Name: Rubber Spatula (Red)
Brand: Faux Brushes
SKU: TWJP-15_Large
Price: 17.11 USD
Availability: InStock

Rubber Spatula (Red)

ITEM #: TWJP-15_Large

PRICE: $17.11

Japanese Rubber Spatula for all your application needs!

Japanese Rubber Spatula for all your application needs!

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

PFI T-Shirt | AMTE-1

ITEM #: AMTEE-1_M-C

PRICE: $18.50

Be a part of the Pierre Finkelstein Institute of Decorative Painters with an official t-shirt! Sport the full-color logo on the back and be apart of our team! On the front, reads "5% Talent, 95% Practice ” -Pierre Finkelstein. Available in S, M, L, XL Available in Two Colors Limited quantities available.

Be a part of the Pierre Finkelstein Institute of Decorative Painters with an official t-shirt! Sport the full-color logo on the back and be apart of our team!

On the front, reads "5% Talent, 95% Practice ” -Pierre Finkelstein.

Available in S, M, L, XL
Available in Two Colors
Limited quantities available.

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Round Badger Softener | MB-10

ITEM #: MB-10_Size-14

PRICE: $110.92 Regularly: $138.65 Save $27.73

This densely-packed softener is perfect for all small and detailed areas. Our classic hand mounted badger brush is made out of the finest grouping of water badger hair. Stay clear of the 'BAD'-ger impostor whose hair is made out of goat hair that has been dipped into black paint to look like a real badger. These impostors are far too soft to move the glaze. Stiffer hair is good for softening and easier to clean as you go. 3/4 inch thick, hand selected badger hair, which repels water Resists fanning out with overuse Best used with thin reversible water mediums (i.e. gouache, beer glaze) See also Water Softener- a true innovation for thicker water mediums Fantastic for burnishing Dutch metal w/o scratching (for gold leaf, Chiqueteur) Size 2 best for smoothing intricate surfaces Clean with a damp cloth and mild soap SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 14 9.6" / 24.5cm .9" / 22mm .9" / 22mm 2.8 / 71mm BRUSH SPECIFICATIONS HAIR TYPE Natural Badger Hair BRUSH HOLD Pencil Hold USAGE Softening; burnishing MEDIUM Water FERRULE Wire-tied Quill HANDLE Wooden round medium

This densely-packed softener is perfect for all small and detailed areas. Our classic hand mounted badger brush is made out of the finest grouping of water badger hair. Stay clear of the 'BAD'-ger impostor whose hair is made out of goat hair that has been dipped into black paint to look like a real badger. These impostors are far too soft to move the glaze. Stiffer hair is good for softening and easier to clean as you go.

3/4 inch thick, hand selected badger hair, which repels water
Resists fanning out with overuse
Best used with thin reversible water mediums (i.e. gouache, beer glaze)
See also Water Softener- a true innovation for thicker water mediums
Fantastic for burnishing Dutch metal w/o scratching (for gold leaf, Chiqueteur)
Size 2 best for smoothing intricate surfaces
Clean with a damp cloth and mild soap

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
14	9.6" / 24.5cm	.9" / 22mm	.9" / 22mm	2.8 / 71mm

BRUSH SPECIFICATIONS

HAIR TYPE	Natural Badger Hair
BRUSH HOLD	Pencil Hold
USAGE	Softening; burnishing
MEDIUM	Water
FERRULE	Wire-tied Quill
HANDLE	Wooden round medium

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

4-in-1 Flat Spalter Brush (Bristle) | GLZ-09

4-in-1 Flat Spalter Brush (Bristle) | GLZ-09

ITEM #: GLZ-09

PRICE: $33.72 Regularly: $42.15 Save $8.43

Our long haired spalter is a combination of a spalter, softener, and a mini-flogger. This natural bristle brush becomes economical because of it's versatility. Our spalters are over 1/3" thick. From strie to corner stippling, smoothing to moire, this brush does it all. Keep it in your back pocket and it will get used often. Hand-selected bristle hair, longer than a Spalter Brush 'springs' into action (learn more) Softens unwanted brush/roller marks 4 uses: softening, strie, stipple, & moire A versatile brush for the price Water: Wash with soap, Oil: Thinned & wash w/ soap SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 100 8.9" / 22.7cm .16" / 4mm 4" / 100mm 2.2" / 55mm BRUSH SPECIFICATIONS HAIR TYPE Natural Bristle BRUSH HOLD Drummer's Hold, Conductor's Hold USAGE Corner stippling; strie MEDIUM Water or Oil FERRULE Copper HANDLE Wooden flat short

Our long haired spalter is a combination of a spalter, softener, and a mini-flogger. This natural bristle brush becomes economical because of it's versatility. Our spalters are over 1/3" thick. From strie to corner stippling, smoothing to moire, this brush does it all. Keep it in your back pocket and it will get used often.

Hand-selected bristle hair, longer than a Spalter
Brush 'springs' into action (learn more)
Softens unwanted brush/roller marks
4 uses: softening, strie, stipple, & moire
A versatile brush for the price
Water: Wash with soap, Oil: Thinned & wash w/ soap

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
100	8.9" / 22.7cm	.16" / 4mm	4" / 100mm	2.2" / 55mm

BRUSH SPECIFICATIONS

HAIR TYPE	Natural Bristle
BRUSH HOLD	Drummer's Hold, Conductor's Hold
USAGE	Corner stippling; strie
MEDIUM	Water or Oil
FERRULE	Copper
HANDLE	Wooden flat short

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Chunking Filbert Brush (Bristle) | TL-20

Chunking Filbert Brush (Bristle) | TL-20

ITEM #: TL-20_Size-04

PRICE: $8.32 Regularly: $10.40 Save $2.08

It's back! We've decided to bring back the premier striping brush for oil finishes. Don't be fooled by it's simple appearance, three types of bristle are carefully combined to create this perfect filbert shape. Don't settle for lesser quality. Buy the brush that allows you to paint your best. In every project in oil, this filbert will become indespensible. Use effectively with a Striping Edge for faux molding and other linear projects. Available in 3 sizes. White Bristle hair, for murals or oil striping Hair Length: .8 in to 1.2 in Dia./width: .4 in to .6 in SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 4 12.4" / 31.5cm 0.2" / 4mm 0.4" / 9.5mm 0.8" / 21mm 6 12.9" / 32.7cm 0.2" / 4.5mm 0.5" / 12mm 1" / 26mm 8 12.3" / 33.7cm 0.2" / 5.5mm 0.6" / 16mm 1.2" / 30mm BRUSH SPECIFICATIONS HAIR TYPE Bristle BRUSH HOLD Pencil Hold USAGE Trompe l'oeil, striping MEDIUM Oil or Water FERRULE Tin HANDLE Wooden round long

It's back! We've decided to bring back the premier striping brush for oil finishes. Don't be fooled by it's simple appearance, three types of bristle are carefully combined to create this perfect filbert shape. Don't settle for lesser quality. Buy the brush that allows you to paint your best. In every project in oil, this filbert will become indespensible. Use effectively with a Striping Edge for faux molding and other linear projects. Available in 3 sizes.

White Bristle hair, for murals or oil striping

Hair Length: .8 in to 1.2 in

Dia./width: .4 in to .6 in

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
4	12.4" / 31.5cm	0.2" / 4mm	0.4" / 9.5mm	0.8" / 21mm
6	12.9" / 32.7cm	0.2" / 4.5mm	0.5" / 12mm	1" / 26mm
8	12.3" / 33.7cm	0.2" / 5.5mm	0.6" / 16mm	1.2" / 30mm

BRUSH SPECIFICATIONS

HAIR TYPE	Bristle
BRUSH HOLD	Pencil Hold
USAGE	Trompe l'oeil, striping
MEDIUM	Oil or Water
FERRULE	Tin
HANDLE	Wooden round long

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Trompe L'Oeil Kit | BKIT-05

ITEM #: BKIT-05

PRICE: $230.00 Regularly: $287.50 Save $57.50

Tackle any trompe l'oeil or ornamentation project with confidence with this kit. From linear faux molding to intricate scrolls and details, this complete kit will provide the right tools for the job. These are the brushes you've seen Pierre use in his informative demo's or classes. Get started today with this extensive kit. This kit contains 15 brushes (plus a striping edge). Save 10% discount on all kits and sets. Kit includes: TL-02 Long Liner Brush (Sable) size 6 TL-03 Lettering Brush (Samina Nylon) size 10 TL-05 Pointed Ornament Brush (Sable) size 8, 10 TL-07 Flat Ornament Brush (Sable, Toray Nylon) size 8 TL-09 Filbert Striping Brush (Bordeaux Nylon) size 4, 8, 14 TL-10 Long Filbert Striping Brush (Bordeaux Nylon) size 8 TL-11 Slanted Striping Brush (Sable) size 6 & 8 TL-12 Sharp Filbert Striping Brush (Sable) size 8 & 12 TL-14 Rondin Liner Striper Brush (Squirrel) size 8 TL-16 Acryl'Art Filbert Brush (Bordeaux Nylon) size 8 TL-30 Striping Edge 36"

Tackle any trompe l'oeil or ornamentation project with confidence with this kit. From linear faux molding to intricate scrolls and details, this complete kit will provide the right tools for the job. These are the brushes you've seen Pierre use in his informative demo's or classes. Get started today with this extensive kit.

This kit contains 15 brushes (plus a striping edge).

Save 10% discount on all kits and sets.

Kit includes:

TL-02 Long Liner Brush (Sable) size 6
TL-03 Lettering Brush (Samina Nylon) size 10
TL-05 Pointed Ornament Brush (Sable) size 8, 10
TL-07 Flat Ornament Brush (Sable, Toray Nylon) size 8
TL-09 Filbert Striping Brush (Bordeaux Nylon) size 4, 8, 14
TL-10 Long Filbert Striping Brush (Bordeaux Nylon) size 8
TL-11 Slanted Striping Brush (Sable) size 6 & 8
TL-12 Sharp Filbert Striping Brush (Sable) size 8 & 12
TL-14 Rondin Liner Striper Brush (Squirrel) size 8
TL-16 Acryl'Art Filbert Brush (Bordeaux Nylon) size 8
TL-30 Striping Edge 36"

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Original Domed Glazing Brush (Bristle, Nylon)

Original Domed Glazing Brush (Bristle, Nylon) | GLZ-01D

Original Domed Glazing Brush (Bristle, Nylon) | GLZ-01D

ITEM #: GLZ-01D_Size-04

PRICE: $15.24 Regularly: $25.40 Save $10.16

Only 2 items in stock!

Our domed water glazer is the work horse of decorative painting. This is our highest level of quality. This is a modern replica of the classic full bristle version. Hand-shaped with select bristle fibers Premium stainless steel ferrule with hand-tied string Sealed handle for longevity Nylon synthetic fiber with 60% natural bristle Slightly domed shape for full coverage Rounded for ultimate medium dispersion (learn more) Brush 'springs' into action (learn more) Perfect for 'breaking up the glaze' Large size can glaze an entire wall with speed Application/Usage: applying glaze and basecoat; stippling; adding texture Preferred Medium: Water Brush Ferrule/Handle: Tin, wooden round long Brush Hold: Pencil Hold, Drummer's Hold Hair Length: 2-3" (60-72mm) Dia./width: .5-1.25" (25-32mm)

Our domed water glazer is the work horse of decorative painting. This is our highest level of quality. This is a modern replica of the classic full bristle version.

Hand-shaped with select bristle fibers
Premium stainless steel ferrule with hand-tied string
Sealed handle for longevity
Nylon synthetic fiber with 60% natural bristle
Slightly domed shape for full coverage
Rounded for ultimate medium dispersion (learn more)
Brush 'springs' into action (learn more)
Perfect for 'breaking up the glaze'
Large size can glaze an entire wall with speed
Application/Usage: applying glaze and basecoat; stippling; adding texture
Preferred Medium: Water
Brush Ferrule/Handle: Tin, wooden round long
Brush Hold: Pencil Hold, Drummer's Hold
Hair Length: 2-3" (60-72mm)
Dia./width: .5-1.25" (25-32mm)

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

2-Header Pointed Brecher Brush (Samina Nylon) | MB-05

2-Header Pointed Brecher Brush (Samina Nylon)

2-Header Pointed Brecher Brush (Samina Nylon) | MB-05

ITEM #: MB-05_Size-0

PRICE: $49.92 Regularly: $62.40 Save $12.48

Use this pointed, 2-header for painting faux breche marble. Sable-like soft, synthetic samina fiber Wire tied natural quill Use with our SINGLE HEAD BRECHER Soft, synthetic fiber, 2-pointed tips, wire-tied quill Brush Care: Wash with soap SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH LENGTH OF QUILL HAIR LENGTH ABOVE FERRULE HAIR LENGTH ABOVE QUILL 0 11.9" / 30.3cm 0.5" / 13mm .79" / 20mm .43" / 11mm 1.7" / 43mm 1.3" / 32mm 1 12.4" / 31.5cm 0.6" / 14mm .91" / 23mm .43" / 11mm 2" / 51mm 1.6" / 40mm BRUSH SPECIFICATIONS HAIR TYPE Synthetic Samina Fiber BRUSH HOLD Conductor's Hold, Pencil Hold USAGE Marble breching; Hooking MEDIUM Water FERRULE Wire-tied quill HANDLE Wooden round long

Use this pointed, 2-header for painting faux breche marble.

Sable-like soft, synthetic samina fiber
Wire tied natural quill
Use with our SINGLE HEAD BRECHER
Soft, synthetic fiber, 2-pointed tips, wire-tied quill
Brush Care: Wash with soap

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	LENGTH OF QUILL	HAIR LENGTH ABOVE FERRULE	HAIR LENGTH ABOVE QUILL
0	11.9" / 30.3cm	0.5" / 13mm	.79" / 20mm	.43" / 11mm	1.7" / 43mm	1.3" / 32mm
1	12.4" / 31.5cm	0.6" / 14mm	.91" / 23mm	.43" / 11mm	2" / 51mm	1.6" / 40mm

BRUSH SPECIFICATIONS

HAIR TYPE	Synthetic Samina Fiber
BRUSH HOLD	Conductor's Hold, Pencil Hold
USAGE	Marble breching; Hooking
MEDIUM	Water
FERRULE	Wire-tied quill
HANDLE	Wooden round long

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Filbert Ornament Brush (Sable, Toray Nylon) | TL-08D

ITEM #: TL-08D_Size-08

PRICE: $9.36 Regularly: $15.60 Save $6.24

In order to make a more economical brush, we've combined some natural sable hair with synthetic fiber which holds up to today's water mediums. The filbert tip, sable blend brush is used primarily for half tone shadowing where a sharp, unfaded stroke is desired. Use effectively with a Striping Edge for faux molding & other linear projects. Muralists will surely love this series of sable/mix for production and accuracy. Available in 4 sizes. sable /synthetic blend Flat shape is best for half tone shadows Perfect for landscape and figure murals Larger sizes great for quick blending, fading, and wide half tone Description: Economical mix of sable with synthetic Brush Care: Wash with soap Hair Length: 8 mm to 12 mm Dia./width: 6 mm to 14 mm

In order to make a more economical brush, we've combined some natural sable hair with synthetic fiber which holds up to today's water mediums. The filbert tip, sable blend brush is used primarily for half tone shadowing where a sharp, unfaded stroke is desired. Use effectively with a Striping Edge for faux molding & other linear projects. Muralists will surely love this series of sable/mix for production and accuracy. Available in 4 sizes.

sable /synthetic blend
Flat shape is best for half tone shadows
Perfect for landscape and figure murals
Larger sizes great for quick blending, fading, and wide half tone
Description: Economical mix of sable with synthetic
Brush Care: Wash with soap
Hair Length: 8 mm to 12 mm
Dia./width: 6 mm to 14 mm

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Water Marble Kit | BKIT-04

ITEM #: BKIT-04

PRICE: $463.92 Regularly: $579.90 Save $115.98

This is our most popular marble kit because of it's balance and variety of specialty brushes. A must have for the serious marbelizer. While using today's thicker water mediums, have what you need to complete all of the most demanded faux marble. From White Carrera and Yellow Sienna, to Seagreen and Rouge Royal, be prepared to conquer any project. These are the brushes you've seen Pierre use in his informative demo's or classes. Get started today with this extensive kit. This kit contains 15 brushes. Save 10% discount on all kits and sets. Kit includes: MB-01 Wire-Tied Veining Brush (Bordeaux Nylon) size 4 & 6 MB-02 Wire Tied Veining Brush (Bristle) size 4 MB-03 Wire-Tied Veining Brush (Samina Nylon) size 8 MB-05 Two-Header Pointed Brecher Brush (Samina Nylon) size 0 MB-09 Chiqueteur size 8 MB-10 Round Badger Softener size 14 MB-11 3-Tip Pencil Veiner (Samina Nylon) MB-12 Mini Flat Spalter Brush size 20 MB-13 Tooth Onyx Brush MB-14 Long Brecher Brush (Samina Nylon) size 00 GLZ-41 PRO Pointed Glazing Brush (Bristle, Nylon) size 000, 8 GLZ-16 Spattering Brush TL-10 Long Filbert Striping Brush (Bordeaux Nylon) size 6

This is our most popular marble kit because of it's balance and variety of specialty brushes. A must have for the serious marbelizer. While using today's thicker water mediums, have what you need to complete all of the most demanded faux marble. From White Carrera and Yellow Sienna, to Seagreen and Rouge Royal, be prepared to conquer any project. These are the brushes you've seen Pierre use in his informative demo's or classes. Get started today with this extensive kit.

This kit contains 15 brushes.

Save 10% discount on all kits and sets.

Kit includes:

MB-01 Wire-Tied Veining Brush (Bordeaux Nylon) size 4 & 6
MB-02 Wire Tied Veining Brush (Bristle) size 4
MB-03 Wire-Tied Veining Brush (Samina Nylon) size 8
MB-05 Two-Header Pointed Brecher Brush (Samina Nylon) size 0
MB-09 Chiqueteur size 8
MB-10 Round Badger Softener size 14
MB-11 3-Tip Pencil Veiner (Samina Nylon)
MB-12 Mini Flat Spalter Brush size 20
MB-13 Tooth Onyx Brush
MB-14 Long Brecher Brush (Samina Nylon) size 00
GLZ-41 PRO Pointed Glazing Brush (Bristle, Nylon) size 000, 8
GLZ-16 Spattering Brush
TL-10 Long Filbert Striping Brush (Bordeaux Nylon) size 6

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Economy Pointed Glazing Brush (Bristle, Nylon) | GLZ-43

Economy Pointed Glazing Brush (Bristle, Nylon) | GLZ-43

ITEM #: GLZ-43_Size-02

PRICE: $7.36 Regularly: $9.20 Save $1.84

Our ECONOMY SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion. ECONOMY SERIES: consistent quality hair, lightweight plastic handle, low price See other levels: ULTIMATE and PRO SERIES and our BLUETOP PRO and BLUETOP ECONOMY SERIES. The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush Rounded for ultimate medium dispersion (learn more) Tin ferrule with varnished long plastic handle Brush hold: Pencil Hold, Drummer's Hold Brush care: Wash thoroughly with soap, shape or hang to dry SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 2 10.5" / 26.6cm 0.8" / 21mm 0.8" / 21mm 2.2" / 56mm 4 10.8" / 27.5cm 0.9" / 25mm 0.9" / 25mm 2.3" / 59mm 6 11.6" / 29.5cm 1.1" / 29mm 1.1" / 30mm 2.5" / 65mm BRUSH SPECIFICATIONS HAIR TYPE Natural Bristle / Nylon blend USAGE Application of varnish, paint, glaze medium

Our ECONOMY SERIES POINTED glazing (sash) brushes have a classic round shape for ultimate paint medium dispersion. It is used to apply glaze, paint, wax, and thin textures. Use like a standard paint brush or scrubbing motion.

ECONOMY SERIES: consistent quality hair, lightweight plastic handle, low price
See other levels: ULTIMATE and PRO SERIES
and our BLUETOP PRO and BLUETOP ECONOMY SERIES.
The POINTED shape is best for maximum control of paint medium. See also: domed glazing brush
Rounded for ultimate medium dispersion (learn more)
Tin ferrule with varnished long plastic handle
Brush hold: Pencil Hold, Drummer's Hold
Brush care: Wash thoroughly with soap, shape or hang to dry

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
2	10.5" / 26.6cm	0.8" / 21mm	0.8" / 21mm	2.2" / 56mm
4	10.8" / 27.5cm	0.9" / 25mm	0.9" / 25mm	2.3" / 59mm
6	11.6" / 29.5cm	1.1" / 29mm	1.1" / 30mm	2.5" / 65mm

BRUSH SPECIFICATIONS

HAIR TYPE	Natural Bristle / Nylon blend
USAGE	Application of varnish, paint, glaze medium

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Original Pointed Glazing Brush (Bristle)

Original Pointed Glazing Brush (Bristle) | GLZ-04D

Original Pointed Glazing Brush (Bristle) | GLZ-04D

ITEM #: GLZ-04D_Size-04

PRICE: $17.31 Regularly: $28.85 Save $11.54

Only 2 items in stock!

Our pointed bristle glazer will surely assist in your glazing with its excellent line cutting capabilities. It as a 'sash', this sturdy brush can 'cut' a perfect line, work in tight corners, & accurately glaze your woodgraining or faux marble projects. High quality bristle keeps it's shape Pointed shape allows for precise application Rounded for ultimate medium dispersion (learn more) Can be used in oil/water when dedicated (learn more) Perfect for glazing stiles/rails, baseboard, and dentil molding Larger sizes best for glazing panels for woodgraining BRUSH SPECIFICATIONS HAIR TYPE Natural Bristle BRUSH HOLD Pencil Hold, Drummer's Hold USAGE Precisely applying glaze and basecoat; woodgraining; faux marble MEDIUM Oil or Water FERRULE Copper HANDLE Wooden round long SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 4 " / mm " / mm " / mm 8 " / mm " / mm " / mm

Our pointed bristle glazer will surely assist in your glazing with its excellent line cutting capabilities. It as a 'sash', this sturdy brush can 'cut' a perfect line, work in tight corners, & accurately glaze your woodgraining or faux marble projects.

High quality bristle keeps it's shape
Pointed shape allows for precise application
Rounded for ultimate medium dispersion (learn more)
Can be used in oil/water when dedicated (learn more)
Perfect for glazing stiles/rails, baseboard, and dentil molding
Larger sizes best for glazing panels for woodgraining

BRUSH SPECIFICATIONS

HAIR TYPE	Natural Bristle
BRUSH HOLD	Pencil Hold, Drummer's Hold
USAGE	Precisely applying glaze and basecoat; woodgraining; faux marble
MEDIUM	Oil or Water
FERRULE	Copper
HANDLE	Wooden round long

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
4		" / mm	" / mm	" / mm
8		" / mm	" / mm	" / mm

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Tooth Spalter Brush - Long (Bluetop) | GLZ-38

Tooth Spalter Brush - Long (Bluetop) | GLZ-38

ITEM #: GLZ-38_Size-40

PRICE: $9.72 Regularly: $12.15 Save $2.43

Unique blue, silky fiber in our traditional spalter (mottler) shape and LONGER length (average 65mm ). This brush is primarily used to aid application of varnishes, thinned latex paints, and acrylic glazes. Unlike the "chip" brush that can be found in standard hardware stores, our spalter brush has a thick row of densely packed hair for ultimate performance and control. Uses: strie, moiré in woodgraining, and general tipping and smoothing to soften brush marks. This longer hair version creates stronger, more obvious strie. Tips are manufactured to flower to hold more paint which will allow the brush to cut sharp edges. Best used in water based medium Tin ferrule with wooden flat handle Smaller sizes are great for window and door casing. Larger sizes for entire walls Brush hold: Drummer's hold; quack motion Soft, silky hair allows for delicate tipping for minimum brush marks SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 40 7.8" / 19.7cm .4" / 9mm 1.6" / 40mm 2.6" / 65mm 60 8.1" / 20.5cm .4" / 9mm 2.3" / 60mm 2.6" / 65mm 80 8.4" / 21.4cm .4" / 9mm 3.1" / 80mm 2.6" / 65mm 100 9" / 22.8cm .4" / 9mm 4" / 100mm 2.6" / 65mm 150 9.1" / 23cm .4" / 9mm 6" / 150mm 2.6" / 65mm 200 10.2" / 26cm .4" / 9mm 8" / 200mm 2.6" / 65mm BRUSH SPECIFICATIONS HAIR TYPE Bluetop synthetic USAGE Strie; moire; softening paint; varnish

Unique blue, silky fiber in our traditional spalter (mottler) shape and LONGER length (average 65mm ). This brush is primarily used to aid application of varnishes, thinned latex paints, and acrylic glazes. Unlike the "chip" brush that can be found in standard hardware stores, our spalter brush has a thick row of densely packed hair for ultimate performance and control.

Uses: strie, moiré in woodgraining, and general tipping and smoothing to soften brush marks. This longer hair version creates stronger, more obvious strie.
Tips are manufactured to flower to hold more paint which will allow the brush to cut sharp edges.
Best used in water based medium
Tin ferrule with wooden flat handle
Smaller sizes are great for window and door casing. Larger sizes for entire walls
Brush hold: Drummer's hold; quack motion
Soft, silky hair allows for delicate tipping for minimum brush marks

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
40	7.8" / 19.7cm	.4" / 9mm	1.6" / 40mm	2.6" / 65mm
60	8.1" / 20.5cm	.4" / 9mm	2.3" / 60mm	2.6" / 65mm
80	8.4" / 21.4cm	.4" / 9mm	3.1" / 80mm	2.6" / 65mm
100	9" / 22.8cm	.4" / 9mm	4" / 100mm	2.6" / 65mm
150	9.1" / 23cm	.4" / 9mm	6" / 150mm	2.6" / 65mm
200	10.2" / 26cm	.4" / 9mm	8" / 200mm	2.6" / 65mm

BRUSH SPECIFICATIONS

HAIR TYPE	Bluetop synthetic
USAGE	Strie; moire; softening paint; varnish

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Roll-Up Brush Protector (Long Brushes) | ACAS-07

ITEM #: ACAS-07_Camo-Green

PRICE: $34.00

Only 1 items in stock!

Introducing our locally hand-made, brush roll-ups for safely transporting and storing your finest brushes. These are customized for the decorative and sign painter in mind. Brushes have a safe home within the slots. For storage and transport, simply lay the flap over the brushes, roll and tie.¾ Size: 16.25” x 14.25” holds brushes up to 14" long 9 brush slots The roll-ups are made with unbleached, 100% cotton muslin Single-needle construction with a tex-40 heavy duty poly core cotton wrapped thread Features copper jeans rivets in the corners and a clear vinyl pocket for a business card

Introducing our locally hand-made, brush roll-ups for safely transporting and storing your finest brushes. These are customized for the decorative and sign painter in mind. Brushes have a safe home within the slots. For storage and transport, simply lay the flap over the brushes, roll and tie.¾

Size: 16.25” x 14.25” holds brushes up to 14" long
9 brush slots
The roll-ups are made with unbleached, 100% cotton muslin
Single-needle construction with a tex-40 heavy duty poly core cotton wrapped thread
Features copper jeans rivets in the corners and a clear vinyl pocket for a business card

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

3-Tip Pencil Veiner (Bristle) | WD-06

ITEM #: WD-06

PRICE: $23.08 Regularly: $28.85 Save $5.77

This natural bristle 3-tip, flat brush creates veins and grains for faux marble and woodgrain techniques. Using a positive application, the brush tips will come to a fine point for delicate and parallel lines. 3 tips allows for parallel lines Faux marble: Sea Green, Yellow Flower, Imperador marble, etc. Woodgraining: walnut, mahogany, teak, pine, etc For our softer version, see Multi-Tip Synthetic Pencil Veiner Used in both water and oil medium Brush hold: Drummer's hold, Conductor's hold Tin ferrule with wooden, flat handle Brush Care: Wash with Soap SIZE TRANSLATIONS BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 8.8" / 22.4cm 0.2"/7mm 1.3"/35mm 1.5"/37mm BRUSH SPECIFICATIONS HAIR TYPE Natural bristle USAGE positive application, woodgraining; faux marble veining

This natural bristle 3-tip, flat brush creates veins and grains for faux marble and woodgrain techniques. Using a positive application, the brush tips will come to a fine point for delicate and parallel lines.

3 tips allows for parallel lines
Faux marble: Sea Green, Yellow Flower, Imperador marble, etc.
Woodgraining: walnut, mahogany, teak, pine, etc
For our softer version, see Multi-Tip Synthetic Pencil Veiner
Used in both water and oil medium
Brush hold: Drummer's hold, Conductor's hold
Tin ferrule with wooden, flat handle
Brush Care: Wash with Soap

SIZE TRANSLATIONS

BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
8.8" / 22.4cm	0.2"/7mm	1.3"/35mm	1.5"/37mm

BRUSH SPECIFICATIONS

HAIR TYPE	Natural bristle
USAGE	positive application, woodgraining; faux marble veining

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Folio of Swedish Grain by Ove Hammarstedt | VL-46

ITEM #: VL-46

PRICE: $140.00

A RARE modern printing of a traditional folio. This folio is a great way to study the details in the grain of a master Swedish decorative painter. Limited Amount available for sale. Only 9 copies available that are signed by the artist. *Please note that these folios are small artist made so small imperfections may be present* This OVERSIZED (15.5" x 20.5"), full-color, unbounded folio presents the extensive skill and works of OVE HAMMARSTEDT. Plate after plate, you will be in awe of his fine detail and use of vivid colors in his faux bois. This 12-plate book features 11 full color images of common and rare species of wood. This folio will be a treasured addition to your library along with an invaluable resource for the study of faux bois. OVE HAMMARSTEDT is such an accomplished decorative painter and a real artisan of Faux! "Ove captured the essence of 19th century Northern European style of wood graining which has a mixture of very spontaneous work that is completed in 2 or 3 steps (often wet on wet), and the traditional delicate and refined oil techniques of France. When I first saw his panel and sample work in Stockholm I really thought that they were the work of a very old painter who would have done his training in the 1930's! When I met Ove in 1994 I could not believe he was the artist that had captured the Northern school spirit since he was only in his mid 30's" -Pierre Finkelstein Text is in Swedish. Printed in 2003

A RARE modern printing of a traditional folio. This folio is a great way to study the details in the grain of a master Swedish decorative painter. Limited Amount available for sale. Only 9 copies available that are signed by the artist.

*Please note that these folios are small artist made so small imperfections may be present*

This OVERSIZED (15.5" x 20.5"), full-color, unbounded folio presents the extensive skill and works of OVE HAMMARSTEDT. Plate after plate, you will be in awe of his fine detail and use of vivid colors in his faux bois. This 12-plate book features 11 full color images of common and rare species of wood. This folio will be a treasured addition to your library along with an invaluable resource for the study of faux bois.

OVE HAMMARSTEDT is such an accomplished decorative painter and a real artisan of Faux!

"Ove captured the essence of 19th century Northern European style of wood graining which has a mixture of very spontaneous work that is completed in 2 or 3 steps (often wet on wet), and the traditional delicate and refined oil techniques of France. When I first saw his panel and sample work in Stockholm I really thought that they were the work of a very old painter who would have done his training in the 1930's! When I met Ove in 1994 I could not believe he was the artist that had captured the Northern school spirit since he was only in his mid 30's" -Pierre Finkelstein

Text is in Swedish. Printed in 2003

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

1mm Pointed Tip Japanese Trowel (Clear Plastic)

1mm Pointed Tip Japanese Trowel (Clear Plastic)

ITEM #: TWJP-09_Size-150

PRICE: $34.62

High-quality, traditional Japanese trowels are essential in the decorative painter's tool-kit. There is a range of trowels on the market, but the Japanese version provides a versatility and ease of use that is unmatched. Generally, Japanese trowels are meant to move softer and smoother plasters like Venetian, clay, or other low-aggregate textures. Our range of products come in primarily, stainless steel or plastic; flexible or rigid options. The thicker, more rigid trowels are best for applying the plaster. The thinner, more flexible, stainless steel trowels are superb for smoothing, knocking-down, burnishing, and polishing the finishing layers. Very delicate - less likely to scratch the surface Easy grip (especially easy with small hands) Gets tight into corners Great for "knock-down" troweling Fantastic burnisher/polishing tool Gets sharper with use Won't rust Which trowel is right for your project? Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators. Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped. Size: We love the medium to small sizes of trowels. You'll be saying "these are so cute!" but they are seriously essential in small spaces and corners. Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water). Size translations: 120mm (4.7") 150mm (5.9") 180mm (7") 210mm (8.3") 240mm (9.5") 270mm (10.6") 300mm (11.8") Be a plaster samurai! Did you know? When the Edo period in Japan came to a close and the samurai fought their final battle, the production of swords was forbidden. As a result, highly skilled sword blacksmiths, concentrated on making carpentry and plastering tools. To this day, Japan is known for its exquisite carpentry and plastering tools.

High-quality, traditional Japanese trowels are essential in the decorative painter's tool-kit. There is a range of trowels on the market, but the Japanese version provides a versatility and ease of use that is unmatched. Generally, Japanese trowels are meant to move softer and smoother plasters like Venetian, clay, or other low-aggregate textures. Our range of products come in primarily, stainless steel or plastic; flexible or rigid options. The thicker, more rigid trowels are best for applying the plaster. The thinner, more flexible, stainless steel trowels are superb for smoothing, knocking-down, burnishing, and polishing the finishing layers.

Very delicate - less likely to scratch the surface
Easy grip (especially easy with small hands)
Gets tight into corners
Great for "knock-down" troweling
Fantastic burnisher/polishing tool
Gets sharper with use
Won't rust

Which trowel is right for your project?

Thickness: Sizes range from .3mm (thin) to 1mm (thick). Thinner trowels allow for a delicate, soft touch. Thicker trowels are excellent applicators.

Material: Stainless steel trowels come thin or thick and are more resilient to wear. Plastic trowels are thicker, cheaper, and less likely to nick when dropped.

Size: We love the medium to small sizes of trowels. You'll be saying "these are so cute!" but they are seriously essential in small spaces and corners.

Care instructions: Stainless steel trowels are subject to damage when dropped. They get sharper with age, but they can also become misshapen when used with heavy aggregates. They will not rust, but care must be taken with the wood handle (not to be left sitting in water).

Size translations:

120mm (4.7")
150mm (5.9")
180mm (7")
210mm (8.3")
240mm (9.5")
270mm (10.6")
300mm (11.8")

Be a plaster samurai! Did you know? When the Edo period in Japan came to a close and the samurai fought their final battle, the production of swords was forbidden. As a result, highly skilled sword blacksmiths, concentrated on making carpentry and plastering tools. To this day, Japan is known for its exquisite carpentry and plastering tools.

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Pointed Fine Detail Brush (Sable) | TL-04

Pointed Fine Detail Brush (Sable) | TL-04

ITEM #: TL-04_Size-02

PRICE: $13.20 Regularly: $16.50 Save $3.30

My best brush for all freehand detail work! Quality, short pointed sable hair is hand-selected for this detail brush. It's amazingly pointed to make it easy to render magic for all freehand detail painting. For any mural or ornamentation project, use our short, pointed, sable detail brush for accuracy and best response. Using your pinkie as a guide, create controlled, 'thin-thick-thin' strokes, evenly with this brush. Available in 3 sizes Fine pointed sable hair Sable hair ages well and is self-sharpening Short handle for control Rounded for ultimate medium dispersion (learn more) Can be used in oil/water when dedicated (learn more) Excellent for surgical touch-ups Description: Soft hair, for precision painting Preferred Medium: Oil/Water Brush Ferrule/Handle: tin, wooden round short Brush Hair Type: Sable Brush Hold: Conductor's Hold, Pencil Hold Brush Care: Water: Wash with soap, Oil: Thinned & lard Hair Length: .6 to .8" (15-20mm) Dia./width: .12" (3mm) SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 2 7.2" / 18.2cm 0.1" / 3mm 0.1" / 3mm 0.6" / 14mm 4 8" / 20.3cm 0.2" / 4mm 0.2" / 4mm 0.7" / 18mm 6 8.1" / 20.5cm 0.2" / 5mm 0.2" / 5mm 0.9" / 22mm BRUSH SPECIFICATIONS HAIR TYPE Kolinsky Sable BRUSH HOLD Conductor's Hold, Pencil Hold USAGE Freehand trompe l'oeil & ornamentation MEDIUM Oil or Water FERRULE Tin HANDLE Wooden round short

My best brush for all freehand detail work! Quality, short pointed sable hair is hand-selected for this detail brush. It's amazingly pointed to make it easy to render magic for all freehand detail painting. For any mural or ornamentation project, use our short, pointed, sable detail brush for accuracy and best response. Using your pinkie as a guide, create controlled, 'thin-thick-thin' strokes, evenly with this brush. Available in 3 sizes

Fine pointed sable hair
Sable hair ages well and is self-sharpening
Short handle for control
Rounded for ultimate medium dispersion (learn more)
Can be used in oil/water when dedicated (learn more)
Excellent for surgical touch-ups
Description: Soft hair, for precision painting
Preferred Medium: Oil/Water
Brush Ferrule/Handle: tin, wooden round short
Brush Hair Type: Sable
Brush Hold: Conductor's Hold, Pencil Hold
Brush Care: Water: Wash with soap, Oil: Thinned & lard
Hair Length: .6 to .8" (15-20mm)
Dia./width: .12" (3mm)

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
2	7.2" / 18.2cm	0.1" / 3mm	0.1" / 3mm	0.6" / 14mm
4	8" / 20.3cm	0.2" / 4mm	0.2" / 4mm	0.7" / 18mm
6	8.1" / 20.5cm	0.2" / 5mm	0.2" / 5mm	0.9" / 22mm

BRUSH SPECIFICATIONS

HAIR TYPE	Kolinsky Sable
BRUSH HOLD	Conductor's Hold, Pencil Hold
USAGE	Freehand trompe l'oeil & ornamentation
MEDIUM	Oil or Water
FERRULE	Tin
HANDLE	Wooden round short

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Acryl'art Detail Pointed Brush (Bordeaux Nylon) | TL-18D

ITEM #: TL-18D_Size-02

PRICE: $4.14 Regularly: $6.90 Save $2.76

For all you fresco mural painters, these brushes are for you! These synthetic brushes are made with a slightly stiffer, cognac fiber for all water mediums. Muralist will love these brushes for their strength, and slightly heavier handle. Our new Acryl'art synthetics are no substitute for sable, but the perfect starter brush. Available in 3 sizes. Brush Care: Wash with soap Hair Length: .6 in to 1.75 in Dia./width: .4 in to 1.5 in BRUSH SPECIFICATIONS HAIR TYPE Bordeaux Nylon BRUSH HOLD Conductor's Hold, Pencil Hold USAGE Trompe l'oeil, striping MEDIUM Oil or Water FERRULE Tin HANDLE Wooden round long

For all you fresco mural painters, these brushes are for you! These synthetic brushes are made with a slightly stiffer, cognac fiber for all water mediums. Muralist will love these brushes for their strength, and slightly heavier handle. Our new Acryl'art synthetics are no substitute for sable, but the perfect starter brush. Available in 3 sizes.

Brush Care: Wash with soap

Hair Length: .6 in to 1.75 in

Dia./width: .4 in to 1.5 in

BRUSH SPECIFICATIONS

HAIR TYPE	Bordeaux Nylon
BRUSH HOLD	Conductor's Hold, Pencil Hold
USAGE	Trompe l'oeil, striping
MEDIUM	Oil or Water
FERRULE	Tin
HANDLE	Wooden round long

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Mixol® Metallic Effect Universal Color Tints

ITEM #: PMX-02_GE_30g

PRICE: $16.46 Regularly: $17.33 Save $0.87

Mixol offers the highest quality Universal Tints on the market. Produced in Germany for more than 35 years, Mixol is compatible with almost any paint and coating. The full assortment of 33 colors mixes easily with shellacs, lacquers, primers and fillers. Mixol is known for its high concentration of pigment, sophisticated color palette, and ease of mixing. They are highly resistant to frost and heat damage. They have an indefinite shelf life, and because they are binder-free, they will not dry out or thicken. Fifteen Mixol Oxide colors were created to meet the growing demand for adding color to fast-drying varnishes and paints. Oxide colorants can even be used with cement and mortar and are colorfast and weatherproof. Gold - 30g / 300g Silver / Copper - 20g / 200g

Mixol offers the highest quality Universal Tints on the market. Produced in Germany for more than 35 years, Mixol is compatible with almost any paint and coating. The full assortment of 33 colors mixes easily with shellacs, lacquers, primers and fillers.

Mixol is known for its high concentration of pigment, sophisticated color palette, and ease of mixing. They are highly resistant to frost and heat damage. They have an indefinite shelf life, and because they are binder-free, they will not dry out or thicken.

Fifteen Mixol Oxide colors were created to meet the growing demand for adding color to fast-drying varnishes and paints. Oxide colorants can even be used with cement and mortar and are colorfast and weatherproof.

Gold - 30g / 300g

Silver / Copper - 20g / 200g

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.

Graining Veinette (Bristle) | WD-10

ITEM #: WD-10_Size-35

PRICE: $30.92 Regularly: $38.65 Save $7.73

Don't miss out on this unique woodgraining brush. The highest quality bristle hair is hand picked for its straightness and length to create our veinette [vin-et]. As compared to the Tooth Veinette, this brush will create even finer lines for wood sidegrains. Let gravity guide this lightweight brush for ultra fine parallel lines perfect for realistic woodgraining. Pierre also uses this brush on its side for fine veins in wood heartgrain. High quality bristle keeps it's shape Can be used in oil or water when dedicated (learn more) Run brush thru a Single Comb to separate the fine hairs (learn more) This brush can also be used as a mini flogger Used successfully in maple, pine, water walnut, and more Description: Long bristle hair, for side graining Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap SIZE TRANSLATIONS SIZE BRUSH LENGTH FERRULE WIDTH FERRULE LENGTH HAIR LENGTH 35 10.2" / 26cm 45 10.6" / 26.8cm 60 12.4" / 31.4cm BRUSH SPECIFICATIONS HAIR TYPE Bristle BRUSH HOLD Drummer's Hold, Conductor's Hold USAGE Straight graining/veining; onyx veins; wood heartgrain MEDIUM Oil or Water FERRULE Tin HANDLE Wooden flat medium

Don't miss out on this unique woodgraining brush. The highest quality bristle hair is hand picked for its straightness and length to create our veinette [vin-et]. As compared to the Tooth Veinette, this brush will create even finer lines for wood sidegrains. Let gravity guide this lightweight brush for ultra fine parallel lines perfect for realistic woodgraining. Pierre also uses this brush on its side for fine veins in wood heartgrain.

High quality bristle keeps it's shape
Can be used in oil or water when dedicated (learn more)
Run brush thru a Single Comb to separate the fine hairs (learn more)
This brush can also be used as a mini flogger
Used successfully in maple, pine, water walnut, and more
Description: Long bristle hair, for side graining
Brush Care: Water: Wash with soap, Oil: Thinned & wash w/ soap

SIZE TRANSLATIONS

SIZE	BRUSH LENGTH	FERRULE WIDTH	FERRULE LENGTH	HAIR LENGTH
35	10.2" / 26cm
45	10.6" / 26.8cm
60	12.4" / 31.4cm

BRUSH SPECIFICATIONS

HAIR TYPE	Bristle
BRUSH HOLD	Drummer's Hold, Conductor's Hold
USAGE	Straight graining/veining; onyx veins; wood heartgrain
MEDIUM	Oil or Water
FERRULE	Tin
HANDLE	Wooden flat medium

How-To Brush Care Guide

Prepare your brushes for their first use - read below.

Most of our large and fine hair brushes are hand-set and made with different hairs that are tapped in a small copper cylinder before being glued into the ferrule. This is why some of the hairs are not properly affixed to the ferrule, so the brush will shed some hair the first few times you will use it.

Thick hair: examples are; badger, hog (china bristle), horse hair

Fine hair: examples are sable; squirrel, goat, skunk (fine, thin short hair)

Synthetic Fiber: examples are; taklon, samina, bordeaux, synthetic bristle

To minimize brush shedding, you should:

Wash the brush thoroughly with a mild dish soap in warm water and massage the hair to comb out the loose bristles. Rinse until there is no soap residue left in the brush.
Ring the brush out by rolling it between your hands as if you were trying to make a fire with a stick to fluff out the brush.
Let dry by hanging the brushes or lay it down at the edge of a table (a hog bristle will have a strong odor due to the bone glue used to attach the bristles. This will go away after a few washings.)

Repeat this process a few more times.

All acrylic glazes contain some sort of ammonia which attacks the structure of the natural hair. Therefore, brush maintenance and thorough repetitive cleaning as described in step 1, 2, & 3 is imperative to protect and extend the life of your brush.

Applying a few drops of ‘leave in’ conditioner is also a good idea if you’re not going to be using your brush for some time.

Dried Paint: If some acrylic glaze becomes hardened on the brush, start by removing the heaviest part with denatured alcohol then rinse with water and coat the hairs with Murphy’s Oil Soap and leave for several hours. Apply the steps again from 1, 2, & 3 so the paint will brush out easily and leave your brush as good as new. Be careful as soap left too long in the natural hair will deteriorate the flexibility of the hair.

Proper cleaning procedure

for oil/water and large or small brushes:

	Oil Medium	Water Medium
Large Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Wash brush with warm water and a lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry upside down.	Rinse thoroughly with warm water. Clean with a tiny bit of lathering soap and rinse until completely clean. Shake out excess water, quickly form brush shape, and then allow to dry.
Small Brushes	Prep brushes by thinning in two or more baths of spirits or until a rag runs free of paint. Apply a generous portion of Lard to the tip of the brush and store. To reuse brush, completely thin with spirits.	Clean each small brush very carefully and gently with a tiny bit of lathering soap. Shake out excess water, quickly form brush shape, and then allow to dry . To reshape a brush, dip it in Gum Arabic.