / 33.6cm
1.3" / 34mm
3.1" / 79mm
1.3"/34mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle / Nylon blend
USAGE
Application of varnish, paint, glaze medium; stippling
Our PRO SERIES DOMED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.
- PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
- See other levels: ULTIMATE and ECONOMY SERIES
- and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
- The DOMED shape is best for maximum coverage of surfaces. See also pointed glazing brush.
- Rounded for ultimate medium dispersion (learn more)
- Brush hold: Pencil Hold, Drummer's Hold
- Tin ferrule with varnished long wooden handle
- Brush care: Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | HAIR LENGTH | FERRULE LENGTH |
| 2 | 11.8" / 30cm | .9" / 23mm | 2.3" / 59mm | 0.9"/25mm |
| 4 | 12.2" / 31.1cm | 1" / 27mm | 2.9" / 69mm |
1"/26mm |
| 6 | 13.2" / 33.5cm | 1.2" / 32mm | 3.1" / 79mm |
1.2"/32mm |
| 8 | 13.2" / 33.6cm | 1.3" / 34mm | 3.1" / 79mm |
1.3"/34mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
USAGE |
Application of varnish, paint, glaze medium; stippling |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Domed Glazing Brush (Bristle) | GLZ-03D
ITEM #: GLZ-03D_Size-04
PRICE: $17.99 Regular price Regularly: $25.70 Sale price Save $7.71/
Only 27 items in stock!
This original design is ingenious in it's rounded shape and thick hair. The hand tied red, cotton string is handsomely traditional in this model. Our natural bristle glazing brushes should be a standard item in your decorative painting kit.
High quality bristle keeps it's shape
Slightly domed shape for fast coverage
Rounded for ultimate medium dispersion (learn more)
Can be used in oil/water when dedicated (learn more)
Perfect for 'breaking up the glaze'
Works well painting basecoats
Glaze panels with speed
With size 8, glaze entire wall - applies better than a roller!
Description: Bristle hair for OIL/WATER mediums
Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
Hair Length: 3-3.5" (76-90mm)
Dia./width: 1-1.25" (25-32mm)
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
4
" / mm
" / mm
" / mm
8
" / mm
" / mm
" / mm
BRUSH SPECIFICATIONS
HAIR TYPE
Natural Bristle
BRUSH HOLD
Pencil Hold, Drummer's Hold
USAGE
Applying glaze and base coat; adding texture; rough stipple
MEDIUM
Oil, Water
FERRULE
Copper
HANDLE
Wooden round long
This original design is ingenious in it's rounded shape and thick hair. The hand tied red, cotton string is handsomely traditional in this model. Our natural bristle glazing brushes should be a standard item in your decorative painting kit.
- High quality bristle keeps it's shape
- Slightly domed shape for fast coverage
- Rounded for ultimate medium dispersion (learn more)
- Can be used in oil/water when dedicated (learn more)
- Perfect for 'breaking up the glaze'
- Works well painting basecoats
- Glaze panels with speed
- With size 8, glaze entire wall - applies better than a roller!
- Description: Bristle hair for OIL/WATER mediums
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
- Hair Length: 3-3.5" (76-90mm)
- Dia./width: 1-1.25" (25-32mm)
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 4 | " / mm | " / mm |
" / mm |
|
| 8 | " / mm | " / mm |
" / mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Pencil Hold, Drummer's Hold |
|
USAGE |
Applying glaze and base coat; adding texture; rough stipple |
|
MEDIUM |
Oil, Water |
|
FERRULE |
Copper |
|
HANDLE |
Wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Oval Varnish Brush (Bluetop) | GLZ-25
ITEM #: GLZ-25_Size-040
PRICE: $27.50 Regular price/
Only 5 items in stock!
This classic Italian-inspired oval brush has a thick hair density wrapped in an oval-shaped ferrule. This shape is a great mix between flat and round brushes. Used to apply water based vanishes and basecoat paints. Silky, blue hair allows for glass-like application of mediums. Our blue brushes are styled with a white tip. These ends are manufactured to flower to hold more paint which will allow the brush to cut sharp edges
Oval shape great mix between flat and round brushes
Small sizes great for painting stiles/rails, small panels, mullions, etc.
Brush hold: Drummer's Hold, Pencil Hold
Metal ferrule with plastic handle
Best for water based mediums
Proper brush care - Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
SIZE
BRUSH LENGTH
FERRULE WIDTH
FERRULE LENGTH
HAIR LENGTH
40
8.7" / 22cm
0.3"/ 9mm
1.5"/ 40mm
1.8" / 45mm
50
9.1" / 23.2cm
0.3"/ 9mm
1.9"/ 50mm
1.8" / 45mm
60
9.4" / 24cm
0.3" 9mm
2.3" / 60mm
1.8" / 45mm
BRUSH SPECIFICATIONS
HAIR TYPE
Bluetop synthetic fiber
USAGE
Application of varnish, paint, glaze medium
This classic Italian-inspired oval brush has a thick hair density wrapped in an oval-shaped ferrule. This shape is a great mix between flat and round brushes. Used to apply water based vanishes and basecoat paints. Silky, blue hair allows for glass-like application of mediums. Our blue brushes are styled with a white tip. These ends are manufactured to flower to hold more paint which will allow the brush to cut sharp edges
- Oval shape great mix between flat and round brushes
- Small sizes great for painting stiles/rails, small panels, mullions, etc.
- Brush hold: Drummer's Hold, Pencil Hold
- Metal ferrule with plastic handle
- Best for water based mediums
-
Proper brush care - Wash thoroughly with soap, shape or hang to dry
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH
|
FERRULE WIDTH
|
FERRULE LENGTH
|
HAIR LENGTH
|
| 40 | 8.7" / 22cm |
0.3"/ 9mm
|
1.5"/ 40mm
|
1.8" / 45mm
|
| 50 | 9.1" / 23.2cm |
0.3"/ 9mm
|
1.9"/ 50mm
|
1.8" / 45mm
|
| 60 | 9.4" / 24cm |
0.3" 9mm
|
2.3" / 60mm
|
1.8" / 45mm
|
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Bluetop synthetic fiber |
|
USAGE |
Application of varnish, paint, glaze medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
