39 products
39 products
Spalter Brush (Bristle, Nylon) | GLZ-07
GLZ-07_Size040
Regular price $10.15/
Shipping calculated at checkout.
The spalter is one of the most used tools in our decorative brush kit. Unlike the average cheap brush, our spalter has a thick row (1/3 inch) of short hair that is densely packed with a bristle/nylon blend for ultimate performance and control for today's water mediums. The smaller sizes have a variety of uses, from basecoats to final glazing, 'stretching' to softening. Available in 8 sizes. Amazing for entire wall strie or criss-cross.
- Nylon synthetic fiber with 50% natural bristle
- stretch glaze for ultimate consistency
- Softens unwanted brush/roller marks
- Excellent for applying thin varnish and waxes
- Fine/subtle strie
- See GLZ-5 for more information
- Water - Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 40 | .4" / 9mm | 1.6" / 40mm | 1.4" / 36mm | |
| 60 | .4" / 9mm | 2.4" / 60mm | 1.4" / 36mm | |
| 80 | .4" / 9mm | 3.1" / 80mm | 1.4" / 36mm | |
| 100 | .4" / 9mm | 4" / 100mm | 1.6" / 41mm | |
| 150 | .4" / 9mm | 6" / 150mm | 1.8" / 46mm | |
| 200 | .4" / 9mm | 8" / 200mm | 1.9" / 47mm | |
| 250 | .4" / 9mm | 9.9" / 250mm | 1.8" / 46mm | |
| 300 | .4" / 9mm | 11.8" / 300mm | 1.7" / 44mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
BRUSH HOLD |
Drummer's Hold, "Quack Motion" |
|
USAGE |
Soften roller marks on base coat & varnish applications; Moire |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden flat short |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Badger Softener | GLZ-15
GLZ-15_Size-02
Regular price $80.25/
Shipping calculated at checkout.
Our classic hand mounted badger brush is made out of the finest grouping of water badger hair. Stay clear of the 'BAD'-ger impostor whose hair is made out of goat hair that has been dipped into black paint to look like a real badger. Stiffer hair is good for softening and easier to clean as you go.
- 3/4 inch thick, hand selected badger hair, which repels water
- Resists fanning out with overuse
- Best used with thin reversible water mediums (i.e. gouache, beer glaze)
- Size 2 best for smoothing intricate surfaces
- Size 4 is the universal size - best for faux marble/woodgraining
- Size 6 the best for your largest smoothing job - amazingly productive brush!
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 2 | .8" / 20mm | 2.2" / 55mm | 2.6" / 65mm | |
| 4 | .8" / 20mm | 4.1" / 104mm | 2.7"/ 69mm | |
| 6 | .8" / 20mm | 6.3" / 160mm | 2.7" / 69mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Badger |
|
BRUSH HOLD |
Conductor's Hold |
|
USAGE |
Softening |
|
MEDIUM |
Water |
|
FERRULE |
Wood |
|
HANDLE |
Wooden round medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Spalter Brush (Bluetop) | GLZ-24
GLZ-24_Size-040
Regular price $10.40/
Shipping calculated at checkout.
From baseboards to walls! Use this silky, BLUE hair spalter to help apply water varnishes and thin latex basecoats. Use with the BLUE Oval Brush
2/3 inch thick, Blue, POLYTOP nylon synthetic
For best results, keep the brush saturated with varnish
Traditional Spalter shape to "tip" the varnish
For water applications only
Brush Care: Wash with soap
BRUSH SPECIFICATIONS
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 40 | .4" / 9mm | 1.6" / 40mm | 1.4" / 36mm | |
| 50 | .4" / 9mm | 2" / 50mm | 1.4" / 36mm | |
| 80 | .4" / 9mm | 3.1" / 80mm | 1.4" / 36mm | |
| 100 | .4" / 9mm | 4" / 100mm | 1.6" / 41mm | |
| 150 | .4" / 9mm | 6" / 150mm | 1.8" / 46mm | |
| 200 | .4" / 9mm | 8" / 200mm | 1.9" / 47mm | |
| 250 | .4" / 9mm | 9.9" / 250mm | 1.8" / 46mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Polytop Synthetic |
|
BRUSH HOLD |
Drummer's Hold, "Quack Motion" |
|
USAGE |
Strie; Varnishing |
|
MEDIUM |
Water |
|
FERRULE |
Tin |
|
HANDLE |
Wooden flat short |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Graining Flogger (Black Bristle) | WD-04
WD-04_Size-60
Regular price $33.90/
Shipping calculated at checkout.
Our flogger is made with extra long, black bristle hair, hand-selected for marks mimicking wood pores. This is an essential tool in the woodgrainer's kit. Once the technique of using the flogger is mastered, it's a quick money maker if used as a simple wood glazing tool.
- The only brush you push instead of pull
- Selected black bristle hair
- Used in negative brush work - displacement of glaze
- Whipping motion from a dry brush
- This is not a strie brush (see TOOTH SPALTER)
- Great for mahogany, walnut, cherry, teak, and many more
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE LENGTH | HAIR LENGTH | |||
|
|
|
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Black Bristle |
|
BRUSH HOLD |
Drummer's Hold |
|
USAGE |
Background Woodgraining; pores |
|
MEDIUM |
Water/Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden, Flat, Long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
PRO Pointed Glazing Brush (Bluetop) | GLZ-45
GLZ-45_Size-00000
Regular price $12.30/
Shipping calculated at checkout.
NEW! Our pointed water glazer has excellent line-cutting capabilities. Also known as a sash brush, this is a modern replica of the classic bristle/nylon version (GLZ-2). Available in 7 sizes.
- SOFT, Blue Polytop synthetic fiber
- Pointed shape allows for precise application
- Rounded for ultimate medium dispersion (learn more)
- Brush 'springs' into action (learn more)
- Perfect for glazing stiles/rails, baseboard, and dentil molding
- Larger sizes best for glazing panels for faux marble/wood
- Small sizes for murals, and glazing tiny areas like mullions, dentils & window casing
- Also used to sketch wood heartgrain, & primary veins
- Wash with Soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | HAIR LENGTH |
| 00000 | .45" / 11mm |
1.9" / 48mm |
|
| 000 | .6" / 15mm | 2.1" / 53mm | |
| 0 | .7" / 18mm | 2.3" / 58mm | |
| 2 | .83" / 21mm | 2.6" / 66mm | |
| 4 | .98" / 25mm | 2.9" / 73mm | |
| 6 | 1.2" / 29mm | 3" / 77mm | |
| 8 | 1.4" / 34mm | 3.2" / 81mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
BRUSH HOLD |
Pencil Hold, Drummer's Hold |
|
USAGE |
Applying glaze and base coat |
|
MEDIUM |
Water |
|
FERRULE |
Tin |
|
HANDLE |
Wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Stubby Spalter Brush (Nylon, Bristle) | GLZ-07D
GLZ-07D_Size-040
Regular price $10.15 Sale price $9.14 Save $1.01/
Shipping calculated at checkout.
The spalter is one of the most used tools in our decorative brush kit. Unlike the average chip brush, our spalter has a thick row (1/3 inch) of short hair that is densely packed with a bristle/nylon blend for ultimate performance and control for today's water mediums. The smaller sizes have a variety of uses, from basecoats to final glazing, 'stretching' to softening. Available in 6 sizes.
- Nylon synthetic fiber with 50% natural bristle
- stretch glaze for ultimate consistency
- Softens unwanted brush/roller marks
- Excellent for applying thin varnish and waxes
- Fine/subtle strie
- Application/Usage: stretch; soften roller marks on basecoat & varnish applications; moire
- Preferred Medium: Oil/Water
- Brush Ferrule/Handle: copper, wooden flat short
- Brush Hair Type: Natural Bristle/Nylon blend
- Brush Hold: Drummer's Hold, "Quack Motion"
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
- Hair Length: 1.5-1.7" (38-45mm), 2" (51mm)
- Dia./width: 1.6" (40mm), 2.2" (60mm), 3.1" (80mm), 4", 6" (150mm), 8" (200mm)
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Graining Tooth Veinette (Bristle) | WD-03
WD-03_Size-35
Regular price $35.85/
Shipping calculated at checkout.
Don't miss out on this unique woodgraining brush. Use this high quality bristle hair brush to help create the delicate grains in woodgraining. Long bristle hair, notched teeth, for side graining. Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 35 | .1" / 2.5mm | 1.4" /35mm | 2.6" /65mm | |
| 45 | .12" /3mm | 1.8" /46mm | 2.8" /71mm | |
| 60 | .22" /5.5mm | 2.5" /63mm | 3.2" /81mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Drummer's Hold, Conductor's Hold |
|
USAGE |
Straight graining/veining; onyx veins; wood heartgrain |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Tin |
|
HANDLE |
Wooden flat medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Stubby Tooth Spalter (Nylon, Bristle) | GLZ-08D
GLZ-08D_Size-060
Regular price $16.05 Sale price $14.45 Save $1.60/
Shipping calculated at checkout.
Our tooth spalter has been cut to create 'teeth'. In decorative painting, this bristle/blend brush is essential for a deep strie, brushed texture, & straight graining techniques in water mediums. Our spalters are over 1/3 " thick. This is a must for your decorative painting kit. Available in 6 sizes.
- Nylon synthetic fiber with 50% natural bristle
- Machine cut teeth
- The best brush for patina and aging techniques (dry-brushing)
- Pulling wet basecoat when a heavily brushed texture is desired
- Criss-cross techniques
- Application/Usage: strie; straight graining in wood
- Preferred Medium: Oil/Water
- Brush Ferrule/Handle: copper, wooden flat short
- Brush Hair Type: Natural Bristle/Nylon blend
- Brush Hold: Drummer's Hold
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
- Hair Length: 1.5-1.7" (38-45mm), 2" (51mm)
- Dia./width: 1.6" (40mm), 2.2" (60mm), 3.1" (80mm), 4", 6" (150mm), 8" (200mm)
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Veinette Comb (Steel) | WD-12
WD-12
Regular price $12.50/
Shipping calculated at checkout.
Use this comb with your woodgraining brushes. This is a stiff, metal comb with round tines. It has 2 variations of spacing. To use the comb, hold it in one hand and pull the loaded brush through the tines, towards yourself. Your brush will show even grouping of hair.
- Description:
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
PRO Pointed Glazing Brush (Bristle, Nylon) | GLZ-41
GLZ-41_Size-000
Regular price $13.35/
Shipping calculated at checkout.
Our pointed water glazer will surely assist in your glazing with its excellent line cutting capabilities. The PRO SERIES is our extra fine / highest level of quality series. Also known as a sash brush, this is a modern replica of the classic bristle version (GLZ-4).
- Hand-shaped with select bristle fibers
- Premium stainless steel ferrule with hand-tied string
- Sealed handle for longevity
- Nylon synthetic fiber with 60% natural bristle
- Pointed shape allows for precise application
- Rounded for ultimate medium dispersion (learn more)
- Brush 'springs' into action (learn more)
- Perfect for glazing stiles/rails, baseboard, and dentil molding
- Larger sizes best for glazing panels for faux marble/wood
- Small sizes for murals, and glazing tiny areas like mullions, dentils & window casing
- Also used to sketch wood heartgrain, & primary veins
- Wash with soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | HAIR LENGTH |
| 000 | .4" / 11mm | 2.2" / 56mm | |
| 0 | .8 / 20mm | 2.4" / 62mm | |
| 2 | .9" / 22mm | 2.8" / 70mm | |
| 4 | 1" / 26mm | 3" / 75mm | |
| 6 | 1.2" / 31mm | 3.3" / 84mm | |
| 8 | 1.3" / 34mm | 3.5" / 89mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
BRUSH HOLD |
Pencil Hold, Drummer's Hold |
|
USAGE |
Applying glaze and base coat |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Tin |
|
HANDLE |
Wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Water Wood Kit | BKIT-02
BKIT-02
Regular price $358.20/
Shipping calculated at checkout.
Our water wood kit is strictly for painting faux woodgraining using water medium. Start painting impressive woodgrain panels with our woodgraining kit for today's thicker acrylic mediums. Get started today with this extensive kit.
This kit contains 13 brushes.
Save $39.80 with our 10% discount on all kits and sets.
Kit includes:
- WD-01 Bird's Eye (Bristle)
- WD-02 Cat Tongue (Squirrel)
- WD-03 Graining Tooth Veinette (Bristle)size 35
- WD-04 Graining Flogger (Black Bristle)
- WD-07 Stiff Skunk brush (Nylon, Bristle)
- WD-09 2-Header Flat Veiner Chiqueter (Badger)
- MB-11 3-Tip Pencil Veiner (Samina Nylon)
- GLZ-01 Ultimate Domed Glazing Brush (Bristle, Nylon) size 4
- GLZ-41 PRO Pointed Glazing Brush (Bristle, Nylon) size 8
- GLZ-07 Spalter Brush (Bristle, Nylon) size 100
- GLZ-08 Tooth Spalter (Bristle, Nylon) size 40
- GLZ-15 Badger Softener size 2
- TL-09 Filbert Striping Brush (Bordeaux Nylon) size 4
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Round Badger Softener | MB-10
MB-10_Size-10
Regular price $91.90/
Shipping calculated at checkout.
This densely-packed softener is perfect for all small and detailed areas. Our classic hand mounted badger brush is made out of the finest grouping of water badger hair. Stay clear of the 'BAD'-ger impostor whose hair is made out of goat hair that has been dipped into black paint to look like a real badger. These impostors are far too soft to move the glaze. Stiffer hair is good for softening and easier to clean as you go.
- 3/4 inch thick, hand selected badger hair, which repels water
- Resists fanning out with overuse
- Best used with thin reversible water mediums (i.e. gouache, beer glaze)
- See also Water Softener- a true innovation for thicker water mediums
- Fantastic for burnishing Dutch metal w/o scratching (for gold leaf, Chiqueteur)
- Size 2 best for smoothing intricate surfaces
- Clean with a damp cloth and mild soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 14 | .85" / 21.5mm | .85" / 21.5mm | 2.8 / 71mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Badger Hair |
|
BRUSH HOLD |
Pencil Hold |
|
USAGE |
Softening; burnishing |
|
MEDIUM |
Water |
|
FERRULE |
Wire-tied Quill |
|
HANDLE |
Wooden round medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
4-in-1 Flat Spalter Brush (Bristle) | GLZ-09
GLZ-09
Regular price $39.00/
Shipping calculated at checkout.
Our long haired spalter is a combination of a spalter, softener, and a mini-flogger. This natural bristle brush becomes economical because of it's versatility. Our spalters are over 1/3" thick. From strie to corner stippling, smoothing to moire, this brush does it all. Keep it in your back pocket and it will get used often.
- Hand-selected bristle hair, longer than a Spalter
- Brush 'springs' into action (learn more)
- Softens unwanted brush/roller marks
- 4 uses: softening, strie, stipple, & moire
- A versatile brush for the price
- Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 100 | .16" / 4mm | 4" / 100mm | 2.2" / 55mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Drummer's Hold, Conductor's Hold |
|
USAGE |
Corner stippling; strie |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Copper |
|
HANDLE |
Wooden flat short |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
PRO Domed Glazing Brush (Bluetop) | GLZ-34
GLZ-34_Size-02
Regular price $15.50/
Shipping calculated at checkout.
NEW! Blue POLYTOP BRUSH. The domed water glazer is the work horse of decorative painting. This is a modern replica of the classic bristle/nylon blend version.
- SOFT, Blue POLYTOP synthetic fiber
- Slightly domed shape for full coverage
- Rounded for ultimate medium dispersion (learn more)
- Brush 'springs' into action (learn more)
- Perfect for 'breaking up the glaze'
- Large size can glaze an entire wall with speed
- Use only in water mediums
- Wash with Soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | HAIR LENGTH |
| 2 | .86" / 22mm | 2.5" / 64mm | |
| 4 | 1" / 26mm | 2.5" / 64mm | |
| 6 | 1.2" / 29mm | 2.8" / 72mm | |
| 8 | 1.3" / 33mm | 3.1" / 78mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Blue Polytop Synthetic |
|
BRUSH HOLD |
Pencil Hold, Drummer's Hold |
|
USAGE |
Applying glaze & base coat, stippling, adding texture |
|
MEDIUM |
Water |
|
FERRULE |
Tin |
|
HANDLE |
Wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Domed Glazing Brush (Bristle, Nylon) | GLZ-01D
GLZ-01D_Size-02
Regular price $20.30 Sale price $18.27 Save $2.03/
Shipping calculated at checkout.
Our domed water glazer is the work horse of decorative painting. This is our highest level of quality. This is a modern replica of the classic full bristle version.
- Hand-shaped with select bristle fibers
- Premium stainless steel ferrule with hand-tied string
- Sealed handle for longevity
- Nylon synthetic fiber with 60% natural bristle
- Slightly domed shape for full coverage
- Rounded for ultimate medium dispersion (learn more)
- Brush 'springs' into action (learn more)
- Perfect for 'breaking up the glaze'
- Large size can glaze an entire wall with speed
- Application/Usage: applying glaze and basecoat; stippling; adding texture
- Preferred Medium: Water
- Brush Ferrule/Handle: Tin, wooden round long
- Brush Hold: Pencil Hold, Drummer's Hold
- Hair Length: 2-3" (60-72mm)
- Dia./width: .5-1.25" (25-32mm)
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Pointed Glazing Brush (Bristle) | GLZ-04D
GLZ-04D_Size-04
Regular price $26.75 Sale price $24.08 Save $2.67/
Shipping calculated at checkout.
Our pointed bristle glazer will surely assist in your glazing with its excellent line cutting capabilities. It as a 'sash', this sturdy brush can 'cut' a perfect line, work in tight corners, & accurately glaze your woodgraining or faux marble projects.
- High quality bristle keeps it's shape
- Pointed shape allows for precise application
- Rounded for ultimate medium dispersion (learn more)
- Can be used in oil/water when dedicated (learn more)
- Perfect for glazing stiles/rails, baseboard, and dentil molding
- Larger sizes best for glazing panels for woodgraining
BRUSH SPECIFICATIONS
|
HAIR TYPE
|
Natural Bristle
|
|
BRUSH HOLD
|
Pencil Hold, Drummer's Hold
|
|
USAGE
|
Precisely applying glaze and basecoat; woodgraining; faux marble
|
|
MEDIUM
|
Oil or Water
|
|
FERRULE
|
Copper
|
|
HANDLE
|
Wooden round long
|
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
| 4 |
" / mm |
" / mm |
" / mm |
|
|
8 |
" / mm |
" / mm |
" / mm |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Original Domed Glazing Brush (Bristle) | GLZ-03D
GLZ-03D_Size-04
Regular price $25.70 Sale price $23.13 Save $2.57/
Shipping calculated at checkout.
This original design is ingenious in it's rounded shape and thick hair. The hand tied red, cotton string is handsomely traditional in this model. Our natural bristle glazing brushes should be a standard item in your decorative painting kit.
- High quality bristle keeps it's shape
- Slightly domed shape for fast coverage
- Rounded for ultimate medium dispersion (learn more)
- Can be used in oil/water when dedicated (learn more)
- Perfect for 'breaking up the glaze'
- Works well painting basecoats
- Glaze panels with speed
- With size 8, glaze entire wall - applies better than a roller!
- Description: Bristle hair for OIL/WATER mediums
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
- Hair Length: 3-3.5" (76-90mm)
- Dia./width: 1-1.25" (25-32mm)
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 4 | " / mm | " / mm |
" / mm |
|
| 8 | " / mm | " / mm |
" / mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Pencil Hold, Drummer's Hold |
|
USAGE |
Applying glaze and base coat; adding texture; rough stipple |
|
MEDIUM |
Oil, Water |
|
FERRULE |
Copper |
|
HANDLE |
Wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Bristle Softener | GLZ-14
GLZ-14
Regular price $87.75/
Shipping calculated at checkout.
What's so special about this oil softener? The answer is in the hand selected batch of natural badger bristle The oil badger has enough spring to move the hard setting glaze (slow-drying acrylics), but soft enough to not leave any brush marks. Use this versatile brush for your largest walls, ceilings, etc. - save loads of time with this workhorse.
- Hand selected natural bristle hair
- 3/4 inch thick, high quality bristle keeps it's shape
- Brush 'springs' into action (learn more)
- Can be used in thicker water mediums or oil (learn more)
- Essential for softening clouds
- Use for patinas, ragging, faux leather, & multi color glazing techniques
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
| 4 |
4"/100mm |
3.9"/100mm |
3"/80mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Conductor's Hold, Baseball Hold |
|
USAGE |
Softening large surfaces; corner stippling |
|
MEDIUM |
Oil, Water |
|
FERRULE |
Wood |
|
HANDLE |
Wood round medium |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
2-Header Flat Veiner (Squirrel) | WD-08
WD-08
Regular price $67.40/
Shipping calculated at checkout.
This is the original woodgrainer's tool for mostly straight graining. Many brushes can be used to grain, but there isn't a substitute to our black squirrel 2-header. It delivers the most realistic rendering in woodgraining because it makes a new print every time. Each head is packed with hair so it can run a full length of panel without reloading medium. Also, great for painting the heartgrain on walnut.
- Natural black squirrel with 5-10% synthetic nylon
- Wire-tied natural quill
- Can be used in oil/water when dedicated (learn more)
- Good for strie on intricate surfaces and low relief carvings
- Run brush through a comb for graining for print control
- Best for walnut, pine, sycamore, cherry, zebra wood, & many more
- Use for fine chiqueteuring
- Similar to VEINETTE
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
| BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH | QUILL LENGTH |
HAIR LENGTH ABOVE FERRULE |
HAIR LENGTH ABOVE QUILL |
| .7" / 17mm | 1" / 26mm | .35" / 9mm | 2.1" / 54mm | 1.7" / 42mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Squirrel Mix |
|
BRUSH HOLD |
Drummer's Hold, Pencil Hold |
|
USAGE |
Straight graining; wood heartgrain |
|
MEDIUM |
Water or Oil |
|
FERRULE |
Quill |
|
HANDLE |
wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Cat's Tongue (Squirrel) | WD-02
WD-02
Regular price $29.95/
Shipping calculated at checkout.
Shaped like a cat's tongue, this flat and slightly pointed brush is perfect for straight graining like those found in ribbon mahogany. Sketch out the wood heartgrain without worry with this delicate brush. Also, its soft squirrel hair glides over the surface and stays loaded which is best for tonal layering and wet-on-wet applications.
- Flat, filbert shape
- Natural black squirrel with 5-10% synthetic nylon
- Soft hair prevents removal of wet underglaze
- Great for all woods with multi-tonality (see also SYNTHETIC SPALTER)
- Perfect for woodgraining on relief's, mantles, fluting, & other intricate surfaces
- Fantastic for burnishing real gold leaf w/o scratching (see also, Chiqueteur)
- Brush Care: Water: Wash with soap, Oil: Thinned & lard
SIZE TRANSLATIONS
|
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
| 0.2"/7mm | 0.9"/25mm | 1.4"/36mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE
|
Squirrel/mixture
|
|
BRUSH HOLD
|
Pencil Hold, Drummer's Hold
|
|
USAGE
|
Ribbon mahogany graining; adding tonality wet-on-wet
|
|
MEDIUM
|
Oil or Water
|
|
FERRULE
|
Tin
|
|
HANDLE
|
Wooden round medium
|
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Economy Veining Brush (Bristle) | MB-16
MB-16_Size-02
Regular price $6.99/
Shipping calculated at checkout.
Use this for painting veins to create long marble veins or to sketch wood heartgrain.
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
|
2 |
|
|
|
|
|
4 |
0.1"/5mm | 0.1"/5mm | 1"/27mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Bristle |
|
BRUSH HOLD |
Conductor's Hold, Pencil Hold |
|
USAGE |
Fine veining for faux marble in water mediums; fissures |
|
MEDIUM |
Water |
|
FERRULE |
Tin |
|
HANDLE |
Wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
PRO Domed Glazing Brush (Bristle, Nylon) | GLZ-31
GLZ-31_Size-02
Regular price $15.50/
Shipping calculated at checkout.
Our domed water glazer is the work horse of decorative painting. The Pro SERIES is a high level of quality. The EXTRA FINE Nylon/Bristle fiber is a nylon blend replica of the classic full bristle version (GLZ-3).
- Hand-shaped with select bristle fibers
- Premium stainless steel ferrule with hand-tied string
- Sealed handle for longevity
- Nylon synthetic fiber with 60% natural bristle
- Slightly domed shape for full coverage
- Rounded for ultimate medium dispersion (learn more)
- Brush 'springs' into action (learn more)
- Perfect for 'breaking up the glaze'
- Large size can glaze an entire wall with speed
- Wash with Soap
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | HAIR LENGTH | FERRULE LENGTH |
| 2 | .9" / 23mm | 2.3" / 59mm | 0.9"/25mm | |
| 4 | 1" / 27mm | 2.9" / 69mm |
1"/26mm |
|
| 6 | 1.2" / 32mm | 3.1" / 79mm |
1.2"/32mm |
|
| 8 | 1.3" / 34mm | 3.1" / 79mm |
1.3"/34mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
BRUSH HOLD |
Pencil Hold, Drummer's Hold |
|
USAGE |
Applying glaze & base coat, stippling, adding texture |
|
MEDIUM |
Water |
|
FERRULE |
Tin |
|
HANDLE |
Wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Ultimate Domed Glazing Brush (Bristle, Nylon) | GLZ-01
GLZ-01_Size-04
Regular price $20.50/
Shipping calculated at checkout.
Our domed water glazer is the work horse of decorative painting. This is our highest level of quality. This is a modern replica of the classic full bristle version (GLZ-3).
- Hand-shaped with select bristle fibers
- Premium stainless steel ferrule with hand-tied string
- Sealed handle for longevity
- Nylon synthetic fiber with 60% natural bristle
- Slightly domed shape for full coverage
- Rounded for ultimate medium dispersion (learn more)
- Brush 'springs' into action (learn more)
- Perfect for 'breaking up the glaze'
- Large size can glaze an entire wall with speed
- Brush Care: Wash with soap
- Hair Length: 2-3" (60-72mm)
- Dia./width: .5-1.25" (25-32mm)
SIZE TRANSLATIONS
| SIZE | BRUSH LENGTH | FERRULE WIDTH | FERRULE LENGTH |
HAIR LENGTH |
| 4 | 1"/26mm | 1"/26mm |
2.8"/72mm |
|
| 8 | 1.2"/32mm | 1.2"/32mm |
3.2"/82mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle / Nylon blend |
|
BRUSH HOLD |
Pencil Hold, Drummer's Hold |
|
USAGE |
Applying glaze and basecoat; stippling; adding texture |
|
MEDIUM |
Water |
|
FERRULE |
Tin |
|
HANDLE |
Wooden round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Spattering Brush (Bristle) | GLZ-16
GLZ-16
Regular price $17.15/
Shipping calculated at checkout.
A true solution for an often mishandled task. This stiff, short haired bristle, spattering brush can be used like a tooth brush or used as a stencil brush. The spatter brush is hand tied with string and domed to allow consistent & controlled spray.
- Stiff, natural bristle hair
- Control the spatter - light/heavy, thick/thin, open/closed
- Use a palette knife to draw the spatter.
- Make the your final step count with controlled spattering
- Best for fly-specking stone texture & leather
- Perfect for pores/worm holes in woodgraining
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
|
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
|
0.7"/18mm |
0.5"/13mm |
1"/26mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE |
Natural Bristle |
|
BRUSH HOLD |
Drummer's Hold |
|
USAGE |
Spattering; spattering; water marks; worm holes |
|
MEDIUM |
Oil, Water |
|
FERRULE |
String |
|
HANDLE |
Wood round long |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
3-Tip Pencil Veiner (Bristle) | WD-06
WD-06
Regular price $26.75/
Shipping calculated at checkout.
This traditional, short domed shaped, pencil grainer is carefully mounted on welded ferrules. With its fine bristle hair, our pencil grainer will allow controlled wood heartgrain details and networking veins for faux marble.
- Short, domed, natural bristle hair
- Rounded for ultimate medium dispersion (learn more)
- Brush 'springs' into action (learn more)
- Used mostly for painting walnut, mahogany, teak, pine, & many more
- Network veining for Sea Green, Yellow Flower, Imperador marble, & many more
- 3 heads allow for consistent parallel grains
- For our version of this brush for water, see PENCIL VEINER
- Brush Care: Oil: Thinned & lard
SIZE TRANSLATIONS
|
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
| 0.2"/7mm | 1.3"/35mm |
1.5"/37mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE
|
Bristle
|
|
BRUSH HOLD
|
Drummer's Hold, Conductor's Hold
|
|
USAGE
|
Wood heartgrain; background marble veining for oil mediums
|
|
MEDIUM
|
Oil
|
|
FERRULE
|
Tin
|
|
HANDLE
|
Wooden flat medium
|
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Oak Graining Comb Set (Galvanized Steel) | WD-05
WD-05
Regular price $43.25/
Shipping calculated at checkout.
This set of galvanized steel graining combs comes with 4 sets of 3 different sized 'teeth'. With a total of 12 combs to choose from, any oak graining project is a breeze. The small sizes are perfect for the smallest of surfaces (i.e. mullions, stiles/rails). Being the one of the most original woodgraining tools, don't miss out on this unwearable set of tools that duplicate all oak types of wood with uncanny realism.
- Durable, flexible galvanized steel
- Comes with a plastic set keeper
- Used in negative brush work - removal of glaze
- Best for oak, ash, ceruse, pickled woods, & many more
- Also good for deep strie, undulated, & crisscross prints
- Lifetime usage from this compact tool
- 1", 2", 3", 4" wide - 3 of each in set
BRUSH SPECIFICATIONS
|
BRUSH HOLD |
Drummer's Hold, "Quack motion" |
|
USAGE |
Oak graining; bold and deep strie |
|
MEDIUM |
Water or Oil |
|
HANDLE |
Steel |
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Graining Veinette (Bristle) | WD-10
WD-10_Size-45
Regular price $37.45/
Shipping calculated at checkout.
Don't miss out on this unique woodgraining brush. The highest quality bristle hair is hand picked for its straightness and length to create our veinette [vin-et]. As compared to the Tooth Veinette, this brush will create even finer lines for wood sidegrains. Let gravity guide this lightweight brush for ultra fine parallel lines perfect for realistic woodgraining. Pierre also uses this brush on its side for fine veins in wood heartgrain.
- High quality bristle keeps it's shape
- Can be used in oil or water when dedicated (learn more)
- Run brush thru a Single Comb to separate the fine hairs (learn more)
- This brush can also be used as a mini flogger
- Used successfully in maple, pine, water walnut, and more
- Description: Long bristle hair, for side graining
- Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap
SIZE TRANSLATIONS
|
SIZE |
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
|
|
0.1"/ 2mm | 1.7"/44mm | 2.7"/70mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE
|
Bristle
|
|
BRUSH HOLD
|
Drummer's Hold, Conductor's Hold
|
|
USAGE
|
Straight graining/veining; onyx veins; wood heartgrain
|
|
MEDIUM
|
Oil or Water
|
|
FERRULE
|
Tin
|
|
HANDLE
|
Wooden flat medium
|
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
Bird's Eye Brush (Bristle) | WD-01
WD-01
Regular price $13.35/
Shipping calculated at checkout.
Let this economical brush help make realistic bird's eye. Don't miss out on this no-hassle brush that realistically makes the mark in a specific type of wood called bird's eye maple. This simple tool is made with short, natural bristle hair, which is carefully wrapped around a wood handle and securely tied with string. This brush creates a quick, 'bird's eye' every time. This brush will surely save you time on your next maple woodgraining project.
- Has a hole in the middle for the bird's eye
- Short, natural bristle hair
- High quality bristle keeps it's shape
- Long handle for comfort and control
- Used in negative brush work - displacement of glaze
- Brush Care: Water: Wash with soap, Oil: Thinned & lard
SIZE TRANSLATIONS
|
BRUSH LENGTH |
FERRULE WIDTH |
FERRULE LENGTH |
HAIR LENGTH |
| 0.2"/7mm | 0.2"/7mm | 0.1"/5mm |
BRUSH SPECIFICATIONS
|
HAIR TYPE
|
Bristle
|
|
BRUSH HOLD
|
Hold, Drummer's Hold
|
|
USAGE
|
Bird’s eye maple
|
|
MEDIUM
|
Oil or Water
|
|
FERRULE
|
String-Tied
|
|
HANDLE
|
Wooden round long
|
How-To Brush Care Guide
Prepare your brushes for their first use - read below.
Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.
Thick hair: examples are; badger, hog (china bristle), horse hair
Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)
Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle
To minimize brush shedding, you should:
- Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
- Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
- Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)
Repeat this process a few more times.
All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.
Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.
Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.
Proper cleaning procedure
for oil/water and large or small brushes:
| Oil Medium | Water Medium | |
|---|---|---|
| Large Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down. | Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry. |
| Small Brushes | Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits. | Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic. |
