Name: Alpha 6 Alphakrylik™ Acrylic Paint 2.5 - 5 oz. Bottles
Brand: Alpha 6 Corp.
SKU: PAL-01a_HP_2oz
Price: 8.95 USD
Availability: InStock

Alpha 6 Alphakrylik™ Acrylic Paint 2.5 - 5 oz. Bottles

Alpha 6 Alphakrylik™ Acrylic Paint 2.5 - 5 oz. Bottles

ITEM #: PAL-01a_HP_2oz

PRICE: $8.95

Only 1 items in stock!

For 8 oz. bottles Click Here For 16- 32 oz. bottles Click Here For Gallon Size Cans Click Here For Electroshock Colors Click Here For Metallic Colors Click Here Alpha6 Alphakrylik™ is a versatile paint for artists of many mediums. It is a water based acrylic paint that cleans up with soap and water. It has super intense pigment, and durability. Alphakrylik™ can be used by fine artists who paint on canvas, window splash artists who paint on windows, garment and shoe artists, as well as sign painters. It is truly a professional artist's paint but due to the easy clean up, can be used by anyone. Alphakrylik™ lasts for years on windows, signs and canvas. This water based paint dries matte. It can however, be clear coated to create a glossy finish. Click for SDS sheet

For 8 oz. bottles Click Here

For 16- 32 oz. bottles Click Here

For Gallon Size Cans Click Here

For Electroshock Colors Click Here

For Metallic Colors Click Here

Alpha6 Alphakrylik™ is a versatile paint for artists of many mediums.

It is a water based acrylic paint that cleans up with soap and water. It has super intense pigment, and durability.

Alphakrylik™ can be used by fine artists who paint on canvas, window splash artists who paint on windows, garment and shoe artists, as well as sign painters. It is truly a professional artist's paint but due to the easy clean up, can be used by anyone.

Alphakrylik™ lasts for years on windows, signs and canvas. This water based paint dries matte. It can however, be clear coated to create a glossy finish.

Click for SDS sheet

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

PRO Pointed Glazing Brush (Bristle, Nylon) | GLZ-41

PRO Pointed Glazing Brush (Bristle, Nylon) | GLZ-41

ITEM #: GLZ-41_Size-000

PRICE: $14.45

Our PRO SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion. PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced See other levels: ULTIMATE and ECONOMY SERIES and our BLUETOP PRO and BLUETOP ECONOMY SERIES. The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush Rounded for ultimate medium dispersion (learn more) Tin ferrule with varnished long wooden handle Brush hold: Pencil Hold, Drummer's Hold Brush care: Wash thoroughly with soap, shape or hang to dry SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 000 11.6" / 29.4cm .4" / 11mm .4" / 11mm 2.2" / 56mm 0 11.7" / 29.8cm .8 / 20mm .8 / 20mm 2.4" / 61mm 2 12.2" / 31cm .9" / 22mm .9" / 22mm 2.8" / 72mm 4 12.7" / 32.2cm 1" / 26mm 1" / 26mm 3" / 75mm 6 13.4" / 34cm 1.2" / 31mm 1.2" / 31mm 3.3" / 84mm 8 13.5" / 34.4cm 1.3" / 34mm 1.3" / 34mm 3.5" / 89mm BRUSH SPECIFICATIONS HAIR TYPE Natural Bristle / Nylon blend USAGE Application of varnish, paint, glaze medium

Our PRO SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.

PRO SERIES: Premier quality hairs, varnished wood handle, competitively priced
See other levels: ULTIMATE and ECONOMY SERIES
and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush
Rounded for ultimate medium dispersion (learn more)
Tin ferrule with varnished long wooden handle
Brush hold: Pencil Hold, Drummer's Hold
Brush care: Wash thoroughly with soap, shape or hang to dry

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
000	11.6" / 29.4cm	.4" / 11mm	.4" / 11mm	2.2" / 56mm
0	11.7" / 29.8cm	.8 / 20mm	.8 / 20mm	2.4" / 61mm
2	12.2" / 31cm	.9" / 22mm	.9" / 22mm	2.8" / 72mm
4	12.7" / 32.2cm	1" / 26mm	1" / 26mm	3" / 75mm
6	13.4" / 34cm	1.2" / 31mm	1.2" / 31mm	3.3" / 84mm
8	13.5" / 34.4cm	1.3" / 34mm	1.3" / 34mm	3.5" / 89mm

BRUSH SPECIFICATIONS

HAIR TYPE	Natural Bristle / Nylon blend
USAGE	Application of varnish, paint, glaze medium

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Veinette Comb (Steel) | WD-12

ITEM #: WD-12

PRICE: $13.60

Use this comb with your woodgraining brushes. This is a stiff, metal comb with round tines. It has 2 variations of spacing. To use the comb, hold it in one hand and pull the loaded brush through the tines, towards yourself. Your brush will show even grouping of hair. Metal comb, to use with badger, flat 2-header, squirrel, flat 2-header

Use this comb with your woodgraining brushes. This is a stiff, metal comb with round tines. It has 2 variations of spacing. To use the comb, hold it in one hand and pull the loaded brush through the tines, towards yourself. Your brush will show even grouping of hair.

Metal comb, to use with badger, flat 2-header, squirrel, flat 2-header

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Bronze Powder Unit

ITEM #: MM-02_large_3xnonspray

MIDAS Metall® remains on top because of the premium quality metal powders and innovative binder. MIDAS Metall® uses actual metal powder and each batch is composed of up to 95% METAL. MIDAS Metall® available in 800 Grams and 2.4kg. Genuine bronze metal powder of the highest quality. Mixing Ratio Spray Application: 3:1 Powder:Binder (2.0 Binder) Non-Spray Application: 4:1 Powder:Binder (2.1 Binder) Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application About MIDAS Metall® MIDAS Metall® is a luxurious metal skin that takes on the authentic characteristics of metal because it is REAL METAL. Whether it is BRONZE, COPPER, BRASS, STEEL or TIN, this innovative product offers a myriad of stunning effects. It is visually unique, durable and resistant. Almost any object of any given size and shape can be coated with the seamless metal skin – in an entirely cold process without any heat applied. This cold liquid metal process can cover and transform spaces and objects with the look of natural metal. Imagine solid metal with its many matte, rusty, shiny, or textured looks. This visual quality is achieved with MM. Finishes are gently shimmering, boldly textured or polished up to a high gloss. Applied thinly like a skin .. The results of practiced application, delivers a thin metal layer between 0.1 and 2.0 mm thick. Once the coat is cured overnight, surfaces are finely sanded and polished. The surface can either be sealed or simply left natural. MM is very durable. With the innovative MM binder, the 2 part, unit-based system adheres well to practically any surface and resists cracking or peeling. Applicators are always confident that MM will have a solid bond with a well-prepped surface and clients are pleased with the long-lasting finish. *Please call 1-888-FAUX-ART for more information on this product

MIDAS Metall® remains on top because of the premium quality metal powders and innovative binder. MIDAS Metall® uses actual metal powder and each batch is composed of up to 95% METAL.

MIDAS Metall® available in 800 Grams and 2.4kg. Genuine bronze metal powder of the highest quality.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

About MIDAS Metall®

MIDAS Metall® is a luxurious metal skin that takes on the authentic characteristics of metal because it is REAL METAL. Whether it is BRONZE, COPPER, BRASS, STEEL or TIN, this innovative product offers a myriad of stunning effects. It is visually unique, durable and resistant. Almost any object of any given size and shape can be coated with the seamless metal skin – in an entirely cold process without any heat applied.

This cold liquid metal process can cover and transform spaces and objects with the look of natural metal. Imagine solid metal with its many matte, rusty, shiny, or textured looks. This visual quality is achieved with MM. Finishes are gently shimmering, boldly textured or polished up to a high gloss.

Applied thinly like a skin ..

The results of practiced application, delivers a thin metal layer between 0.1 and 2.0 mm thick. Once the coat is cured overnight, surfaces are finely sanded and polished. The surface can either be sealed or simply left natural.

MM is very durable.

With the innovative MM binder, the 2 part, unit-based system adheres well to practically any surface and resists cracking or peeling. Applicators are always confident that MM will have a solid bond with a well-prepped surface and clients are pleased with the long-lasting finish.

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Water Wood Kit | BKIT-02

ITEM #: BKIT-02

PRICE: $414.54 Regularly: $460.60 Save $46.06

Our water wood kit is strictly for painting faux woodgraining using water medium. Start painting impressive woodgrain panels with our woodgraining kit for today's thicker acrylic mediums. Get started today with this extensive kit. This kit contains 13 brushes. Save 10% discount on all kits and sets. Kit includes: WD-01 Bird's Eye (Bristle) WD-02 Cat Tongue (Squirrel) WD-03 Graining Tooth Veinette (Bristle)size 35 WD-04 Graining Flogger (Black Bristle) size 80 WD-07 Stiff Skunk brush (Nylon, Bristle) WD-09 2-Header Flat Veiner Chiqueter (Badger) MB-11 3-Tip Pencil Veiner (Samina Nylon) GLZ-31 PRO Domed Glazing Brush (Bristle, Nylon) size 4 GLZ-41 PRO Pointed Glazing Brush (Bristle, Nylon) size 8 GLZ-07 Spalter Brush (Bristle, Nylon) size 100 GLZ-08 Tooth Spalter (Bristle, Nylon) size 40 GLZ-15 Badger Softener size 2 TL-09 Filbert Striping Brush (Bordeaux Nylon) size 4

Our water wood kit is strictly for painting faux woodgraining using water medium. Start painting impressive woodgrain panels with our woodgraining kit for today's thicker acrylic mediums. Get started today with this extensive kit.

This kit contains 13 brushes.

Save 10% discount on all kits and sets.

Kit includes:

WD-01 Bird's Eye (Bristle)
WD-02 Cat Tongue (Squirrel)
WD-03 Graining Tooth Veinette (Bristle)size 35
WD-04 Graining Flogger (Black Bristle) size 80
WD-07 Stiff Skunk brush (Nylon, Bristle)
WD-09 2-Header Flat Veiner Chiqueter (Badger)
MB-11 3-Tip Pencil Veiner (Samina Nylon)
GLZ-31 PRO Domed Glazing Brush (Bristle, Nylon) size 4
GLZ-41 PRO Pointed Glazing Brush (Bristle, Nylon) size 8
GLZ-07 Spalter Brush (Bristle, Nylon) size 100
GLZ-08 Tooth Spalter (Bristle, Nylon) size 40
GLZ-15 Badger Softener size 2
TL-09 Filbert Striping Brush (Bordeaux Nylon) size 4

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Striping Edge (Wood) | TTL-30

ITEM #: TTL-30_R

PRICE: $29.00

Wooden striping edge, beveled on two sides. The striping edge is the answer to realistic faux molding! Control each stroke with our handmade striping edge made of lightweight bass or pine wood and rubbed in oil for protection. Its double-reversed, beveled edge allows for consistent and efficient linear trompe l'oeil effects like faux molding. Available in 3 sizes: Regular (18" - 24") Long (34" - 35") Extra Long (38"- 40") Bass Wood: Lightweight, durable, and flexible. Great for Beginners! Striping brushes effortlessly slide across edge, keeping an even pressure Natural bow of wood adds spring which helps keep it in place

Wooden striping edge, beveled on two sides. The striping edge is the answer to realistic faux molding! Control each stroke with our handmade striping edge made of lightweight bass or pine wood and rubbed in oil for protection. Its double-reversed, beveled edge allows for consistent and efficient linear trompe l'oeil effects like faux molding.

Available in 3 sizes: Regular (18" - 24") Long (34" - 35") Extra Long (38"- 40")
Bass Wood: Lightweight, durable, and flexible. Great for Beginners!
Striping brushes effortlessly slide across edge, keeping an even pressure
Natural bow of wood adds spring which helps keep it in place

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Long Liner Brush (Samina Nylon) | TL-15

ITEM #: TL-15_Size-02

PRICE: $10.40

This brush is indispensable for all your ornamentation work. This lining brush is made with soft samina hair and has exceptional performance for fine veined and breche marble. Samina fiber is meant to simulate squirrel hair, but with the capability to transport all of today's water mediums. Available in 4 sizes. Long, synthetic, samina hair Rounded for ultimate medium dispersion (learn more) Brush 'springs' into action (learn more) Small sizes wonderful for sharp, fine veins and fissures Use as a liner for ornamentation Larger sizes perfect for Portor Breche and other breche marbles Description: Soft synthetic, tapered point Brush Care: Water: Wash with soap SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 2 12" / 30.5cm 0.1" / 3mm 0.1" / 3mm 1" / 26mm 4 12.4" / 31.5cm 0.1" / 3.8mm 0.1" / 3.8mm 1.1" / 28mm 6 12.8" / 32.5cm 0.2" / 5mm 0.2" / 5mm 1.1" / 31mm 8 12" / 30.5cm 0.2" / 6mm 0.2" / 6mm 1.3" / 33mm BRUSH SPECIFICATIONS HAIR TYPE Samina BRUSH HOLD Conductor's Hold, Pencil Hold USAGE Fine veining for faux marble in water mediums; fissures MEDIUM Water FERRULE Tin HANDLE Wooden round long

This brush is indispensable for all your ornamentation work. This lining brush is made with soft samina hair and has exceptional performance for fine veined and breche marble. Samina fiber is meant to simulate squirrel hair, but with the capability to transport all of today's water mediums. Available in 4 sizes.

Long, synthetic, samina hair
Rounded for ultimate medium dispersion (learn more)
Brush 'springs' into action (learn more)
Small sizes wonderful for sharp, fine veins and fissures
Use as a liner for ornamentation
Larger sizes perfect for Portor Breche and other breche marbles
Description: Soft synthetic, tapered point
Brush Care: Water: Wash with soap

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
2	12" / 30.5cm	0.1" / 3mm	0.1" / 3mm	1" / 26mm
4	12.4" / 31.5cm	0.1" / 3.8mm	0.1" / 3.8mm	1.1" / 28mm
6	12.8" / 32.5cm	0.2" / 5mm	0.2" / 5mm	1.1" / 31mm
8	12" / 30.5cm	0.2" / 6mm	0.2" / 6mm	1.3" / 33mm

BRUSH SPECIFICATIONS

HAIR TYPE	Samina
BRUSH HOLD	Conductor's Hold, Pencil Hold
USAGE	Fine veining for faux marble in water mediums; fissures
MEDIUM	Water
FERRULE	Tin
HANDLE	Wooden round long

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Chubby Stencil Brush (Nylon,Bristle) | STEN-03

Chubby Stencil Brush (Nylon,Bristle) | STEN-03

ITEM #: STEN-03_Size-10

PRICE: $8.60

This is not just your average stencil brush. This nylon/synthetic blend will hold up to heavy pouncing and all of today's water mediums. For your biggest stenciling jobs, don't be caught without this efficient brush. Easily cleaned, these brushes should last longer than most. The resilient nylon blend helps keep the original shape and thick cluster of razor cut fiber. Available in 2 sizes Nylon synthetic fiber with 50% natural bristle Brush 'springs' into action (learn more) Hair can be tied or taped for an even tighter print Brush Care: Wash with soap Hair Length: 1.6 in / 40 mm Dia./width: 1.4 in / 33 mm SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 10 4.2" / 10.6cm 0.8" / 20mm 0.8" / 20mm 1.1" / 29mm 12 4.1" / 10.4cm 0.8" / 20mm 0.8" / 20mm 1.5" / 38mm 14 4.4" / 11.3cm 1.2" / 31mm 1.2" / 31mm 1.5" / 39mm 16 5.1" / 13cm 1.3" / 33mm 1.3" / 33mm 1.6" / 40mm BRUSH SPECIFICATIONS HAIR TYPE Natural Bristle/ Nylon blend BRUSH HOLD Pencil Hold, Conductor's Hold USAGE Stenciling MEDIUM Water FERRULE Copper HANDLE Wooden round stubby short

This is not just your average stencil brush. This nylon/synthetic blend will hold up to heavy pouncing and all of today's water mediums. For your biggest stenciling jobs, don't be caught without this efficient brush. Easily cleaned, these brushes should last longer than most. The resilient nylon blend helps keep the original shape and thick cluster of razor cut fiber. Available in 2 sizes

Nylon synthetic fiber with 50% natural bristle
Brush 'springs' into action (learn more)
Hair can be tied or taped for an even tighter print
Brush Care: Wash with soap
Hair Length: 1.6 in / 40 mm
Dia./width: 1.4 in / 33 mm

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
10	4.2" / 10.6cm	0.8" / 20mm	0.8" / 20mm	1.1" / 29mm
12	4.1" / 10.4cm	0.8" / 20mm	0.8" / 20mm	1.5" / 38mm
14	4.4" / 11.3cm	1.2" / 31mm	1.2" / 31mm	1.5" / 39mm
16	5.1" / 13cm	1.3" / 33mm	1.3" / 33mm	1.6" / 40mm

BRUSH SPECIFICATIONS

HAIR TYPE	Natural Bristle/ Nylon blend
BRUSH HOLD	Pencil Hold, Conductor's Hold
USAGE	Stenciling
MEDIUM	Water
FERRULE	Copper
HANDLE	Wooden round stubby short

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Stippling Brush (Bristle) | GLZ-10

ITEM #: GLZ-10

PRICE: $54.25

Use this for controlled, parallel veins when painting faux marble and semiprecious stone. For painting onyx marble Stippler Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 3.9" / 10cm 1.8" / 45mm 8.3" / 210mm 2.8" / 70mm BRUSH SPECIFICATIONS HAIR TYPE Natural Bristle BRUSH HOLD Handle Grip With Wrist Action, Baseball Hold USAGE Stippling and strie MEDIUM Oil or Water FERRULE Wood HANDLE Wood

Use this for controlled, parallel veins when painting faux marble and semiprecious stone.

For painting onyx marble
Stippler
Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap

BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
3.9" / 10cm	1.8" / 45mm	8.3" / 210mm	2.8" / 70mm

BRUSH SPECIFICATIONS

HAIR TYPE	Natural Bristle
BRUSH HOLD	Handle Grip With Wrist Action, Baseball Hold
USAGE	Stippling and strie
MEDIUM	Oil or Water
FERRULE	Wood
HANDLE	Wood

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Wire-Tied Veining Brush (Samina Nylon) | MB-03

Wire-Tied Veining Brush (Samina Nylon) | MB-03

ITEM #: MB-03_Size-06

PRICE: $16.75

Use to create long and thin veins in faux marble techniques. Long hair holds plenty of paint medium. Perfect for the thin-thick-thin marks like of real marble veins. Can also be used in woodgrain techniques. Domed tip comes to a fine point when veining Samina synthetic fiber is softer than bordeaux version Best used in water medium Brush hold: Conductor's hold Wire-tied with long wooden handle Brush Care: Wash with soap SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 6 11.7" / 29.7cm .2" / 5mm .2" / 5mm 1.26 / 32mm 8 11.5" / 29.3cm .2" / 5.5mm .2" / 5.5mm 1.3" / 33mm BRUSH SPECIFICATIONS HAIR TYPE Synthetic Samina Fiber USAGE faux marble veining

Use to create long and thin veins in faux marble techniques. Long hair holds plenty of paint medium. Perfect for the thin-thick-thin marks like of real marble veins. Can also be used in woodgrain techniques.

Domed tip comes to a fine point when veining
Samina synthetic fiber is softer than bordeaux version
Best used in water medium
Brush hold: Conductor's hold
Wire-tied with long wooden handle
Brush Care: Wash with soap

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
6	11.7" / 29.7cm	.2" / 5mm	.2" / 5mm	1.26 / 32mm
8	11.5" / 29.3cm	.2" / 5.5mm	.2" / 5.5mm	1.3" / 33mm

BRUSH SPECIFICATIONS

HAIR TYPE	Synthetic Samina Fiber
USAGE	faux marble veining

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Round Badger Softener | MB-10

ITEM #: MB-10_Size-14

PRICE: $138.65

This densely-packed softener is perfect for all small and detailed areas. Our classic hand mounted badger brush is made out of the finest grouping of water badger hair. Stay clear of the 'BAD'-ger impostor whose hair is made out of goat hair that has been dipped into black paint to look like a real badger. These impostors are far too soft to move the glaze. Stiffer hair is good for softening and easier to clean as you go. 3/4 inch thick, hand selected badger hair, which repels water Resists fanning out with overuse Best used with thin reversible water mediums (i.e. gouache, beer glaze) See also Water Softener- a true innovation for thicker water mediums Fantastic for burnishing Dutch metal w/o scratching (for gold leaf, Chiqueteur) Size 2 best for smoothing intricate surfaces Clean with a damp cloth and mild soap SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 14 9.6" / 24.5cm .9" / 22mm .9" / 22mm 2.8 / 71mm BRUSH SPECIFICATIONS HAIR TYPE Natural Badger Hair BRUSH HOLD Pencil Hold USAGE Softening; burnishing MEDIUM Water FERRULE Wire-tied Quill HANDLE Wooden round medium

This densely-packed softener is perfect for all small and detailed areas. Our classic hand mounted badger brush is made out of the finest grouping of water badger hair. Stay clear of the 'BAD'-ger impostor whose hair is made out of goat hair that has been dipped into black paint to look like a real badger. These impostors are far too soft to move the glaze. Stiffer hair is good for softening and easier to clean as you go.

3/4 inch thick, hand selected badger hair, which repels water
Resists fanning out with overuse
Best used with thin reversible water mediums (i.e. gouache, beer glaze)
See also Water Softener- a true innovation for thicker water mediums
Fantastic for burnishing Dutch metal w/o scratching (for gold leaf, Chiqueteur)
Size 2 best for smoothing intricate surfaces
Clean with a damp cloth and mild soap

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
14	9.6" / 24.5cm	.9" / 22mm	.9" / 22mm	2.8 / 71mm

BRUSH SPECIFICATIONS

HAIR TYPE	Natural Badger Hair
BRUSH HOLD	Pencil Hold
USAGE	Softening; burnishing
MEDIUM	Water
FERRULE	Wire-tied Quill
HANDLE	Wooden round medium

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Chunking Filbert Brush (Bristle) | TL-20

Chunking Filbert Brush (Bristle) | TL-20

ITEM #: TL-20_Size-04

PRICE: $10.40

It's back! We've decided to bring back the premier striping brush for oil finishes. Don't be fooled by it's simple appearance, three types of bristle are carefully combined to create this perfect filbert shape. Don't settle for lesser quality. Buy the brush that allows you to paint your best. In every project in oil, this filbert will become indespensible. Use effectively with a Striping Edge for faux molding and other linear projects. Available in 3 sizes. White Bristle hair, for murals or oil striping Hair Length: .8 in to 1.2 in Dia./width: .4 in to .6 in SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 4 12.4" / 31.5cm 0.2" / 4mm 0.4" / 9.5mm 0.8" / 21mm 6 12.9" / 32.7cm 0.2" / 4.5mm 0.5" / 12mm 1" / 26mm 8 12.3" / 33.7cm 0.2" / 5.5mm 0.6" / 16mm 1.2" / 30mm BRUSH SPECIFICATIONS HAIR TYPE Bristle BRUSH HOLD Pencil Hold USAGE Trompe l'oeil, striping MEDIUM Oil or Water FERRULE Tin HANDLE Wooden round long

It's back! We've decided to bring back the premier striping brush for oil finishes. Don't be fooled by it's simple appearance, three types of bristle are carefully combined to create this perfect filbert shape. Don't settle for lesser quality. Buy the brush that allows you to paint your best. In every project in oil, this filbert will become indespensible. Use effectively with a Striping Edge for faux molding and other linear projects. Available in 3 sizes.

White Bristle hair, for murals or oil striping

Hair Length: .8 in to 1.2 in

Dia./width: .4 in to .6 in

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
4	12.4" / 31.5cm	0.2" / 4mm	0.4" / 9.5mm	0.8" / 21mm
6	12.9" / 32.7cm	0.2" / 4.5mm	0.5" / 12mm	1" / 26mm
8	12.3" / 33.7cm	0.2" / 5.5mm	0.6" / 16mm	1.2" / 30mm

BRUSH SPECIFICATIONS

HAIR TYPE	Bristle
BRUSH HOLD	Pencil Hold
USAGE	Trompe l'oeil, striping
MEDIUM	Oil or Water
FERRULE	Tin
HANDLE	Wooden round long

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

4-in-1 Flat Spalter Brush (Bristle) | GLZ-09

4-in-1 Flat Spalter Brush (Bristle) | GLZ-09

ITEM #: GLZ-09

PRICE: $42.15

Our long haired spalter is a combination of a spalter, softener, and a mini-flogger. This natural bristle brush becomes economical because of it's versatility. Our spalters are over 1/3" thick. From strie to corner stippling, smoothing to moire, this brush does it all. Keep it in your back pocket and it will get used often. Hand-selected bristle hair, longer than a Spalter Brush 'springs' into action (learn more) Softens unwanted brush/roller marks 4 uses: softening, strie, stipple, & moire A versatile brush for the price Water: Wash with soap, Oil: Thinned & wash w/ soap SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 100 8.9" / 22.7cm .16" / 4mm 4" / 100mm 2.2" / 55mm BRUSH SPECIFICATIONS HAIR TYPE Natural Bristle BRUSH HOLD Drummer's Hold, Conductor's Hold USAGE Corner stippling; strie MEDIUM Water or Oil FERRULE Copper HANDLE Wooden flat short

Our long haired spalter is a combination of a spalter, softener, and a mini-flogger. This natural bristle brush becomes economical because of it's versatility. Our spalters are over 1/3" thick. From strie to corner stippling, smoothing to moire, this brush does it all. Keep it in your back pocket and it will get used often.

Hand-selected bristle hair, longer than a Spalter
Brush 'springs' into action (learn more)
Softens unwanted brush/roller marks
4 uses: softening, strie, stipple, & moire
A versatile brush for the price
Water: Wash with soap, Oil: Thinned & wash w/ soap

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
100	8.9" / 22.7cm	.16" / 4mm	4" / 100mm	2.2" / 55mm

BRUSH SPECIFICATIONS

HAIR TYPE	Natural Bristle
BRUSH HOLD	Drummer's Hold, Conductor's Hold
USAGE	Corner stippling; strie
MEDIUM	Water or Oil
FERRULE	Copper
HANDLE	Wooden flat short

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

PFI T-Shirt | AMTE-1

ITEM #: AMTEE-1_M-C

PRICE: $18.50

Be a part of the Pierre Finkelstein Institute of Decorative Painters with an official t-shirt! Sport the full-color logo on the back and be apart of our team! On the front, reads "5% Talent, 95% Practice ” -Pierre Finkelstein. Available in S, M, L, XL Available in Two Colors Limited quantities available.

Be a part of the Pierre Finkelstein Institute of Decorative Painters with an official t-shirt! Sport the full-color logo on the back and be apart of our team!

On the front, reads "5% Talent, 95% Practice ” -Pierre Finkelstein.

Available in S, M, L, XL
Available in Two Colors
Limited quantities available.

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Spray Binder 2.0

ITEM #: MM-19_2.0

MIDAS Metall® available in 267 Grams. Sprayable, water-based binder without solvents and ultra-low VOC level. For use in the workshop (spray booth) or onsite. To be purchased with relevant metal powder in order to prepare mixture for application. Mixing Ratio Spray Application: 3:1 Powder:Binder (2.0 Binder); also in combination with 750g metal powder unit of Gold Storage: Guaranteed shelf life is 6 month; to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application *Please call1-888-FAUX-ART for more information on this product

MIDAS Metall® available in 267 Grams. Sprayable, water-based binder without solvents and ultra-low VOC level. For use in the workshop (spray booth) or onsite. To be purchased with relevant metal powder in order to prepare mixture for application.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder); also in combination with 750g metal powder unit of Gold

Storage: Guaranteed shelf life is 6 month; to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Wire-Tied Veining Brush (Bordeaux Nylon) | MB-01

Wire-Tied Veining Brush (Bordeaux Nylon)

Wire-Tied Veining Brush (Bordeaux Nylon) | MB-01

ITEM #: MB-01_Size-04

PRICE: $15.00

Use to create long and thin veins in faux marble techniques. Long hair holds plenty of paint medium. Perfect for the thin-thick-thin marks like of real marble veins. Can also be used in woodgrain techniques. Domed tip comes to a fine point when veining Bordeaux synthetic fiber is stiffer than samina version Best used in water medium Brush hold: Conductor's hold Wire-tied ferrule with long wooden handle Brush Care: Wash with soap SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 4 11.7" / 29.7cm .2" / 5mm .2" / 5mm 1.2" / 30mm 6 11.8" / 29.9cm .2" / 6mm .2" / 6mm 1.2" / 33mm 8 11.1" / 28.2cm . 2" / 6mm . 2" / 6mm 1.2" / 33mm BRUSH SPECIFICATIONS HAIR TYPE Synthetic Bordeaux Fiber USAGE faux marble veining

Use to create long and thin veins in faux marble techniques. Long hair holds plenty of paint medium. Perfect for the thin-thick-thin marks like of real marble veins. Can also be used in woodgrain techniques.

Domed tip comes to a fine point when veining
Bordeaux synthetic fiber is stiffer than samina version
Best used in water medium
Brush hold: Conductor's hold
Wire-tied ferrule with long wooden handle
Brush Care: Wash with soap

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
4	11.7" / 29.7cm	.2" / 5mm	.2" / 5mm	1.2" / 30mm
6	11.8" / 29.9cm	.2" / 6mm	.2" / 6mm	1.2" / 33mm
8	11.1" / 28.2cm	. 2" / 6mm	. 2" / 6mm	1.2" / 33mm

BRUSH SPECIFICATIONS

HAIR TYPE	Synthetic Bordeaux Fiber
USAGE	faux marble veining

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Sample Boards (Draw Down Cards) | ADDC-Sample-Boards

ITEM #: ADDC_01-12

PRICE: $13.00

These "draw down cards" are made specifically for the painting industry to try out paint. Primer-less paper but needs to be painted on the shiny side. Available in 5 sizes Available in 8.5 x 11", 11 x 17", 20 x 26" & 30" x 40" sizes Professional grade heavy-weight paper Does not require any PRIMING!! Extremely smooth surface Lightweight and rolls safely for transport Can be used as a stencil Available in quantities of 12, 25, or 50 sheets

These "draw down cards" are made specifically for the painting industry to try out paint. Primer-less paper but needs to be painted on the shiny side. Available in 5 sizes

Available in 8.5 x 11", 11 x 17", 20 x 26" & 30" x 40" sizes
- Professional grade heavy-weight paper
- Does not require any PRIMING!!
- Extremely smooth surface
- Lightweight and rolls safely for transport
- Can be used as a stencil
- Available in quantities of 12, 25, or 50 sheets

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Golden Artist Colors SoFlat Matte Acrylic Paint

Golden Artist Colors SoFlat Matte Acrylic Paint

ITEM #: PSF-01_PY_4oz

PRICE: $16.39

Only 3 items in stock!

GOLDEN has developed a paint that helps artists create immersive fields of color without the distraction of texture and glare. The paint has a flowing consistency, offering exceptional coverage and a leveling capability as it dries. This unique combination of qualities can only be found in SoFlat Matte Acrylic Colors.Artists have used gouache for centuries because of its matteness and opacity, but are restricted by its inherently sensitive paint film. SoFlat moves beyond these limitations, providing a velvety smooth, durable surface. The advantages of SoFlat are extended by its compatibility with other acrylic paints and mediums, increasing the range of creative effects that can be achieved.Perhaps the most important quality of SoFlat is quality itself. Because it is produced using the same professional standards as all GOLDEN Acrylics, and is backed by our unrivaled service and support, you can depend on the performance and consistency of these professional artist colors.OPACITY AND COVERAGEWhen striving for that pure color effect, you need a paint that goes down evenly with full intensity in as few coats as possible. While some pigments are naturally transparent, SoFlat has a unique formulation that provides greater opacity from these colors than is normally found in acrylic paints.LEVELINGPerhaps the most distinctive quality, and the one that might be most unique to SoFlat, is the paints natural leveling quality. The paint relaxes after being brushed out, making it easier to minimize the appearance of brushstrokes for uninterrupted fields of rich matte color.MATTEArtists have always been drawn to the enigmatic quality of matte color, and SoFlat delivers with a glare-free surface that allows the depth and intensity of each color take center stage. Click for SDS sheet

GOLDEN has developed a paint that helps artists create immersive fields of color without the distraction of texture and glare. The paint has a flowing consistency, offering exceptional coverage and a leveling capability as it dries. This unique combination of qualities can only be found in SoFlat Matte Acrylic Colors.

Artists have used gouache for centuries because of its matteness and opacity, but are restricted by its inherently sensitive paint film. SoFlat moves beyond these limitations, providing a velvety smooth, durable surface. The advantages of SoFlat are extended by its compatibility with other acrylic paints and mediums, increasing the range of creative effects that can be achieved.

Perhaps the most important quality of SoFlat is quality itself. Because it is produced using the same professional standards as all GOLDEN Acrylics, and is backed by our unrivaled service and support, you can depend on the performance and consistency of these professional artist colors.

OPACITY AND COVERAGE
When striving for that pure color effect, you need a paint that goes down evenly with full intensity in as few coats as possible. While some pigments are naturally transparent, SoFlat has a unique formulation that provides greater opacity from these colors than is normally found in acrylic paints.

LEVELING
Perhaps the most distinctive quality, and the one that might be most unique to SoFlat, is the paints natural leveling quality. The paint relaxes after being brushed out, making it easier to minimize the appearance of brushstrokes for uninterrupted fields of rich matte color.

MATTE
Artists have always been drawn to the enigmatic quality of matte color, and SoFlat delivers with a glare-free surface that allows the depth and intensity of each color take center stage.

Click for SDS sheet

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Natural Sea Wool Sponges

ITEM #: TSPG-01_4

PRICE: $8.45

Use these natural sea sponges for various decorative painting techniques. Available in several sizes. Use to clean delicate surfaces Best sponge for negative techniques Measurements taken when wet Cut to Size 100% biodegradable

Use these natural sea sponges for various decorative painting techniques. Available in several sizes.

Use to clean delicate surfaces
Best sponge for negative techniques
Measurements taken when wet
Cut to Size
100% biodegradable

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

MIDAS Metall® Iron Powder Unit

ITEM #: MM-10_large_3xnonspray

MIDAS Metall® available in 800 Grams and 2.4kg. Genuine iron metal powder of the highest quality. Purchase as a Powder / Binder Unit and receive a discount of 5%. Mixing Ratio Spray Application: 3:1 Powder:Binder (2.0 Binder) Non-Spray Application: 4:1 Powder:Binder (2.1 Binder) Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application *Please call 1-888-FAUX-ART for more information on this product

MIDAS Metall® available in 800 Grams and 2.4kg. Genuine iron metal powder of the highest quality.

Purchase as a Powder / Binder Unit and receive a discount of 5%.

Mixing Ratio

Spray Application: 3:1 Powder:Binder (2.0 Binder)
Non-Spray Application: 4:1 Powder:Binder (2.1 Binder)

Storage: to be stored in a temperature stable environment without large temperature swings; no frost, not under 0 degree Celsius; store at room temperature the day before application

*Please call 1-888-FAUX-ART for more information on this product

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Stippling Brush (Bristle, Nylon) | GLZ-23

ITEM #: GLZ-23

PRICE: $48.50

Try our lightweight water stippler, a true replica of our classic Oil Stippler but specifically designed for today's water mediums. This bristle/nylon blend stippler is designed for fast and effortless stippling to save your arm. Take control of stippling with our replica of our classic. Conserve your energy, only settle for the best stippler for this widely used technique in decorative painting. 1 1/3 inches thick, 7 rows of nylon synthetic fiber w/ 50% bristle hair Brush 'springs' into action (learn more) Can be used to strie with glaze or heavy paint Stipples close to the corner Perfect brush for colorwashing/large-scale blending & softening SIZE TRANSLATIONS BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 3.7" / 9.5cm 1.8" / 45mm 8.3" / 212mm 2.5" / 63mm BRUSH SPECIFICATIONS HAIR TYPE Natural Bristle / Nylon blend BRUSH HOLD Handle Grip With Wrist Action, Baseball Hold USAGE Stippling and Strie MEDIUM Water or Oil FERRULE N/A HANDLE Wood

Try our lightweight water stippler, a true replica of our classic Oil Stippler but specifically designed for today's water mediums. This bristle/nylon blend stippler is designed for fast and effortless stippling to save your arm. Take control of stippling with our replica of our classic. Conserve your energy, only settle for the best stippler for this widely used technique in decorative painting.

1 1/3 inches thick, 7 rows of nylon synthetic fiber w/ 50% bristle hair
Brush 'springs' into action (learn more)
Can be used to strie with glaze or heavy paint
Stipples close to the corner
Perfect brush for colorwashing/large-scale blending & softening

SIZE TRANSLATIONS

BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
3.7" / 9.5cm	1.8" / 45mm	8.3" / 212mm	2.5" / 63mm

BRUSH SPECIFICATIONS

HAIR TYPE	Natural Bristle / Nylon blend
BRUSH HOLD	Handle Grip With Wrist Action, Baseball Hold
USAGE	Stippling and Strie
MEDIUM	Water or Oil
FERRULE	N/A
HANDLE	Wood

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.